The Warner Archive February 26, 2019 Blu-ray release of the 1971 Blake Edwards comedy-western "Wild Rovers" coinciding with the (reviewed) Archive release of the innovative 1947 audience-participation noir film "The Lady in the Lake" once again shows that Archive is the best friend of lovers of non-cookie-cutter films.
One note regarding both films is that Archive also does its usual expert remastering decades old films.
This early '70s-style western (complete with the ubiquitous old-timey font of the era) centers around Montana cowboy Frank Post (Ryan O'Neal) having a quarter-life crisis at the the same time that 50 year-old co-worker/partner-in-crime Ross Bodine (William Holden) experiences a mid-life crisis. One spoiler is that a scene in an old-style bathhouse gives the audience a look at the paper-white moon of O'Neal.
The unwritten rule that almost anything goes in the saloon conditioned on paying for your fun also reflects the era.
Post and Bodine are living quiet lives of moderate desperation working round-ups and doing related tasks at the cattle ranch of Walter Buckman (Karl Malden) when a workplace accident triggers concurrent existential crises in our leads. Bodine fully realizes that he is too old for this stuff, and Post concludes that he wants a lifestyle change before he reaches that point. The underlying theme is the capitalist model that is based on the guy with the gold obtaining and keeping it by exploiting the guys who do the heavy lifting.
The era-apt get-rich-quick scheme of Post and Bodine is to rob the local bank. The many inter-related aspects of that crime of the 19th century reflect the off-beat comic genius of writer-director Blake Edwards.
Elements that establish our leads as good guys include Bodine playing Robin Hood with a portion of the ill-gotten goods and Post strongly bonding with a newly born puppy. That dog playing a significant role in much of the film contributes strong charm and humor,
Buckman already is dealing the arrival of a new whore at the local house of ill-repute greatly exciting the horny son of the cattle baron. An unrelated cause for consternation is the neighboring sheep herder allowing his flock to graze on the land of Buckman. At the same time, a two-birds-one-stone solution would save the son a trip into town and a few dollars.
Buckman believing that his payroll is headed to Mexico with his ex-employees prompts him to send his randy son and the brother of that excitable boy in lukewarm pursuit,
The wonderful interaction between Bodine and Post that begins with the genesis of their conspiracy gets even better as they bicker, bargain, and bond their way to Mexico. Highlights that are reminiscent of an old married couple include the eternal horse v. donkey debate and Bodine planning to leave Post behind when he goes off for an evening in town.
A precursor to "The Gambler" occurs when Post joins a high-stakes poker game with some bad hombres who are sore losers.
All of this climaxes with a mixed Silver Age message regarding whether crime pays. This also reflects the waning days of the Hays Code in which a felon does not necessarily end up either in the graveyard or the local jail.
The recently released "The Drag Roast of Heklina" on the LGBTQ-themed streaming network Revry proves that boys who dress as girls just wanna have fun. It also saves people who wonder if '80s New Wave princess Julie Brown still is alive the trouble of looking her up on IMDb.
The titular woman of the hour-and-42-minutes is a San Francisco legend, Her current claim to fame is owning the drag club The Oasis where that fucker performs a show titled "Mother." The emcee for the evening is fellow tucker Jackie Beats.
Revry delivers on a promise to provide an evening that shows that breeders do not have a monopoly on making vicious and harmful comments about those who are most near and dear to you; We also see that Hell hath no hilarious fury like a drag queen scorned. Personal experience involves fallout from sincerely mistaking a Cher drag queen for Fran Drescher.
The following likely will incur the wrath of Heklina, but the roast warrants constructive comments that reflect many of the remarks during the evening. The most obvious aspect of the event is that every participant with the exception of Brown and (personally disliked) last-minute-substitute drag queen Alaska Thunderfuck generally looks alike.
Personal perspective this time is having a Bette Davis drag queen hit my feet with a push broom for the offense of resting them on a stage before a performance. She did not take kindly to my jokingly telling her to go drink a Pepsi.
Rather than paying homage to Golden and Silver Age actresses and movie stars, the roasters purposefully made themselves up grotesquely to the extent of "Drew Carey" era Kathy Kinney looking like a natural beauty in comparison. Several jokes about the lack of diversity among the group reflects that homogeneous quality.
Similarly, the uniformity of jokes and targets of those barbs made it difficult to distinguish who said what about whom. One hilarious exception was a queen commenting that Alaska is hung like a horse and feeding her a carrot in a very suggestive manner The topper was Beats later expressing jealousy regarding not getting a snack and the other queen responding that Beats would not have wanted it because it was a vegetable.,
Many of the best jokes were directed at a queen who was not there to give as good as she got. The group ripped into Katya for a (possibly exaggerated) drug problem. A highlight was a pun on the word habit. Brown did just as well in commenting that the backstage area reeked of duct tape and balls.
An unintentionally amusing moment was an assessment that a joke that involves "Citizen Kane" bombed because it was too cerebral, rather than because it was not very funny. Commenting that the target was even more obsessed than Kevin Spacey with pounding an American beauty would have been funnier,
Aside from the obvious difference between this roast and most others, it is recalled that these events typically are for a charity; that does not seem to be the case here. Further, many traditional roasters end with nice comments and expressions of love. Those are few and far between here.
The climax (no pun intended) of Heklina getting her chance to fight back is very odd. Her seeming to genuinely be tired and perhaps to only respect the first portion of the expression fuck 'em if they can't take a joke likely influenced her cursing out the audience for not laughing at her jokes. In fairness to the folks who attended, they already had sat through 90 minutes of repetitive jokes about being fat, sex, and aging,
The act of rimming being a topic of the evening makes an analogy involving that act an apt way to end this post. Like the drag style of the party girls and their humor, eating ass is something that some people enjoy from the get-go and that is an acquired taste for others. A third group never finds anal secretions their cup of tea. Not that there is anything wrong with any of that. The bigger lesson is that you never know if you like something until you try it,
A comedy of errors regarding a Valentine's Day dinner evoked strong feelings of the sitcom staple of the plans of a couple going comically awry on that special day. The consensus during a dinner at a restaurant that can I consider The Ninth Level of Hell's Dining Room and that many people apparently love was that it most closely related what was recalled as Joe and Helen of the "Cheers" companion series "Wings" experiencing Hell every Valentine's Day.
The consensus regarding the setting of our meal of extreme discontent was that it was the restaurant version of "The Golden Palace," which was the titular Miami hotel that The Golden Girls (sans Dorothy) owned and operated after their original series ended, We also determined that Queen of Ill-Conceived Promotions Linda Belcher of "Bob's Burgers" would have tried something akin to the failed concept that lead to adding insult to injury.
Also in sitcom style, our narrative is shifting from the present of the primary "sit" that provided the "com" to the genesis of those unfortunate circumstances.
Back in July, your not-so-humble reviewer planned a "thaw-out" trip to Sarasota, Florida. This revolved around staying at the absolutely fabulous Hotel Indigo in that city. We subsequently learned more about the exceptional H20 bistro in the hotel.
On booking the vacation, we discussed where to celebrate Valentine's Day. The then top-rated restaurant Antoine's seemed pricey. Then number-two (currently number one) restaurant Dolce Italia was mid-priced and seemed very good. I asked my highly significant other (HSO) to book the reservation on Open Table.
I mentioned the dinner several times in the interval between July and February and ALWAYS referred to the restaurant as Dolce Italia. My HSO always responded that the correct name was La Dolce Vita. Knowing that I was correct but determining that that error was harmless, I always dropped the matter. On the other hand, I constantly confuse the Mexican chains On the Border and Border Cafe; I cannot remember which one I prefer.
We arrived in Sarasota on February 13, and the contradictions regarding the restaurant name continued. Having the privilege and the pleasure to speak with H20 Executive Chef Sol Shenker for an article on that eatery added more "com" to the mix in the form of Shenker repeatedly inviting us to have Valentine's Day dinner at his restaurant.
I advocated for eating at H20, but my HSO reasonably wanted to honor our commitment to the other restaurant. Shenker shared that he knew the chef at DOLCE ITALIA and that the food there was very good.
My HSO and I riding past Dolce Italia prompted me to say "there it is" only to be told that we were looking for La Dolce Vita,
The following stage of the narrative requires disclaimers. First, I do not blame La Dolce Vita for any events up to this point. Second, I do not have a horse in the race, and there are plenty of customers to go around. I simply consider the entire experience adequately amusing and sitcomy to warrant a post. Part of this humor relates to the La Dolce Vita owner taking arguably undue umbrage regarding negative online reviews to which even the finest restaurants and hotels are subject,
Now back to our story.
On arriving at La Dolce Vita, we were puzzled on sitting down and finding the menu in the below photo on the table. We wondered if we chose one of the two items in each category or got both and if the $59 price was per couple or per person. We also wondered if there was a standard menu that offered mutually desired ala carte options.
Neither the website nor the woman who called to confirm the reservation mentioned anything about a special Valentine's menu.
One issue was that I dislike any food that has lived in the water, and the menu was heavily slanted toward seafood. Additionally, my prior friendship with the three sheep on the farm of human friends had prompted me to stop eating lamb; one of the entrees was lamb chops.
We considered leaving but decided to stay and hope for the best.
A language barrier was a factor regarding our waiter not understanding our questions regarding the dining options. The prosciutto and mozzarella arriving merely by virtue of our sitting at the table contributed to the confusion.
I asked the waitress who cleared our plates after that course if we could order off a menu. Her response of "no menu; you eat it all" has been a source of humor for myself and my HSO ever since.
I did not eat most of the dishes, and the wait staff seemed oblivious to all those courses going back uneaten.
The real "com" kicked in on the restaurant owner coming to our table in the middle of the meal. My outward appearance reflected my being distraught,
My HSO and I repeatedly told the owner that I was alright, but she deserves credit for stating that she wanted to know what was wrong. She earns less credit for insisting that she wanted me to 'fess up to her face rather than write something nasty online. That turned out to be a self-fulfilling prophecy,
Her response to our calmly and politely stating that we had no basis for believing that we would not have choices regarding whats was served was that it was not her fault. We also explained that I did not like most of the served items. "Had we known," we simply would have eaten someplace else that night.
The owner asking me what I liked created an expectation that she would send over the requested spinach and ricotta pasta and/or the also-asked-for plate of fettuccine without the shrimp and anchovies that came with it. That reasonable response would have made me happy.
Instead, it was as if we had never spoken to the owner. The disliked items kept coming. The only other time that we saw the owner was when she cleared items off the table without even making eye contact.
I subsequently wrote a negative Trip Advisor review, which apparently is a trigger for the owner. The first copied-and-pasted reply by her is in response to my post, which mirrors this article. Although she asserts that we did not pay our bill, we have the $169 receipt that proves that we did not dine and dash. Additionally, we never stated that we were not going to pay.
The additional two copied-and-pasted responses are her replies to the other negative Trip Advisor reviews that each granted her a respectable three chits. The responses are COMPLETELY unedited and are of equal comic value for their sentiment, rather than for reflecting a limited comprehension of English."
"I will NOT spend one words for your disgusting REVIEW! Remember...YOU DIDN’T PAY your bill! PERIOD as you told me last night! Enjoy your life ...it is to short to go around and complain for everything!"
"I really don't know what to said!!!
Why, why you didn't tell me when I stop at your table???
I always ask if everything is ok, and it seams it was.....but it seams it WASNT!
I need to know right away what it is wrong, so we can adjusted .
But for some reason, people like to said more in a review then in front of owners face.
And by the way, our tomatoes are from the farm, when they said wine ripe tomatoes we trust them!
And our mozzarella it is always the best quality and fresh , that's way you paid $ 10.95.
Anyway if you would like to give us another chance I will more than happy!"
"Thank you for your rewiew.
I'm surprise about your comment, because when I stop at your table, not only one time but more then two, you seems happy.
And when I ask if everything was ok you confirm that everything was OK.
I would like to know if somethings it is not good or not cook in the way my clients/friends are expecting.
That's the reason I stop at the table and I ask for it.
You know when the restaurant it is busy the way it was Saturday, can happen some mistake, but YOU didn't complained at all that same night.
And about the chicken parm price
It was only just a chicken, it was also a fresh FIOR DI LATTE MOZZARELLA,with a ORIGINAL PROSCIUTTO DI PARMA.
Those ingredients are expensive even for us.
I appreciate people that can said what they are thinking in front of me, not in one rewiew.
And I'm so sorry that you mentioned you will not come back, but as somebody said:
YOU CAN PLEASED EVERYBODY.
Thank you again "
The better news is that we had a decent dinner at another restaurant the following night and a last-meal worthy experience at H20 on Saturday night.
The morals of this story are to resolve contradictions in relationships and that restaurant owners who make a bad situation worse face the possibility of an accurate and sincere negative review showing up online.
The expertly remastered Warner Archive February 26, 2109 DVD release of the innovative 1947 noir film "Lady in the Lake" provides a chance to watch a well-produced film that is unlike anything that you previously seen. This version provides the sharp visual contrasts between dark and light that enhance the enjoyment of this genre.
The general concept of this film version of the titular novel by pulp-fiction god Raymond Chandler is boilerplate (pun intended); the execution sets it apart from the better-known fare that particularly showcases the talents of Humphrey Bogart.
The following YouTube clip of a trailer for "Lady" both explains and illustrates the aforementioned innovation. This predecessor to the 1996-2007 children's program "Blue's Clues" has Marlowe (Robert Montgomery) lead the viewer through the investigation around which the film is centered. Additionally, the POV entirely shifts to the perspective of Marlowe after he clues (pun intended) us in on the concept of the film.
The manner in which Marlowe gets embroiled in the latest adventure that proves that dames ain't nothin' but trouble and that no one can be trusted also deviates from the norm. Rather than reading a newspaper article about a nefarious act or having a damsel in distress or other asserted innocent come to his office, Marlowe proves to be his own worst enemy from the outset.
Setting the film in the days leading up to Christmas and having it conclude on that special day adds a wonderful touch of cynicism; we learn that death, deceit. and betrayal do not take holidays.
Our adventure begins with the private dick expressing his creativity by writing a short story; this prose catching the eye of pulp-fiction magazine editor A (for Adrienne) Fromsett brings him to her office, On arriving, he learns that the lady doth prevaricate too much.
Fromsett uses the story as a pretense to sell Marlowe on locating the wife/object of monetary-based affection Derace Kinmgsby. The rest of the known story is that Mrs. Kingsby is a runaway spouse purported to run for the border to get a quickie divorce.
The trail stops at the same place that the plot thickens. Fromsett steers Marlowe to a vacation cabin of the Kingsburys. A report of the drowning of the wife of the caretaker validly triggers the spidey sense of Marlowe.
An interview with a local playboy putting Marlowe on the radar of the police, and a cop that Andy Sipowicz of "N.Y.P.D. Blue" would describe as having a hard-on for Marlowe in a not-good way having an interest in the aforementioned death well outside his jurisdiction further prompts potentially fatal curiosity of that cool cat Marlowe.
Marlowe discovering a body and finding himself both repeatedly knocked out and set up for falls keeps things traditional for the noir genre. This climaxes in two gunpoint confrontations that reflect the Bond villain flaw of boasting about your success merely when you have the upper-hand over your pursuer.
The bigger picture is that the experimental nature of "Lake" exceeds the interactive and "through-the-eyes" of perspective, Montgomery is a relatively mild-mannered and light-drinking Marlowe, His quips and Chandleresque imagery is much more subdued than recalled in the novels and definitely in pure classic and neo-noir. All this makes "Lady" more of a traditional murder mystery than a detective novel; thus, it is not your grandfather's Marlowe film.
The Warner Archive January 28, 2019 DVD release of the 1986 Wes Craven film "Deadly Friend" literally has everything (and more) for which you could hope from a teen movie. The treats include a scene straight out of the Craven "Nightmare on Elm Street" franchise. '80stastic campy gore, and strong intentional and unintentional humor. The homoerotic undertones are a bonus.
Matthew Labyorteaux ("Little House on the Prairie") plays whiz kid Paul Conway, who uses weird science to transform very recently deceased girl next door Samantha "Sam" Pringle (a pre-"Mannequin" sequel Kristy Swanson) into a not-so-small wonder (a.k.a. Bride of Frankenteen). One spoiler is that this dream sexbot turns into the worst nightmare of her creator.
The "special relationship" between Paul and a friend with whom he seemingly would like to enjoy benefits adds an amusing but enlightened element to "Friend." (Not that there is anything wrong with that.)
Paul meets fellow mid-teens dude Tom soon after the new boy in town begins his university studies on the working of the human brain. Tom quickly awkwardly asking Paul if he is in the 10th grade and seeming disappointed on being told no is that first sign that Tom likes other boys "in that way."
Paul soon asking Tom what he likes to do and if he has a girlfriend is an early indication that the interest is mutual. Tom replying that he does not have a girlfriend and that all the local girls are stuck up provides further evidence of interest in doing more than grabbing some Micky Dees with Paul.
Several scenes throughout "Friend" further show that Tom wants to be the "buddy" of Paul, The many references to keeping their mutual secret is one example.
Non-Craven creepiness enters the picture in a couple of scenes with the single mother of Paul. The first one has our mad scientist Cosby Mom so that she will sleep through his sneaking to the hospital to steal the corpse of Sam in order to reanimate her. Paul and Tom exchanging broad grins as Paul spikes the coffee of his mother is very Menendez brothers.
Another eeewww moment has Paul tightly hug his mother in the middle of the night in an effort to conceal that he has a dead girl in the house. Mom responding "that's worth waking up for" is cringe-worthy.
On a lighter note, well-known '80s psychotically grumpy old woman Anne Ramsey ("Throw Momma From the Train") plays a stereotypical nasty old bitch neighbor. Her confiscating the rock that the teens use to play hoops allows her to have three balls.
The Craven terror begins with the BB (sans 8) prototype robot that is the creation of Paul becoming an increasing threat as it develops a great degree of independent thought.
History repeats itself with extreme prejudice when Sam 2.0 goes on a killing spree that is directed against those who dun her wrong during her life. Her scene with Ramsey is priceless. Of course, this prompts Paul to urge Tom to not reveal their secret,
All of this climaxes when Sam goes completely off the rails in a manner that arguably includes a jealous rage. We learn that Hell hath no fury like a Cylon scorned.
The bigger picture is that Labytorteaux and Swanson both play their parts well and avoid camping it up with the possible exception of Swanson doing the robot. The Paul and Tom spark explains the limited on-screen chemistry between the leads.
This format precludes granting master celebrity chef Sol Shenker his full due regarding helping make the H20 Bistro at the Hotel Indigo Sarasota (see companion article) a destination restaurant. You must see and taste his savory entrees and literally to-die-for cheesecake to fully appreciate those culinary delights. This is not to mention watching the steam coming off the food on its way to the table.
Indigo Girl hotel General Manager Melody Odell deserves much of the credit for Shenker being at H20. She recruited him back after the restaurant faltered under his successor and after his Sol's NYC Delicatessen in Sarasota fell victim to the statistics regarding new restaurants.
Shenker gushed about Odell to the extent that she has no worries if she ever needs a kidney donor. Our Man for All Seasons also described his job as "its like owning my own restaurant without the bills."
This righteous dude extends his blend of humor and his mad kitchen skills to appearing on the Sarasota ABC affiliate; he notes that he cracks jokes and that he is "the culinary Rodney" in reference to not getting no respect.
This man had me at cheesecake but sealed the deal on answering a question about his thoughts regarding people obsessing over things such as gluten-free. His hilarious response was "People want to eat healthy, great. But when you go out, what do you want from me?" He further endeared himself to "tvdvdguy" in adding "Keep the 'Pulp Fiction' pen in your pocket" when you come to his restaurant. That, of course, made me crave his versions of a milkshake and of a Royale with cheese.
TALES OF THE CITY
Shenker also entertained in sharing his experiences in New York before moving to Florida after his parents relocated to The Sunshine State. He confirmed that the depictions of gleeful illegal and immoral behavior in the Anthony Bourdain book and Fox failedcom "Kitchen Confidential" are accurate. We also heard about 22-hour work days that required some of the most popular 80s-era stimulants. It further seemed that 4:20 was the standard break time.
The best of the other numerous stories from those days related to how Shenker obtained the basis for his apple strudel recipe. He explained that he was outside the New York restaurant that served the best strudel in the city when a minion who just quit stormed out. That disgruntled ex-employee accepted the offer of Shenker for $100 to take a photo of the recipe.
The rest of the story was that Shenker improved the recipe in a manner that solved a problem related to that dessert. Austrian-born Indigo Girl hotel Assistant General Manager (whose hotel career dates back to working at the Munich Hilton in 1985) Sandra Hyland stated regarding the strudel of Shenker that "Absolutely, as a Viennese, I approve of it."
On a more serious note, Shenker discussed beginning his restaurant career washing dishes at the age of 14. Another piece of the puzzle was his high-school guidance counselor steering him toward Vo-Tech school in response to Shenker being far from the head of the class. Vo-Tech instructor John Wish hiring his apt pupil at his Sewawrd Dining restaurant in violation of child-labor laws led to our man with a license to cook beginning his CIA training.
The rest is history that brings us to the present.
BEST MEAL OF YOUR LIFE
It is impossible that his Culinary Institute of America training is behind the perfect instinct that Shenker has for seasoning. The same is true regarding mixing tech. and cooking skills to develop an induction cooking system that he teaches to his inferiors all over the country. This is not to mention entrees that do not sacrifice quality in providing quantities that easily are enough for two meals. The only problem is that selecting just one is a true Sophie's Choice.
As much as I enjoyed my perfect 14-ounce steak and incredible seasoned roasted potatoes (the tasty seasonal vegetables were left behind ONLY because of the amount of food), a taste of the homemade pasta with tomato cream sauce of my highly significant other made me covet that meal. If I had ordered that one, I likely would have not cared about embarrassment related to licking all the sauce out of the bowl.
The insidious part of all this is that EVERY cheesecake, which can be shipped for $50 plus postage, in the repertoire of Shenker makes dessert mandatory; it is heartbreaking that a photo of the artistically presented peanut-butter chocolate-chip cheesecake of that evening got accidentally deleted. You truly have never seen anything like it.
One piece easily is large enough to share. However, neither of you will be polite enough to even pretend to be cool with the other person having the final bite. This is especially true that regarding the superb espresso cheesecake that Shenker is graciously renaming The Matt Nelson.
PLAY ME THAT WHITE-HOT JAZZ BRUNCH BABY
A Sunday Jazz Brunch with bottomless Bloody Marys and Mimosas as well as the musical stylings of The Vintage Jazz Band duo is one of the latest innovations of H20. Food highlights during the second run of this successful experiment included Shenker manning a carving station where he served tender and juicy prime rib with the best rub ever.
We also enjoyed a very tasty Monte Cristo, crisp bacon, and a fresh batch of roasted potatoes, We passed on the waffles, the pastries, etc.
The power of the press netted us a big piece of plain (but far from ordinary) cheesecake. Other diners marveled at it but had absolutely no chance of getting a taste.
A wise man once said that strong pride is not arrogance if you skills justify your actions; although this guy does not know Shenker from Adam Richman, this statement applies to America's true top chef.
The recent Virgil Films DVD release of the 2018 documentary "I Am Paul Walker" further solidifies the role of Virgil in the hearts and minds of pop culture fans. This love begins with the (recently reviewed) documentary "Outatime" about restoring the "Back to the Future" DeLorean and continues with Virgil titles that are subjects of upcoming posts. These include a modern indie film starring Ralph "Daniel San" Macchio and a documentary on "The Great Escape" featuring many people who participated in making that film.
The aptly titled "Walker" tells the tale of the personal and the professional lives of the titular star of the "The Fast and the Furious" franchise, The following YouTube clip of a trailer for this film shows how the folks who knew either or both incarnations of this guy who was equal parts stud and righteous dude always will mourn his death that occurred two months after he turned 40.
We first meet this All-American Midwest boy via home-movie footage of a childhood birthday party. This sets that stage for mother Cheryl Walker, father Paul Walker III, and siblings Cody and Ashlie to share stories of the man whom most of us only know through his television and film work. This guy always smiling for the camera, looking cute in his younger days, and being muy caliente even during puberty helps explain his decades of extraordinary success regarding auditions.
We also hear from two childhood friends who remained close to Walker until the end of his life. The talking heads who share memories from the professional side include a couple of directors, a manager, and "Fast" co-star Tyrese Gibson. A clip from a "Fast" movie showed that the stars were not acting regarding their on-screen relationship.
Everything indicated that Walker had a good heart and would give you the shirt off his back or the expensive racing car off his driveway so long as you exhibited what once was common courtesy. Learning that this guy best known for a film franchise that catered to teen boys also had a strong intellect and desire to use his star power for good, rather than for evil, fully ensured his place in the top two choices in the "or kill" game.
Hearing about the hair-trigger temper of Walker reflected his tough-guy heritage that included a paternal grandfather who boxed professionally and a father who was a Vietnam combat veteran. Arguably the most funny story in "Walker" began with our subject holding the door open for a man leaving a store with an armful of merchandise. That guy saying "Thanks, Bitch" earned him an epic beat-down.
We also learn that the similarities between Walker and fellow macho-man Steve McQueen extended beyond their ruggedness. Both men remained very handsome as they aged and had addict-level needs for speed. These attributes and the particular affinity for race cars earned Walker a comparison to James Dean.
The Dean parallel also extended to the death of both men while driving. The shared circumstances of the death of Walker within minutes of leaving a charity event was particularly shocking. One can only hope for the sake of St. Peter that that doorman of Heaven did not give Walker any grief on his arrival.
The bigger picture is that many of us to whom the "Fast" movies did not appeal got the treat of learning about one of the good guys in Hollywood who remained comically laid-back and was a contender for Father of the Year even after becoming Hollywood royalty.
On the surface, a recent stay at the fantabulous Hotel Indigo in Sarasota, Florida is contrary to the oft-repeated philosophy of the Inn Credible New England section of this site. This tenet states that spending the money on a luxury trip close to home is preferable to incurring the cost and the aggravation of air travel to go further away.
EVERYONE at the Indigo reflects a larger truth. People who live in nice climates are happier, and it shows. The all-star team begins with the Indigo Girls team of General Manager Melody Odell and Assistant Manager Sandra Hyland. They also have world-class Executive Chef Sol Shenker (much more about him later), very hip and equally friendly (he laughs at all my jokes) desk clerk Chevy, "and the rest."
You will not want to check out or leave. Don the shuttle driver repeatedly offered to turn back on bringing us to the airport for our flight home.
The Indigo-inspired revised credo is to leave yourself open to flying to a vacation destination that more than offsets the pain of getting there. Relevant experience includes the flight to Sarasota involving sitting next to a young mother with very bony elbows that kept poking me and inadvertently changing the channel on my in-flight entertainment system.
My beloved beats headphones (thanks again, Apple) drowned out her screaming infant but did not help with my being a regular victim of baby kicks. This inspired a tweet advocating allowing service dingoes on planes.
The Indigo is worth enduring this and so much more; it is the Barbara Eden of hotels in that it provides a paradise, offers genie-level wish anticipation and granting, and honors the few requests that it reasonably cannot anticipate. This is not to mention the luxurious Aveda amenities.
The experience begins with the aforementioned sparkling shuttle, which you must pre-arrange, waiting at the regional (and equally clean) Sarasota airport. The congenial driver keeps you entertained and provides helpful information on the 15-minute trip to the hotel. The shuttle also provides service to local attractions that include The Ringling museum (article soon), the upscale shopping and dining at St. Armand's Circle, and the beach. You also can borrow bicycles.
Chevy or one of his peers also makes you feel like a welcome family member on arriving in the well-decorated but intimate lobby. This area offers over-sized chairs that will inspire you to sit in them and say "My name is Edith Ann, and I'm five-years old."
The wow factor alone supports following the Inn Credible New England philosophy of splurging for upgraded accommodations. It is a relatively minor additional expense and indescribably enhances the stay.
The ecstasy without a trace of agony begins with walking into the moderate-sized entry with the granite-topped and well-appointed bathroom to the side. Having ample counter space and a large shower with soap dishes that are out of the line of fire of the shower head check off two more Matt Nelson desired items.
This leads into the roomy living area complete with a large pull-out sleep-sofa and an armchair. It looks as if you can get clear passage even with the bed extended.
This leads to the comfy king-sized bed. Again, there is plenty of room for clear passage,
As shown below, the entire accommodation is decorated in Florida chic with painted white furniture and pastel blue and green decor.
The wish anticipation extends beyond the aforementioned amenities including a bottle of mouthwash. I was set to run the white-noise app. on my iPad when I saw a card offering the loan of a white-noise machine and ear plugs as well as anything else that I need; the bathroom has a similar card regarding forgotten toiletries.
The hotel staff would have happily brought up the white-noise machine, but I went to the front desk to save them the trouble. I also requested body lotion, which was the best in the Aveda line, but spared Chevy the "it rubs the lotion on the skin or it gets the hose again" joke.
The white-noise machine worked well but was unnecessary. The room is astonishingly sound-proof, and provided a restful sleep every night. The feeling of wonderful isolation extends to being surprised on the Sunday morning of our stay that the hotel was fully booked the previous night. The "Quiet Zone" signs in the hall and housekeeping not starting until a reasonable hour likely help. Even then, the cleaners are amazingly quiet.
Eating at the H20 restaurant is a must. The $15 breakfast buffet is far from the continental breakfast at the Comfort Inn and is very tasty. The range of savory-to-sweet includes a omelet station, frittatas, French toast, make-your-own-waffles, pastry, cereal (yeah, I ate the Froot Loops), bagels, bacon, sausage, and potatoes.
The H20 dinner menu is a primary topic of an upcoming article on the restaurant. A spoiler is that celebrity chef Shenker has an incredible custom-made cooking system that he travels all over teaching hash-slingers that cannot compare to him. He additionally has a perfect instinct for seasoning and takes well-deserved pride in his work.
These sincere accolades are independent of Shenker naming the espresso cheesecake the Matt Nelson. A related note is that all of his cheesecakes are phenomenal; eating his will make you not want to eat any others. I know that I will break down and pay the $75 or so to have a Matt Nelson or other cake shipped to me at some point.
The more general level is that the Indigo also follows the rule of location, location, location. This Arts District property is in such a tranquil setting that one would never guess that the airport is 15 minutes away. One regret is that is that poor planning prevented getting tickets for a performance at the nearby Opera House, cabaret, stage theaters, or art-house movie theaters. This is not to mention Carol Burnett appearing at the venue down the road.
It is hoped that a trip to the 2020 Sarasota Film Festival will work out; if so, your not-so-humble reviewer will be most glad to talk all things film during breakfast and dinner; any move on my cheesecake will be cause for banishment. :-)
The immediate area also has an above-average Starbucks, terrific Whole Foods, and a few local shops and restaurants. The more developed "Five Corners" is a leisurely 15-minute stroll (not allowing for stopping to pet the herds of friendly small dogs). That neighborhood has a larger concentration of restaurants and stores.
The bottom line is that there is no cause for having reservations about making them at the Indigo, Things could not have been better, a discouraging word was never heard, and the skies were not cloudy all day.
The numerous indie horror films in the Wild Eye Releasing catalog nicely reflect a sentiment in the series finale of the Garry Shandling sitcom "The Larry Sanders Show." Shandling remarks during the final broadcast of the late-night talk show that he hosts in the Sanders persona that sometimes you get the '80s failedcom "The Ropers" and sometimes you get something much better. The Eye February 12, 2019 DVD release of the 2019 Debbie Rochon film "Doom Room" is a case of getting the original "Tick" sitcom. "Doom" is unique and has a well-executed clever concept. Rochon rocks as always.
The following YouTube clip of a trailer for "Doom" highlights the supernatural eeriness that evokes thoughts of "Buffy the Vampire Slayer" and the teen girls tormented while held captive film "Split."
Our story begins with Jane Doe having a Panic at the Disco nightmare; she then awakens in the mother of all morning after rooms. It is a a horrific dark chamber with a heavy metal door. Her orientation courtesy of her creepy roommate includes an order to not open the door in response to a loud banging. Doe further learns that "he" freely comes and goes as he pleases.
The story that quickly emerges is that Doe is a slut who is being punished for her wanton ways; this largely comes in the form of "visitors," who inflict physical and emotional torture on our bad girl. Rochon joining in with her trademark evil grin is far more than half the fun.
The cleverness literally enters the picture as Doe begins to remember the events that bring her to this state; at the outset, this reflects that we are the makers of our own Hell.
Things make more sense in a manner that I know I know is serious as the details come into focus. We learn that this path to destruction begins with Doe defying her mother by wanting to be dirty. This fallen woman falling in with a bad crowd is only the tip of the iceberg. Another relevant truism is the "don't talk to strangers" principle.
Revealing every detail shows that the course of events make sense. This development also puts the Rochon character in perfect context and allows her to take her well-deserved prominent role.
The bigger picture is that "Doom" proves that psychological alone can be thrilling and that a sinister countenance can be worth a thousand screams.
Wild Eye further delivers regarding the DD extras, Thee include cast and crew interviews and a making-of featurette.
The recent Warner Archive DVD of the Oscar-winning 1943 Bette Davis anti-fascist drama "Watch on the Rhine" provides a good chance to watch a film with a still highly relevant message, This story beginning life as a play helps explain the live-stage vibe. The thoroughly delightful "Warner Night at the Movies," which includes a newsreel and a HILARIOUS Daffy Duck cartoon, greatly enhances the WWII-era experience of watching "Rhine."
The screen cred. this time extends well beyond Davis; Dashiell Hammett and Lillian Hellman collaborate on the screenplay, We also get Davis co-star Paul Lukas winning a well-deserved Best Actor Oscar. The supporting cast including Geraldine Fitzgerald, Beulah Bondi, and Lucille Watcon reinforces that this is one to add to your home-video library.
Watson and Hammett only being nominated for Oscars shows that "Rhine" don't get nearly the deserved respect. The New York Film Critics awarding "Rhine" Best Picture honors in 1943 and the USA National Board of Review similarly lauding the movie and Lukas is solid compensation.
The following YouTube clip of a "Rhine" trailer highlights all of the elements touched on above; it also shows why the peepers of Bette Davis warrant an '80s pop song.
Our story begins with expat heiress Sara Mueller (nee Farrelly), her German born-and-raised husband Kurt Mueller (Lukas), and their three children heading El Norte across a wall-free border from Mexico to the United States in 1940. They are going to the Virginia family estate of Sara. Widowed Fanny Farrelly (Wilson) still rules the roost with an white-glove-clad iron fist,
One can easily imagine the reactions of the Von Trapp children on landing in Vermont being akin (pun intended) to that of the Mueller kinder on arriving at the home of their grandmother. This would be especially so if the Von Trapps had lived an impoverished nomadic existence for the prior several years.
The action soon shifts to breakfast time at Chez Farrelly. Ala Southfork, the adult kids and extended houseguests call the showplace home. Son David has a respectable job befitting the offspring of a former U.S. Supreme Court justice. However, his personal life is not quite as above reproach, His misdeeds include borderline inappropriate behavior with long-time family friend/houseguest Marthe de Brancovis (Fitzgerald).
The loathsome Count Teck de Brancovis is enjoying a life of luxurious leisure SOLELY courtesy of his marriage. His numerous sins include amassing debt that he has no prayer of repaying and gambling the cash that he acquires. His lenient attitude toward the Nazis displays another of his many characters flaws.
Worlds collide when anti-fascist Kurt moves into the same house as Teck; the political views of the former and suspicions that he raises prompt the latter to develop thoughts of profiting from his poker-playing Aryan brothers at the German Embassy.
The aforementioned suspicions include Sara and Kurt being cagey regarding their life during much of the '30s. They clearly have something to hide, particularly from Teck.
Much of the mastery of "Rhine" relates to the manner in which it depicts the rapidly increasing turmoil in Europe proportionately affecting American families. Our central household goes from daily life and Fanny excitedly preparing for the arrival of her daughter and her grandchildren to the tension that must be seen to be understood,
Things fully come to a head when overseas news equally emboldens Teck and causes Kurt justifiable angst. Anyone familiar with Golden and Silver Age Hollywood fare know that both men react in manners that are very true to their characters. At the same time, the resolution is shocking.
Hammett and Hellman additionally deliver regarding penning a conclusion that is far from a "happily ever after" Hollywood ending. We fully see that war is Hell.
Warner Archive misses it by that much regarding releasing the beautifully remastered Blu-ray of the 1985 crime drama "Year of the Dragon' on February 19 2019, which is a few weeks after Chinese New Year. Although it is is unknown if traditional Chinese culture considers the number 21919 lucky, it is certain that that sequence of digits is lucky for fans of quality neo-noir.
The street creed. of "Dragon" begins with Mickey Rourke doing his unhinged outsider bit very well as crusading police captain/Vietnam vet Stanley White, who changes his name to conceal his Polish ancestry. The pedigree continues with director Michael Cimino, whose credits include "The Deer Hunter;" we do not discuss "Heaven;s Gate." Cimino also provides audio commentary for this release.
The man who needs no introduction Oliver Stone co-writes the sceenplayer. Super-producer Dino De Laurentis oversees the entire project.
The overall theme of "Dragon" is that there is big trouble in Little China (a.k.a. the Manhattan Chinatown). Gangs of young punks are moving in on the territory of the established crime bosses; this largely takes the form of muscling in on the protection rackets and enforcing the "or else" aspect of this with extreme prejudice, For their part, the caught-in-the-middle respectable Italian businessmen are upset with the old bosses for not keeping the kids in line.
Stereotypical son-in-law Joey Tai (John Lone of "The Last Emperor)) also is a man in the middle. His impatience regarding waiting for his father-in-law to retire prompts Joey to commit his own act of extreme prejudice. The consequences of this include the seemingly age-old pattern of a family business suffering each time that the next generation assumes leadership of the enterprise,
The civilian with a horse in the race is Asian television reporter Tracy Tzu, who is investigating the increased violence in Chinatown. The good news is Tzu represents a positive image of a well-educated Asian woman with a success story that begins with a great-grandfather whose life in America consists of difficult menial work under very difficult circumstances.
The bad news is that many folks who are familiar with the long-running crude animated sitcom "Family Guy" will think of the character whose on-air reports always begin with "this is Asian reporter Tricia Takanawa" when they see Tzu on the job. The better news is that such a reprehensible connection prompts deep feelings of shame.
Our oft-transferred White knight, who does not work or play well with others, enters the picture in the midst of all this, Irony appears in the form of the same police officials who look the other way in exchange for the Old Guard keeping the peace in Chinatown calling in White knowing that he does not play that way.
On the homefront, Mrs. Connie White is fully frustrated regarding the prices that she pays regarding the efforts of her husband to protect and serve the general population with doing either her. His teaming up with Tzu does not help matters.
The rest of the story is that a hilarious noir version of divine intervention is helping White with his effort to disrupt a massive drug deal with which Tai is involved. Other humor enters the picture in the form of a rookie being the only reliable option regarding using an undercover cop.
Our team of experts in-front-of and behind-the-camera particularly deliver as events build to the inevitable showdown between White and Tai. The collateral damage is high and more violent than expected, and White learns that no good deed goes unpunished. The lack of a sequel is the real crime.
As the disclaimers (and the reference to Takanawa) regarding the depiction of Chinese culture reflect, "Dragon" sadly is a film that likely would not be made in 2019. The backlash against the stereotypes despite the sympathy expressed toward the treatment of Asian immigrants would be the tip of the iceberg. The violence against women and the lack of female police officials would seal the deal regarding "Dragon" not even seeing the light-of-day as a direct-to-video release in the Wal-Mart bargain bin.
The same right-thinking people who do not judge people based on stereotypes and who find abuse of anyone abhorrent should realize that fictional depictions of those ills are PURELY for entertainment purposes and do not necessarily reflect the views of those associated with the production. It does not seem that depicting a female who ultimately must obey her man and allow him to imprison her in a bottle for merely asserting her views stops anyone from loving "I Dream of Jeannie,"
Context, people. Context.
The recent Film Movement Classics triple feature Blu-ray release of '60s and '70s films by Joe "Chekov of Soft Core" Sarno is the latest addition to Classic's "Joseph W. Sarno Retrospect Series." The Unreal TV post on the most recent double feature of "All the Sins of Sodom" and Vibrations" includes links to the separate posts on the first Classics Blu-ray double feature of Sarno films and on the documentary "My Life in Dirty Movies" about Sarno.
This latest collection of Sarno films begins with That '70s Skin Flick in the form of the early '70s movie "Confessions of a Young American Housewife," This one is notable both for being the only color one in "Retrospect" and for being highly amusing, The humor includes a middle-aged woman actually named Mrs. Robinson who seduces the grocery delivery boy. This enticement is pure porn from the first knock at the door to the final bang in the bed,
The title refers to the aforementioned Jennifer Robinson winning a 1963 "Young American Housewife" award; this is one basis for daughter Carole believing that her now-single mother is living a chaste and celibate life. The audience soon learns that carpets and the drapes of this happy homemaker clash.
Carole also initially thinks that her visiting mother (who enjoys making tasty cream pies) is not cool enough to accept her and the girl-next-door swinging in every possible combination of coupling. Carole learning that her nymphomania is hereditary allows the game to fully get afoot. The modern variations of the Oedipal Complex contribute to the fun.
"Sin in the Suburbs" is an NC-17 version of wonderfully cheesy films about unfulfilled '60s and '70s housewives. The residents of this Peyton Place include the nymphomaniac wife of a young executive, the MILF of a teen daughter with a horny boyfriend, and the grass widow whose divorcee status makes her an outcast. Although her brother is the new man of the house, the fallen woman takes charge of persuading a creditor to not repossess the furniture.
The scandalous secrets extend beyond the aforementioned boyfriend trying to keep it in the family; the copious other action includes a workman who lays down on the job.
All this inspires "Bro" to start a special club for the neighbors. The first two rules of this organization with a strict dress code are that you do not talk about it. Suffice it to say that every member pays his or her dues.
"Warm Nights, Hit Pleasures" can be considered "The Facts of Life After Dark." A freshman coed at an upstate New York college makes a connection that inspires her to persuade her friends to drop out and to move to Manhattan to find fame and fortune. Of course, they end learning the price of fame.
The fun extends beyond nude dancing to showing an out-of-towner a good time. One of the girls also bonds with their landlady, who is a "calendar" model.
Like the other Sarno joints, each of these three movies combine porn-movie acting with good production values and stories with reasonable depth. The set up go well beyond a UPS guy telling a housewife in a negligee that he has a big package for her. Additionally, the artistry of the films leaves a little bit to the imagination.
Several deleted scenes from "Housewife " are a highlight of the DVD extras. Classics saves the best for last by finishing the reel with an orgy scene that seems too hot for Sarno. That one clearly shows that cast loves their work.
The recent TLA Releasing DVD of the highly erotic 2018 drama "M/M" proves both that gay-oriented films can successfully present the same themes as mainstream fare and that remakes can do a good job updating the source material, This tale of young Canadian (Matthew) in Berlin becoming obsessed with hot German stud (Matthias) is a highly stylized 21st-century version of the 1992 Bridget Fonda/Jennifer Jason Leigh thriller "Single White Female" ( a.k.a. "SWF").
"Female" center on the Fonda character fairly literally ending up with the roomie from Hell when she selects the Leigh character to share her digs. Like Matthew, the Leigh character transforms her new friend into the object of her obsession.
The accolades for "M/M" director/writer Drew Lint include the "Best First Narrative Feature" and "Outstanding Artistic Achievement" awards at the 2018 FilmOut San Diego.
The following YouTube clip of a trailer for "M/M" highlights the distinctly German surreal qualities of the film.
Our story begins in the Apple Store style apartment of Matthew. This tightie-whitie clad guy with the best bed head (no pun intended) ever is waking up when Mom calls from Canada, This establishes that our boy is a lonely lad with an active dream life.
The story fully develops as Matthew checks Grind'r while on his job as a pool boy at what either is a bathhouse or a very cruisy aquatics center. Good humor ensues as the app. explodes with photos of numerous Mr. Right Nows. However, Matthew makes eye contact with a clearly interested (and aroused) Matthias,
The especially strong indications at the end of "M/M" that all of this is an (aptly wet) waking or sleeping dream are a large part of what make the film unique.
The courtship/stalking begins with Matthew following Matthias into the locker room; this leads to several other instances of trailing the prey.
Things get even weirder as Matthew cuts his stylish 'do and changes his wardrobe to more closely resemble the man of his dreams. Taking things to the next level in a very modern fashion further fuels the obsession.
A boyfriend in a coma development turn takes things in a new direction as Matthew gets a chance to more fully slip into the shoes (and the bed) of Matthias. A not-so-guilty confession is admitting to fully losing track of the action at this point; this is more the fault of your not-so-humble reviewer than of Lint. The old-school lesson is to not blink or you may miss something.
Things become more complicated and tense as Matthew more fully immerses himself in the life of Matthias; the awesome ambiguity regarding all this is not knowing the extent to which reality splits from fantasy when (if not before) The Man From Atlantis steps into the shower.
"M/M" definitely will satisfy viewers with an interest in the erotic adventure of hot twinks; it also has enough suspense and twists to hold your attention on a higher cognitive level, All of this amounts to the movie being a good choice for a solo or couples night in on a cold night. The extent to which it inspires a Midwinter's Dream depends on the viewer.
Mill Creek Entertainment shows good instincts regarding adding a DVD of the aptly epic 1997 mini-series "The Odyssey" to the MCE "Mini-Series Masterpieces" catalog on February 19, 2019. This month traditionally is a "sweeps period" in which networks broadcast their best productions in an effort to boost ratings. One very nice thing about this production is that it adapts the titular classic narrative in a manner that is not Greek to folks who are unfamiliar with the source material.
The accolades for this adaptation of the epic poem by the other Homer include a 1997 Emmy for Outstanding Directing for a Mini-Series or a Special.
Armand Assante stars as brave and noble Greek warrior Odysseus. The star power behind the camera includes executive-producer Francis Ford Coppola.
We meet Odysseus on a day that is both one of the best and the worst in his life. He is racing to the side of wife Penelope (Greta Scacchi), who is in labor with their son Telemachus. The buzzkill is a development that requires that Odysseus travel to Troy to battle the Trojans over there so that he does not have to fight them "over here."
The Poseidion adventure begins with that god of the sea facilitating the ruse that gives birth to the expression to beware of men from the other Ithaca bearing gifts. The fabled Trojan horse meets its object of giving Odysseus and his men a huge strategic edge; the rub is that our hero also learns that Hades has no fury like a fellow god scorned.
Poseidion has such a massive hissy fit regarding Odysseus not thanking that deity for his assistance that The Man From Atlantis violates the principle of demonstrating great responsibility regarding great power. This man with a porpoise pulls the dick move of using his power to prevent the foolish mortal from returning to his wife and infant son.
This leads to our fearless crew om their greatly extended three-hour tour encountering strange new worlds and new civilizations on their far more than five-year mission. Another way of considering this journey is to think of it in terms of what a long strange trip its been. A related theme is that encountered perils reinforce the idea that dames ain't nothin' but trouble.
The first adventure does not involve women; the crew is near death when they think that they have found salvation in the form of a land teeming with food; their glee is short-lived when they learn that they are in the land of the giants (a.k.a. a cyclops clan). A sibling in this family developing a fondness for Greek food and wine is another mixed blessing on the road to Ithaca.
Our boys next become the guests of the sirens; Odysseus (with a little help from the goddess Athena (Isabella Rossellini)) once again uses a combination of brain and brawn to turn things to his advantage.
Odysseus subsequently feels the sting of being caught between the deep-sea threats of the Scylla and Charibdes. One spoiler is that his later adventure with the goddess Calypso (Vanessa Williams) has him hypnotized by her when he lingers.
We also see the crew snatch defeat from the jaws of victory.
Meanwhile back at the ranch, Penelope is fending off potential suitors who are desirous of the woman and the other treasures of the long-absent lord of the manor. The frustrations of a now-teen Telemachus include his inability to oust this band of guests who have long overstayed their welcome. This almost literally is a wolves at the bedchamber door situation.
All of this culminates in a gloriously gory battle that once again involves paying the price for disobeying the rules of etiquette.
The appeal of this production extends beyond telling a tale that is as old time in a manner that caters to the American viewing public. Shooting on location, having a good cast, and including solid humor makes this release a good way to celebrate sweeps month.
The recent Warner Archive DVD release of the 1933 Ginger Rogers romcom "Professional Sweetheart" provides a good chance to see a film from the period between introducing the Hays Code and enforcing it. The surprising candidness of this film includes actually using the term "virgin" in reference to the titular beau.
The bigger picture thus time is the still-relevant issue of a celebrity whose career requires a squeaky-clean image feeling frustrated regarding an inability to express his or her true self. One need look no further than the numerous Disney Channel guys who go on to play bad-boy roles.
Our story this time commences with the beginning of a radio broadcast starring new American darling Glory Eden (Ginger Rogers). The whole story is that the orphaned waif very recently turned sensation is demanding that a specific item of sexy lingerie be in the studio by the end of the show. If not, the four-letter word in the sign-off will be not be the scripted one of "love."
The desire of sponsor Ipsie-Wippsie Wash Cloth and others with a horse in the race extends beyond avoiding having Glory utter one of the seven dirty little words that you cannot say on the radio. This group is eager to lock in Glory by having her sign a contract,
Another immediate challenge is ensuring that visiting reporter Elmerada de Leon does not discover any inconvenient truths. The always great Zasu Pitts particularly shines in this role.
The action shifts to the deluxe apartment in the sky where Glory lives, An awesomely enlightened aspect of this home life is young black maid Vera, played by under-appreciated actress Theresa Harris., It is very striking that Vera is much more out-spoken maid Florence of the '70scom "The Jeffersons" than the MUCH MORE TYPICAL Hattie McDaniels Mammy-style servant of the '30s.
Vera clearly is the equal of Glory and her only true friend in her entourage. The wonderful first scene with Vera has her gleefully gossiping with Vera and teaching her a new dance step. It is just as terrific to hear about Vera having a boyfriend and that couple having tremendous fun in the Harlem nightclubs that Glory aches to visit.
Reality setting in for Gloria at this time is a less positive aspect of her domestic life. She is forbidden from ordering food that is inconsistent with her oft-mentioned image. She also discovers that the extent of the morals clause in her unsigned contract prohibits male companionship. Glory making it very clear that she strongly wants to get her some is another reflection of "Sweetheart" coming in the period between the introduction and the enforcement of the Code.
The titular American quasi-gigolo enters the picture as a form of compromise; The "suits" will allow Glory to have a man in her life so long as he meets wholesomeness requirements that include being Anglo-Saxon. This early version of "Seven Brides for Seven Brothers" involves largely randomly selecting Kentuckian Jim Davey (Norman Foster) to be the future Mr. Glory Eden. Fun here includes the immediate effort to manage the public image of this pawn.
Hilarity full ensues as our country cousin visits the big city for the first time. He and Glory hit it off well enough to have what may be the fastest courtship, engagement, and wedding in reel and real history.
Jim naively taking his new highly significant other at her word leads to giving her what she says that she wants; this, of course, leads to more trouble. Meanwhile, a rival corporate suitor is hoping to add Glory to its stable.
In the end, all involved take the path of greatest fulfillment, Discovering whether one can his or own wedding cake and eat it too requires watching the film.
The cliche about films with heavy erotic content steaming up a Valentine's Day strongly applies regarding the Breaking Glass Pictures DVD release "Male Shorts: International V1." This quintet of approximately 15-minute films provide equally artistic and erotic looks at the lives of 21st-century young gay men. This combination of elements makes "Shorts" a prime (but extreme) example of the edge that Breaking seeks in titles that it adds to its catalog.
An enticement to fans of erotic gay cinema that also serves as a warning to the feint-of-heart is that these explicit films include many muy caliente scenes.
Although all five films have strong merits, the two that (pardon the expression) play it the most straight succeed the best. "Just Past Noon on a Tuesday" and "The Storm" have the best narratives and get us to know and relate to the characters.
"Noon" has the most interesting premise of the films. The enlightened (but still-in-the-dark) sister of a gay man who dies of a drug overdose on a toilet in a bathhouse grants the guy who is a friend-with-benefits in polite circles and something else in less polite ones time alone in the penthouse of the deceased. Subsequent snooping results in finding the equivalent of the little black book of the deceased. This leads to a party complete with favors and bonding.
The equally aptly titled "The Storm" revolves around 20-something Leo being infatuated with a local weatherman to the extent of pleasuring himself during forecasts. A chance encounter with restaurateur Luca provides Leo with partial dream fulfillment. This night that is memorable both for the boys and the viewers leads to a not-unduly-surprise conclusion with good potential for a true happy ending.
"Neptune" provides the middle ground in that a gay man who becomes attracted to a fellow swimmer at a local pool does not allow that to slow down his copious individual and group sexual activity.
"La Tappette" is a largely silent depiction of the kinky sexual adventures of a young man; "PD" has a narrator recite Shakespearean sonnets to image of buff naked men in bucolic settings.
As indicated above, the common element of the films is copious male nudity that mostly is intended as an artistic statement. It further shows relationships that range from lust to love for gay men. Depictions of this ranging from new love that involves an explicit (but sweet) public display of affection to a bathhouse sauna session that quickly turns from a threeway to a fourgy.
The Mill Creek Entertainment January 8, 2019 DVD release "Secret Stories of Hitler" boldly goes where few have gone before. This 2-disc set includes a documentary that presents the titular leader as someone other than the most despised man of the 20th century.
A message that viewers MUST take away from the three films in this set is that even propaganda that supports your side is propaganda. Depicting Hitler as a nice and rational man who is kind to animals and small children should convince everyone to not believe everything that they see without checking out the facts from a source without a horse in the race. A related aspect is the even the most evil human has some redeeming qualities.
The highly controversial 1974 documentary "Swastika" is the highlight of "Hitler." This movie largely consists of footage from Nazi propaganda films and from home movies that First Frau of Nazi Germany Eva Braun shoots. A modern introduction by a former Harvard teaching assistant provides a good background on the film.
As MCE notes on the back cover of "Stories," the written prologue of "Swastika" clearly reflects the theme of this film. This prose partially states that "If Hitler is dehumanized and shown only as a devil, any future Hitler may not be recognized, simply because he is a human being."
"Swastika" opens with footage of shiny, happy urban newspaper delivery guys loading up their bicycles and pedaling their way through city streets; the images soon shift to arguably ironic footage of trains headed into the beautiful German countryside.
The rural folks include smiling milk maids and similar positive stereotypes.
One of the most surprising things about the subsequent footage by Braun that is interspersed throughout the film is that it is in color. It also is shocking to see Hitler always looking relaxed and mostly smiling; further, he almost always is in civilian garb.
This footage largely looks like any other home movie of that era and the decades that follow. Hitler is a jovial host at his country retreat. He is laughing and joking with the likes of Goering and Himmler. We also see Hitler seeming to enjoy talking with small children and playing with his dogs.
For her part, Braun looks and acts like any other woman of the era. She seemingly equally adores her dogs and Clark Gable and is very at ease among her notorious company.
It is even more shocking to see Hitler calmly delivering a rational speech to an assembled masses. There is none of the shouting, frantic gestures, and frenzied responses that characterize all Hitler speeches that probably every viewer has seen in archival footage.
A telling scene has Hitler criticizing Goering to other guests. However, he is cool and collected and is not ordering punishment.
Two segments in "Swastika" are the most blatant propaganda in the film. An interview with an American radio commentator has that man assuring German officials that folks over here do not believe the fake news about Hitler; this man goes on to pledge to set the record straight by broadcasting to America from Germany.
The scenes from "The Eternal Jew" are even more unsettling than the interview with the American. We first see heavily bearded men looking alien and menacing; we then see the same group seeming ill-at-ease after losing their beards and changing into mainstream clothes. The message is that Jews cannot be assimilated into the dominant culture. A similar scene issues a defiant challenge to prove that a single Jew has died during the rule of Hitler.
Horrific footage that will cause anyone with a soul to turn away from the screen at the end of the film both is more objective and puts the prior 90 minutes of "Swastika" in proper perspective, That brings things full circle back to the opening message that genuinely bad hombres can be difficult to identify until it is too late.
The bonus features also enhance understanding of "Swastika." One extra has the filmmakers discuss the nature of Nazi propaganda; this conversation includes noting the great extent of the censorship of that era. A highlight is footage that amazingly slips through a very narrow crack.
Another extra discusses Nazi propaganda expert Leni Riefenstahl. We first learn that this filmmaker gets more than a little uncredited help from her friends. We subsequently see that her claims of denial are far from plausible.
As other posts in the Mill Creek Entertainment section of this site does (and will) show, this month being a particularly busy one for MCE releases requires that a timely review of "Hitler" come at the expense of not watching the other documentaries in the set.
"Hitler: The Untold Story" seems particularly fascinating. This six-part series pulls the curtain back on the fairly well known progression of the rise to power by der Fuhrer. Similar to "Swastika," we see how maintaining a deceiving public image is critical to Hitler maintaining his status.
"U-Boats: Hitler's Sharks" focuses on the importance of the ocean in WWII. The intriguing perspective this time is speculation regarding the impact of an alternate history in which Hitler grants requests for additional submarines.
The importance of these documentaries and the materials that accompany them is a well-known adage that provides the best perspective of all; those who do not learn from history are condemned to repeat it.
CBS Home Entertainment honors the spirit of "sweeps" with the February 12, 2019 DVD release of the 1985 mini-series "The Key to Rebecca." Another awesome aspect of this one is that CBS seamlessly edits it into a movie without deleting any story footage.
A fascinating aspect of "Key" is the attitude of some Egyptians toward their British occupiers in WWII. The sense of the enemy of my enemy is my friend extends to choosing Nazis over the British Empire.
"Key" is a well-produced adaptation of a novel by acclaimed mystery/thriller/historical author Ken Follett. It occurs in WWII-era Egypt and largely centers around widowed American-born British intelligence officer Vandam, William Vandam. Cliff Robertson plays Vandam in this era of "Falcon Cresr" fame for Robertson
David Soul of the original "Starsky and Hutch" stars as Nazi spy Alex Wolff. He comes on the radar of Vandam after killing a soldier as part of his effort to maintain the covert nature of his activities.
The titular novel enters the picture (pun intended) as the basis for the titular cipher that Wolff uses to send messages to Rommel (Robert Culp). The related missions of Vandam are to apprehend Wolff and to obtain the aforementioned code.
Part of the intrigue relate to the central foes enlisting their own Mata Haris to further their goals; Vandam uses the desperate times of kept woman temporarily without a keeper Elene Fontana to coerce her into the desperate measure of befriending Wolff for the purpose of locating his lair.
Wolff is more insidious regarding his female partner. He enlists dancer Sonja El Aram to seduce a British officer; this provides Wolff a source of the material that he feeds Rommel,
This well-plotted cat-and-mouse game leads to a proverbial thrilling conclusion. Vandam already is highly frustrated regarding Wolff having barely slipped the noose several times and causing collateral damage on each occasion. Wolff making it very personal when the stakes are especially high further fuels the fire.
The "Key" appeal extends beyond a well-combined mix of elements; they simply do not make 'em like this anymore. As a starting point, WWII seems like irrelevant ancient history to many people. Second, it seems that the good story would not be enough to offset the minimal blood, gore, and sex to modern audiences.
CBS Home Entertainment and Paramount Home Media Distribution terrifically team up to bite the hand that feeds them regarding the February 12, 2019 DVD release of S1 of the Netflix series "American Vandal." This certified-fresh series satirizes fellow Netflix fare "The Staircase" and other true-crime series. A personal endorsement is staying up way past a personally imposed bedtime to find out "whodunit" in this amusingly compelling series.
Unintentional satire in "Vandal" is following the tradition of casting clearly post-adolescents as high-school students. Jimmy Tatro ("22 Jump Street") does well as literal prime-suspect Dylan Maxwell, but the series does not address why this 25 year-old is a a high-school senior. This is not to mention 26 year-old Calum Worthy ("Austin and Ally") in his hilarious role as disliked honor-student Alex Trimboli. For that matter, Worthy checks the box for the former Disney Channel star showing that he is all grown-up. Dez would never lie about Ally providing a "helping hand."
The following YouTube clip of a Netflix trailer for "Vandal" is almost guaranteed to make you laugh; an absolute guarantee is that the clips include more drawings of penises than any other promo. for any film or television series.
"Vandal" Creator Dan Perrault and Tony Yacenda demonstrate perfect instincts regarding setting a documentary series investigating a headline-grabbing crime at a high school.
The fun begins with the central offense being the hilarious prank of spray painting penises (a.k.a. dicks) on every car in the faculty parking lot on a day that there is no school because the teachers are at an all-day meeting, The Brett Kavanaugh confirmation hearings illustrate that the type of antics that relate to the vandalism OFTEN are entertaining and ALWAYS provide fodder for gossip girls and boys.
One spoiler is that the season-ending "Breakfast Club" epilogue comments on high-school culture. All students are subject to quick and permanent labels. This reinforces the larger concept that something traumatic that happens to someone else is devastating to them and hilarious to us.
A strong element of this is the epic high-school party that is discussed for the rest of the year. The relevant issues this time include how the claim of breaking a school drinking record affects the credibility of eye-witness Trimboli. We also see analysis of cell-phone footage that show conspirators plotting the evil deed.
The hilarious concept for presenting all this is AV nerd Peter Maldonado producing the eponymous documentary series; his dual objectives are to clear the name of Maxwell and to discover the actual culprit. Much of this consists with interviews with textbook (pun intended) stoner meathead Maxwell, whom Tatro perfectly plays. The DVD bonuses included must-see extended interviews with Maxwell and other equally funny talking heads.
Some of the best humor relates to Maxwell having tormented Spanish teacher Ms. Shapiro for years; this including the lad daily drawing a penis on the classroom whiteboard does not help his case. On a brighter note, this circumstantial (and circumcised) evidence also indicates that possibility of someone framing Dylan.
A related issue is Peter noting that the style of the penises on the whiteboards and on the cars have several differences. We further get a reconstruction that addresses the time required to spray paint a penis.
"Vandal" does an excellent job both with the pacing of the series and in keeping things plausible.To paraphrase P.T. Banum, no one ever went broke underestimating the intelligence of the American teenager.
The extra-credit aspect of "Vandal" is that is shows that hope remains regarding the quality of "single-cam" "modern" mockumentary television series.
Breaking Glass Pictures fills the need for a John Hughes style distressed teen in love with quirky outcast film in releasing the 2016 film "Honeyglue" on DVD and VOD on February 19, 2019. The scads o' festival love for this "The Fault In Our Stars" with a transvestite leading boy includes a Best Feature award at Cannes, an award at the Newport Film Festival, and the "Best Director Award" at the Orlando Film Festival.
The following SPOILER-LADEN YouTube clip of the "Honeyglue" trailer does a good job presenting the story and those who tell it.
Though Hughes films are the granddaddy of "Honeyglue," more recent (and edgier) "teens with cancer" dramedies such as "Me and Earl and the Dying Girl" and "The Fault in Our Stars" are the older siblings of this story of girl develops fatal brain tumor, girl meets girl/boy, girl and girl/boy live happily ever daily.
The hook this time is that the girl is a conservative suburbanite presumably with grades that are as good as her manners. The bad boy is a drifter with an incredibly troubled past and a desire to express himself that is as strong as the forces that seek to repress it.
Our modern-day Frankie and Annette Morgan and Jordan meet at a not-so-wholesome night club where they strike up a conversation. On Morgan asking a made-up-in-drag Jordan about his sexuality, he grabs a seemingly random guy to kiss full on the lips only to turn around and do the same to Morgan. Other symbolism
This quickly leads to Morgan unexpectedly meeting the parents sans wig and with minimal makeup but clad in a kilt. One spoiler is that Jordan portrayor Zach Villa, who aptly is starring in the stage production "For the Record: Dear John Hughes," is more appealing as a very pretty boy than a not-so-pretty girl. He can be considered a feminine and darker cousin to "Austin and Ally" star Ross Lynch.
On the same subject, Adrianna Mather plays Morgan. She does a good job playing a quirky "All Grown Up" Ally to Villa's Austin. Mather is also a Zombot co-owner and a producer on "Honeyglue."
The courtship of Morgan begins with a "winner-take-all" bet; this in turn leads to a wonderfully awkward 'za feast with the 'rents and hilariously hyper and goof bro Bailey. "Twilight" veteran BooBoo Stewart excels at stealing scenes in this role.
Discovering the advanced stage of the brain tumor in the noggin of Morgan prompts our lovers to accelerate said courtship despite the opposition to said plans. This leads to the cliched road trip (very much ala "Earl") that has enough twists and humor to make it interesting. Suffice it to say that Morgan is a particularly bonnie lass during this leg of her adventure with the kilt-wearing Jordan.
Like all films of this nature, reality crashes down on our pair near the end. The nice twist this time is that it reflects the truly fantastical nature of the soul of Jordan.
This being a film largely geared to teen girls, the symbolism of the title is blatant but effective. It relates to a wonderfully illustrated children's book that Jordan is writing. This tale tells of a very cute dragonfly boy who literally and figuratively goes to great lengths to woo the bee princess whom he loves. Both the tale and the drawings create a strong desire for a copy of this book.
Bird injects more subtle symbolism in manners that include other cliches in modern "cancer" films. One example of this is Jordan shaving his head in solidarity meaning more than support for Morgan losing hers.
On a more personal note, the quality of the film overcomes pre-viewing negative feelings regarding the transgender element in it. This aspect of society seems done to death and does not appeal to your not-so-humble reviewer. Instincts that "Honeyglue" is far more than a boy in a dress or a desire to fully become a girl enormously pay off.
'Rick and Morty' S1-3 DVD & BD: Emmy-Winning 'Back to Future' and 'Futurama' Mash-Up Is Fanboy Fantasy
The Adult Swim/Warner Brothers separate February 12, 2019 DVD and Blu-ray releases of S1-3 of the Swim series "Rick and Morty" provides a chance to ensure that you "get some" on Valentine's Day from the fanboy in your life. Discovering the full-sized collectible poster is even more exciting than finding a toy in a cereal box.
This brainchild from Dan Harmon of "Community" fame and Justin Roiland of the kinder and gentler ready-for-primetime Cartoon Network series "Adventuretime" essentially transports Doc. Brown and Marty McFly from "Back to the Future" to the more subversive and surreal world of once Cartoon Network staple "Futurama." The strong "screw you, Leonard" vibe of "Rick" provides much of the fun.
A weekly mission substitutes for the concept of a delivery on "Futurama." The concept of benign or hostile aliens threats bringing mankind on the brink of destruction remains the same, IMDb describes "Rick" in more general terms by stating that it is about "the exploits of a super scientist [Rick] and his not-so-bright grandson [Morty]." Roiland successfully pulls off a MacFarlane by voicing both leads.
The Ricktastic accolades begin with a 9.3 IMDb rating and a 97-percent Rotten Tomatoes result. IMDb also lists "Rick" as the Number 9 Top-Rated Show; "Seinfeld" and "The Twilight Zone" do not make the Top 10. The 14 official wins include the 2018 Emmy for Outstanding Animated Program.
The its funny because its true concept of "Rick" is that Rick Sanchez is a brilliant inventor but a barely functional alcoholic and lousy grandfather and father; this is not to mention a largely unrepentant scoundrel who would sell his mother just for the fun of it. His two creations that primarily facilitate the aforementioned escapades with emotional dim-bulb Morty are a flying car that is capable of space flight and a portal gun that creates wormholes to other dimensions.
The rest of the story is that S1 begins a year after Rick moves in with daughter/horse surgeon Beth Smith (Sarah Chalke of "Roseanne" and "Scrubs.") The abandonment issues of Beth are behind condoning her father repeatedly causing destructive chaos in their home and even more frequently putting her son and other family members (including herself) in harm's way.
The dysfunction continues with wimpy unemployed advertising guy Jerry (Chris Parnell) showing that the mushy apple does not fall far from the worm-infested tree. Hilarity often ensues as Rick gleefully emasculates the purported man of the house. We also are regularly reminded that our not-so-happy-couple results from a portal-gun wedding after Jerry knocks up Beth with oldest sibling/typical big sister Summer (Kelsey Grammer daughter Spencer Grammer).
The bigger picture is that "Future" fans will see elements of the McFlys from that franchise in the Smiths. A related cool note is that a comment by Roiland in a two-part "Origins" home-video special-feature notes that he gives Morty at least a semblance of testicles to avoid him entirely being the bitch of his grandfather.
This family dynamic provides the fodder for the best "Rick" episodes. A personal fave has Rick bringing Beth and Jerry to an alien marriage-counseling center. The therapy there includes outfitting each spouse with a device that physically manifests the image that that person has of his or her significant other.
Hilarity ensues with Jerry conjuring a vicious heartless monster version of Beth, and she shows that she views her husband as a slug. Those creations breaking loose and wreaking havoc is not even the end of the story. The Smiths are left to fend for themselves against their own worst enemies. The outcome that reflects that love conquers all is not much kinder or gentler.
A similar episode has Rick paying the price for extreme measures to avoid a family counseling session, Suffice it to say that he finds himself in a constant pickle while proving that he remains a bad ass regardless of what he faces.
We also get Rick and Morty dropping off Dad at a very customized alien daycare center, the family surviving by discovering that any happy memory is false, and an especially hilarious Christmas episode in which Jerry learns that his parents have a new special friend; the fact that his dad primarily is a spectator further reflects the dynamic of our central family.
Another highlight takes the hackneyed concept of a love spell gone wrong to an awesomely extremely perverse level. Rick trying to help Morty "court" dream girl Jessica quickly gets out of bounds to the extent of creating an aforementioned world-threatening sitch. The manner in which Rick resolves this is one of the most dark and cynical in television history; it also reminds us that everyone is disposable.
Roiland and Harmon also especially delver regarding the season-ending cliffhangers. This begins with an S1 season finale that has Rick and Summer gang up against Morty to throw initially separate wild parties while the 'rents are away. Suffice it to say that rowdy teens and quirky aliens have plenty in common.
This leads to Rick using his tech. to provide plenty of time to rebuild the house before Jerry and Beth walk in the door; the rub is that squabbling that skips a generation brings the entire universe on the brink of destruction.
The S1 finale also sets the stage for the epic S2 season-ender. The family attending a wedding with a tie to the aforementioned festivities leads to one of many cases in which it seems that Rick will be held accountable for his crimes against humanity and seemingly every other species in parallel dimensions. This leads to a hilarious battle of wills in which Rick once again shows that lacking much of a conscience while also not hesitating to exploit the vulnerability of an enemy is effective. It also allows this madman with an evil mind to face off against his foes that comprise the Council of Ricks.
The epic S2 season-finale has the president (who clearly is not Trump) call in Rick and Morty to exterminate an alien in the White House. Rick adopting an extreme "Screw you, Leonard" attitude of course makes a bad situation much worse. We simply will need to wait for the S4 premiere sometime in 2109 to see how things fully shake out.
The copious home-video extras extend well beyond the aforementioned "Origins" feature. We get commentary and animatics for every episode, deleted scenes, a look at Parnell rocking it during a recording session, and other treats.
Speaking as someone who has not pooped his pants for at least a year allows assuring fellow grown-ups that the Disney Junior January 22, 2019 DVD release "Playtime With Puppy Dog Pals" will delight you as much as any toddler in your life. The warning this time is that the insidiously infectious theme song with the the lyrics "Pu pu pu puppy dog paaals; arf, arf, arf arf" is highly addictive. The tune that features "we're goin' on a mission; goin' on a mission" that virtually every episode features comes a close second.
This release follows the reviewed "Puppy Dog Pals: Going On A Mission" that includes the first several episodes of this current Disney Junior network series for kids 2 AND UP.
The simple but brilliant concept of this cousin of "The Secret Life of Pets" is that the titular animated (in both senses of the word) canines are adorable grey pug Bingo and his equally cute tan pug brother Rolly, so named for his addiction to puddles of both the water and mud variety. They live with sweet-and-kind inventor Bob (creator Harland Williams), indulgent but not-so-sweet cat Hissy, and hyper-active robot dog A.R.F.
The two cartoons in each episode typically begin in the morning as Bob is heading off to work. Something minor usually goes awry; this prompts the boys to discuss how to put right what once went wrong and then execute their plan. An example from "Playtime" is Bob having a string of bad luck leads to Bingo and Rolly researching good luck charms. This results in the pups going to Ireland in search of a four-leaf clover. The fun of this outing and all others is that our heroes accomplish the mission that often brings them abroad and make it home before an oblivious Bob returns from toiling at the cubicle farm.
Our scuba doggies go down under in both senses of the word to dive around the Great Barrier Reef after a package for Bob gets lost in transit; an especially cute fresh-water mission has the boys trying to recover the favorite fishing pole of Bob from a scavenger/hoarder snapping turtle. The pugs take to the water one more time to rescue new family addition Olivia the fish after her bowl accidentally becomes air-borne.
The good folks at Disney Junior enhance the fun of the above escapades and a few more (including a visit from the fang fairy and an adventure puppysitting a large dopey mutt) with bonus episodes that feature the new girl-next-door Keia. The fun begins with Bingo and Rolly looking for their new gal pal after she goes off the leash and wanders off. This is not to mention helping Keia find a unicorn, and our new trio dealing with a party gone out-of-bounds that brings down the dog house,
The fun continues with a series of "Playtime" shorts that revolve around the recreational activities of our pugnacious leads and their party animal friends. A raucous pool party is the best, closely followed by an effort to build a play set.
The appeal of all this relates to the joyful silly fun to which all dog lovers can relate. The elan of Bingo and Rolly is incredibly infectious.
'Antonio Lopez 1970 Sex Fashion & Disco' DVD: Documentary on Clothing Artist Drawn to Models & Designers
The Film Movement February 12, 2019 DVD release of the 2017 documentary "Antonio Lopez 1970 Sex Fashion & Disco' gives the general populace a chance to catch this groovy flick that is the January 2019 selection of the exceptional Movement Film of the Month Club. Learning about the lives, loves, and lusts of the fashion world elites of the '70s is only the beginning of the fun.
The following YouTube clip of a trailer for this 2017 Doc NYC Grand Jury Prize winner clearly conveys the love by the numerous talking heads for Lopez. You also will see his bright and vibrant art that is sure to warm the hearts of those of us trapped in the polar vortex.
Filmmaker James Crump goes well above-and-beyond assembling the team of some that you recognize and some that you hardly even heard of to share their stories of Lopez. A sad aspect of this is that many notables in that group do not participate for reasons that include falling victim to what is known as the plague of the '80s. This film reminds us of the heavy toll that the early days of AIDS takes on the creative community.
Much of the film centers around recently deceased photographer Bill Cunningham, whose love for Lopez is especially strong. His narration provides a great deal of context that includes reminding us that artists such as Lopez transform the clothing industry from merely providing a means to hide our shame to haute couture.
At the heart of it, young Puerto Rican immigrant Lopez taking New York by storm is proof of the American dream. Current make-up artist Corey Tippin telling the tale of a being a student in a college course of Lopez and quickly being singled out to come to the front of the room to model is one of the more interesting stories in the movie that is bursting with fascinating accounts.
Tippin immediately becoming an intimate of his professor in every sense of both terms illustrates a prime theme of "Antonio." This era of free love allows everyone to express physical desire for anyone else regardless of gender, race, ethnicity, or consenting student/teacher relationship. A talking head aptly notes that this period is more liberated than our currently enlightened society.
Lopez himself is worthy of a Hollywood biopic; his individual exploits include finding a cross-dressing male street-corner prostitute to step in when a dress does not fit a model. We also learn that his charm and drive allow him to literally simultaneously "make love to" men and women and leave all emotionally and physically satisfied. This includes boyfriends who can be considered life partners by multiplying the length of the relationship by the magic number of seven that applies to both forms of dogs.
The discussion of the group actually known as "Antonio's Girls" further reflects the broad (no pun intended) taste of Lopez. These women include then-models and subsequent actresses Grace Jones and Warhol discovery Patti D'Arbanville. We also hear from Jessica Lange, who immediately captivated Lopez and can thank him for setting her on the path to fame.
One of the more interesting stories is that of 17 year-old Texan Jerry Hall bursting on the scene, Hearing her peers discuss her exuberance and her embracing her new-found wealth and celebrity is very interesting. All of this occurs before Hall marries Mick Jagger and then moves on to her current status as the trophy wife of Silver Fox Rupert Murdoch.
Speaking of Warhol, we learn about his relationship with Lopez; hearing about these men dividing up the counter-culture elites of New York is hilarious,
The subsequent pairing of Karl Lagerfeld when Lopez et al move to France is equally interesting, Learning about the phallic manner in which Lagerfeld subsequently treats Lopez is not surprising but is distressing, The principle here is that particular intimate acts especially entitle you to reasonable consideration regardless of the degree of love associated with said activity.
The biggest lesson in all this is that some people truly lead extraordinary lives that warrant documentaries and biopics. This is a good perspective for folks who think that starting a fast-food chain or inventing a mop warrants a movie.
This is not to mention all the people who think that starting a recycling program at their high school qualifies them for a Nobel Prize. Those with exceptional talent, a strong work ethic, and genuinely noteworthy experiences are our true American Idols.
Having stated that, Crump is invited to reach out to me if he wants to make a documentary about a guy who has not made a penny writing about vintage movies and TV shows, indie films, and boutique hotels for 13 years. :-)
A happy coincidence regarding writing this review of the Icarus Films February 5, 2019 DVD release of the 2017 Bullfrog Films documentary "Free Lunch Society" the day after Martin Luther King Day is finding a quote from King on the DVD back cover, This statement is that "the solution to poverty is to abolish it directly by a now widely discussed measure: the guaranteed income."
Filmmaker Christian Tod clearly is on Team MLK; Tod entertains and educates as he shows how a few communities have taken the concept of money for nothing (but not chicks for free) to heart to varying degrees.
The blanket tax refunds during the George W. Bush years provide the proverbial bigger picture here. it is difficult to imagine someone not liking getting a check in the mail, and having a little money either to help with the bills or simply to "treat yo self" always is a good thing. On the other hand, these handouts are a factor regarding the current huge federal deficit.
Going back further in time, advocating teaching someone to fish rather than giving him or her a trout has merit, Aptly going deeper, this works best when all have equal access to the fishing hole.
The first general caveat that must be considered before learning more about this social experiment is that even propaganda that supports your view still is propaganda. A related truism is that there is your side, my side, and the truth.
Much of the focus of the film is on the efforts in Germany to literally share the wealth. A very high-profile advocate of this is drugstore king Gotz Werner. We also meet Michael Bohmeyer, who uses a combination of crowdfunding and Oprah to distribute 1,000 Euros each month for a year to folks who literally get it for being at exactly the right place at the right time.
Moving closer to home, Tod discusses the Alaska state government distributing pipeline profits to the people, The rationale here extends beyond spreading the wealth to compensating the victims of the collateral damage from the project.
The scope of the "Society" also encompasses the history of consideration of widespread handouts by the U.S. federal government.
The numerous talking heads provide copious data regarding the extent to which these programs trigger sloth by recipients of the oft-mentioned bounty. A look at how hitting a jackpot affects lottery workers provides a good indication of the impact of streets paved with bronze.
Although Tod does not address this point in-depth, a classic sitcom once again provides particularly apt insight. A scene in an episode of the '60s fantasycom "I Dream of Jeannie" has master Tony Nelson finishing what he thinks is the latest in an eternal string of free lunches. This astronaut crashes back to earth on learning that the titular genie does not conjure up all of his delicacies out of thin air; she buys some of the gourmet goodies from the local grocery store, and the bill has just come due.
Fans of companion show "Bewitched" likely recall many occasions on which Madman Darrin Stephens must take money from the household budget to remedy harm from witch wife Samantha irresponsibly twitching her nose, Having to buy an electric garage door is only the tip of that iceberg.
A much latter episode of "Jeannie" makes another relevant point. The newly wed sprite is very proud to present her husband with a roomful of items purchased on credit, The lesson here is that you do not pay for such luxuries today but do pay tomorrow.
The DVD bonuses include "Free Lunch Society" hosted by Christian Tod and promo. videos.
The strongest endorsement of the Lionsgate February 5, 2019 DVD & VOD releases of the 2018 season of "Power Rangers Super Ninja Steel" is that these 22 episodes will delight current fans and bring all other viewers into the fold. Two of thees outings being the Halloween and Christmas specials is a bonus. The non-parental warning is that you will feel compelled to shout the catch phrases "Its morphin' time!" and “Ninja Rangers fear no danger!”
Depending on your perspective, "Super" either is a spin-off of the (reviewed) reboot "Power Rangers Ninja Steel" or the second episode of that series. This continuation of the titular superheroes battling monsters from outer space has our team facing a franchise quarter-life crisis that revolves around preventing villain du season Madam Odious from obtaining their power-granting stars that are made from the titular substance.
The above heavy praise for "Super" relates to this series expanding beyond the "Ninja' concept of a new big bad being sent to earth ultimately to have the rangers hand his or her butt to him. An adventure that one ranger aptly describes as "epic" has the nicest kids in town join forces with their predecessors from other "Rangers" incarnations. This group essentially must battle itself (and then some) to prevent worlds literally colliding.
All this fun begins with this somewhat diverse group of shiny happy teens learning what seems to be an increased number of "Saved By the Bell" morals. Additionally, these life lessons seem to be more fully integrated in the nemesis of the week.
A prime example is borderline farmboy Calvin (Yellow Ranger) lying to girlfriend Hayley (White Ranger) about not forgetting their anniversary helping fuel the power of the latest creature bent on the destruction of the team. This experience convinces Calvin that honesty is the best policy. He later learns the wisdom of "be cool, stay in school."
A similar episode has a monster getting the rangers and their fellow Summer Cove High students addicted to a video game that fuels his mojo. We also get the amusing cliche of the group being zapped onto the home turf of this evil entity.
The change-of-pace episodes include the rangers teaming up with a literal space ranger. The mission that they choose to accept is to capture an alien fugitive, An "I fought the law, and the law won" joke is one of the most cool references in "Super."
Some of the above-expressed enthusiasm relates to the escapist joy of "Super" during a period in which it seems that Odious controls the weather. A massive snow/sleet storm immediately followed by a flash freeze, a winter hurricane, several days of heavy winds, a polar vortex, and blinding snow squalls just does not seem right.