The Film Movement May 14, 2019 DVD release of the 2016 documentary "Bosch The Garden of Dreams" provides a well-produced equally entertaining and educational art-history lesson before many of us turn off our brains for the summer on Memorial Day weekend. As often is the case, the life story of Early Netherlandish painter Hieronymous Bosch is as interesting as the tale of his work "The Garden of Earthly Delights,"
The following YouTube clip of a "Bosch" trailer illustrates (pun intended) the complexity of the man, and the work. You also get a sense of the art world notables, including author Salman Rushdie, who participate in making the film.
The titular artwork is a massive three-panel painting that presents an intentionally strong "And there was light" vibe when the two side panels are opened to reveal the work. The Prado Museum in Madrid opens its doors to allow "Bosch" to be made.
Many of the seemingly countless aforementioned talking heads use the life of Bosch to provide context for their comments on one of the seeming countless scenes in the painting. The larger context is that Bosch, if that is his real name, belongs to a religious order for which he creates "Garden." This aspect of the art reflecting the artist includes a scene in which a film participant points out that a "Garden" image of Jesus speaking with Adam and Eve has the son of God looking at the painting viewer.
The copious (often terrifying) surreal images in "Garden" prompt discussing dreams in the context of the psyche of Bosch, The even more fascinating element of this is the theory of the nature of dreams. Under this theory, Bosch has a very disturbed mind,
The path of "Garden" in its early years seals the deal regarding the story of Bosch being worthy of a Hollywood blockbuster. A regime change leads to a purist undergoing extreme torture to avoid having the painting fall in the wrong hands. The spoiler is that resistance proves to be futile, but "Garden" ends up in arguably a greater place of honor than one would expect.
We further get a sense of the arguably sloppy technique of Bosch. It is surprising to learn that this pro essentially does not color within the lines. However, this helps explain why this art so closely reflects the artist.
The bigger picture (pun intended) is that "Bosch" addresses visiting and thinking about a painting and its artist in an era in which they vast majority of the very few of us who still look at great art only spend a few minutes looking at a reproduction of it online or in a coffee-table book. Even fewer of this small minority take the time to really study and appreciate the result of an artist pouring his or her soul into a project.