The Breaking Glass Pictures August 14, 2018 DVD release of the 2017 coming-of-age drama "Porcupine Lake" honors the spirit of equal time. This tale of big-city awkward tween Bea spending the summer near the titular body of water in rural Canada and entering an "its complicated" relationship with local girl Kate is a variation of the coming-of-age of a questioning boy bonding with a guy who is more sure about himself.
The following YouTube video of the Breaking trailer for "Lake" fully conveys the indie spirit and the new love vibe of the film.
Our story begins with Bea and her school-teacher mother arriving at the gas-station/diner that her father is running in the wake of inheriting it from his father. It seems that the family is reunited for the summer several months after Dad moves from Toronto to fulfill his family duty. Ambiguity regarding the level of estrangement between Mom and Dad is an intriguing element of the film.
Middle-class Bea literally soon catches the eye of upper-lower-middle-class Kate, who quickly makes a move on her future summer friend with possible benefits. Kate definitely is the aggressor in this relationship. It is equally clear that she is more developed on every level than Kate.
The primary focus is on this vacation romance in which Bea sells cheap trinkets outside the diner and Kate deals with her somewhat shameless family that includes aptly named teen stud Romeo. This playah does not let being a baby daddy affect his dating life.
Although the girls dream of a life together, Bea is more realistic than Kate. It is interesting that the fantasy of the local girl essentially includes a life of luxury in Westchester with her math teacher.
Writer/director Ingrid Venninger shows throughout "Lake" that she knows of which she writes; this is particularly true in separate scenes in which Bea expresses the extent to which she will go to be with Kate and Kate makes a heart-breaking breaking effort to escape her environment.
As indicated above, one of the nicest things about "Lake" is that is shows that both boys and girls do cry. One apparent difference is that boys who like other other dudes are much less comfortable acting on it and definitely are more reticent about activity that indicates that the opposite sex does not interest them.
The feature-length "making-of" documentary "The Other Side of Porcupine Lake" shows the love of Venniger for the project and the support of Breaking for the production. Getting to see every aspect of making this shot-on-location film that features locals with no acting experience is fascinating.
It is equally interesting to see multiple thespians audition for the primary roles. Although most hopefuls do a good job, one can easily understand the casting decisions. Seeing the actor who plays "Dad" with a significantly different look provides further entertainment.
One highlight is watching Veninger first find and then arrange to use one building for "Lake." The most fun comes on seeing a presumable prod. ass. literally strip down and take one for the team as Veninger puts him through his paces.
The other extras consist of additional audition footage and separate cast and crew interviews. The enthusiasm of the kids is fun.
One reward of more than a decade of reviewing home-video releases of indie films is watching already loved studios and distributors expand their catalog beyond their original scope.
Philadelphia-based Breaking Glass Pictures is a prime example. The recent Breaking DVD release of the 2018 drama "Lost Child" reflects this and provides a good companion to the (reviewed) Breaking August 2018 DVD release of the day in the life of teenage redneck film "Moss." These edgy southern-fried films are a great expansion from the edgy more substance than skin gay-themed films that Breaking continues adding to its catalog.
A perfect example of the not-so-missing link in this evolution is the Breaking April 2017 release of "Fair Haven." This reviewed film has Tom Wopat of "The Dukes of Hazzard" playing the widowed father of a kind and gentle farmboy who returns from conversion therapy that does a great deal of harm and no good.
The following YouTube clip of the Breaking trailer for "Child" highlights the Blu-ray worthy cinematography that features the Ozarks. This promo. additionally conveys the Southern Gothic vibe of the film.
"Child" opens with a seemingly obligatory scene for "you can't go home again" films about a boomerang kid who is a native son or daughter returning after leaving in disgrace years ago. The first images either are a bus rolling through the bucolic landscape of the area or get right to that public transportation pulling up to the center of the arena of action. The main character disembarks and gets into the old pickup of the ride to the childhood farm or shabby house in the woods that has a key role in the underlying angst.
Our tortured soul this time is recently discharged soldier Fern. She is returning to Clampett country after teen trauma that results in her moving out of the family home and then enlisting in the army. She moves back into the family house in the wake (no pun intended) of the death of her father, This relocation ties into a mission to find and care for her brother Billy.
Life experiences taking their toll and general unease related to being a woman living alone in a cabin in the woods are enough to put Fern ill at ease. A neighbor with good intentions strongly urging her to get either a gun or a dog and the man down the street looking like he is straight out of "Deliverance" contribute to the tension.
Fern meeting the titular dirty but civilized 10ish boy Cecil in the nearby woods is the final element that puts all the pieces in place for "Child." The lad ain't talkin' but agrees to come home for vittles and to spend the night. A one-night stand returns to haunt Fern when she learns that the day job of bartender Mike is a social worker. Fern not wanting to subject Cecil to the evils of a foster home prompt her to agree to let him stay with her a bit longer.
Fern mysteriously getting sick and literally aging overnight prompts consulting a country doctor. This licensed professional attributing this condition to the presence of Cecil indicates this his method of providing healthcare does not significantly differ than that of Granny in "The Beverly Hillbillies."
The essential folklore is that a malevolent forest-dwelling spirit takes the form of a young boy and convinces a good Samaritan to take it in so it can do plenty of harm. Odd behavior by Cecil proves that he is own worst enemy.
Meanwhile, Fern reuniting with Billy involves the most surprising and disturbing twist in this extremely gothic film. Not only is he not glad to see his sister, he considers her a primary root of all past and present evil.
A familiar aspect of this is one sibling running off and not only failing to protect a brother or sister but leaving that person behind to contend with all the highly toxic family drama. In many respects, this is analogous to an alcoholic wanting to put things right with someone whom that drunk seriously hurt. The intent is noble and the need for redemption is strong, but related righteous resentment remains high.
The stress of Fern leads to drama with Cecil that supports the theory that he is not like other boys; this leads to the lad experiencing dreaded trauma. It additionally involves Fern playing Nancy Jo Drew by pursuing a lead regarding the identity of Cecil.
All of this culminates in conclusions that make sense for a story set in a rural area that has a large of population of poorly educated people raised on superstition and harsh discipline. Breaking deserves strong credit for bringing this tale that does not sensationalize this culture to us city folks.
The quartet of DVD extras is equally consistent with the art-house style of "Child." Each special feature examines an aspect of the making-of the film. These include the production "process," the "story & performance," the Ozarks, and writer/director Ramaa Mosley.
Breaking Glass Pictures stays true to its commitments to distributing edgy and/or gay-themed fare regarding the DVD release of the 2014 thriller "Lyle." This one has "Transparent" star Gaby Hoffman as expectant mother Leah, who has reason to believe that something is Satanic in the state of Williamsburg (Brooklyn).
The following YouTube clip of the SPOILER-LADEN "Lyle" trailer shows the mix of indie film and big-budget thriller that makes the film unique.
The nature of the relationship between stay-at-home mom Leah and long-term partner/professional musician June most likely is the basis for Breaking adding "Lyle" to its impressive catalog; the theme of this couple being just like many straight ones in that Mom stays home with the titular toddler while pregnant with the second child and "Dad" works long hours (which strains the "marriage") and largely views Mom as a hysterical female is true to the Breaking philosophy that movies with gay leads can be just like ones in which the main characters are straight.
In typical New York City horror movie style, "Lyle" opens with our couple and their child touring a too-good-to-be-true Brooklyn apartment. Although Leah is skeptical from the beginning, June essentially tells her not to worry her pretty little head about it. The incredible deal on the place and weird landlady Karen being obsessed with getting knocked up are the primary sources of the angst of Leah.
The first indication that Leah has good reason to worry her pretty little head is that Lyle begins acting very strangely; a subsequent indication that Karen is not being truthful regarding a statement that a child never has lived in the apartment triggers additional concern.
The spidey sense of Leah goes off the charts after a tragic event involving Lyle. This prompts an investigation that uncovers evidence of prior nefarious doings in the building. All this supports the theory that just because someone is paranoid does not mean that no one is watching.
In classic thriller style, the conflict escalates to a point that Leah does not trust anyone, and all efforts to soothe her fail. This leads to a climax and ending very similar to another film in which a mother-to-be fears that evil forces have a role in her pregnancy.
Hoffman does a good job carrying most of the film; her portrayal of Leah is sympathetic and mostly believable; harm befalling a child is tough for most mothers, and feeling that you cannot trust your life partner is distressing. Throwing in a threat to an unborn baby is enough to stress out anyone.
Breaking further follows its successful formula by including a short film by "Lyle" writer/director Stewart Thorndike. This one involves the bizarre home life of a child.
'My Life With James Dean' DVD: Charming MUST-SEE French Film on Indie Flicks and Gay Boy Coming-of-Age
Breaking Glass Pictures impressively outdoes itself regarding the August 28, 2018 DVD release of the 2017 French dramedy "My Life as James Dean." The only criticism is that Breaking does not make this beautifully shot film with a solid soundtrack available on Blu-ray.
The best way to think about this one is that it retains all the style and humor of a classic French film while adding a splash of a Michael Chabon or John Irving novel. We get outrageously comical characters going to extremes to pursue overlapping passions.
The mention regarding accolades this time is that the lack of them is astonishing; one cannot imagine festivals passing this one over.
It is not surprising that relatively new indie filmmaker Dominque Choisy knows of what she speaks regarding the film screening aspects of "Life." It is surprising that a woman has the depicted insight regarding regarding young gay love.
The metaness of "Life" begins with this film having the same name as the fictional film of 20-something first-time director Geraud Champreux around whom the Choisy film is centered. Personal metaness relates to frustrating efforts to arrange screenings of an exceptional indie film of a 20-something righteous dude.
The opening scenes are of Champreux riding a bus to a small Normandy town to host a screening of his film about a man who believes that he is Dean. The comic misadventures begin with losing a modern lifeline when he arrives at his destination.
The audience next gets a glimpse at the life of a first-time indie filmmaker when no one is there to greet Geraud. His subsequent encounter with locals at a bar is the first of many "Northern Exposure" style incidents that reflect the personalities of quirky small-town folk.
Our man temporarily without a country manages to find the theater where his film is to be shown only to be told that his appearance is a surprise and that no screening is scheduled. This discussion includes commentary on the overall sad state of modern cinema in which commerce typically trumps art.
The next stop it the hotel that is the best guess regarding where the woman behind the invitation is putting up Geraud. This brings him in contact with disaffected Jill-of-all-trades hotel employee Gladys,. Her amusing lazy dismissive approach to her job is very familiar to frequent travelers.
The penultimate piece of the puzzle comes when Geraud meets box-office worker/projectionist Balthazar. This canard odd can be considered the very late-in-life brother of mop-topped tall and lanky slacker-type character actor Hamish Linklater.
Another meta moment occurs when the first moments of the fictional film mesmerize Balthazar to the extent that transference results in his falling in love with an unresponsive Geraud. This innocent small-town boy also most likely never having felt the touch of another man is another factor.
The final piece of the puzzle comes when booker Sylvia van den Rood belatedly shows up and subsequently ensnares Geraud in her personal drama that is responsible for neglecting him. This coincides with a sweet declaration of love by Balthazar.
Balthazar outdoes himself in putting himself on the line by showing up uninvited for a booty call. Being given the boot not deterring him is another notably sweet moment in the film. This is relatable to the perk of being a gay man in the form of sometimes being the pursued one in a relationship. We all desire to feel wanted and loved.
The subsequent screenings set the stage as our core group of three and various hangers-on travel through the area.
The biggest surprise comes when casual conversation with the parents of Balthazar leads to a surprise reveal that is a potential game changer. The subsequent developments reinforce that the French are amazingly much more casual about sex and nudity than Americans.
Choisy keeps the fun going to the end as Geraud helps two fugitives as he figuratively rides off into the sunset. The final scenes fully seal the deal regarding the quirky charm of "Dean."
The Breaking Glass Pictures July 17, 2018 DVD release of the 2017 character study "Moss" is a perfect example of the indie films that Breaking helps bring to the massses. This shot-on-location film about how the titular North Carolina redneck (Calvin Klein model Mitchell Slaggert) spends his 18th birthday provides fascinating insight into the lives of such folks who exist day-by-day.
The following YouTube clip of a "Moss" trailer highlights the Southern Gothic vibe of this rapidly coming-of-age story. This includes a taste of the inner monologues that comprise a great deal of the film and of the aforementioned location shooting.
The aforementioned narrative technique quickly provides the exposition that the mother of Moss dies giving birth to him and that his father claims to be philosophical regarding that loss. We further get a variation of shooting fish in a barrel.
The special day next involves Dad not diverting much attention from making the driftwood sculptures that keep Spam on the table to acknowledge either the special day of Moss or his offer of breakfast. Dad ordering a resistant Little Red Riding Hoodie to deliver a basket of prescription drugs to his grandmother causes further tension.
Moss first taking a detour to visit his meth-head buddy Blaze to get high and eat a Redneck Special for breakfast while watching VHS tapes of nature films fully gets his big adventure underway. We also learn of the extent to which some people will sell (and buy) anything at a yard sale.
Moss gets his first real present in the form of spying 30 year-old camper Mary on the banks of the river. Although he uses one of the worst-ever pick-up lines, Mary lets him inside her tent. This leads to a From Here to Mayberry moment in which these new lovers embrace on the sand as waves roll over them.
The time with Mary takes up much of the day, which ends up Moas back at Che Blaze, who has family drama of his own in the interim. The gist of the childhood of both boys provides understanding regarding why they are not college-bound.
Meanwhile, Dad is showing that he does care about his son even after learning how Moss perverts a special gesture. One message here is that not much is expected from anyone literally from that neck of the woods.
The rude awakenings the next day include Moss finding himself on a floor other than his own and discovering the degree to which he does not deserve his grandmother. The response of Dad to all this is equally surprising to those of us in more urban areas.
The message of "Moss" goes beyond seeing how the lower-income half lives. We see how any kid can fall through the cracks and the extent to which that requires them to be self-reliant and pursue any form of happiness and/or escape.
Breaking does its usual excellent job with DVD features. Writer-director Daniel Peddle hosts an amusing 25-minute "making of" documentary that shows the kismet regarding the production and how it largely is kept in the family.
The Breaking Glass Pictures DVD release of the 2017 French drama "Hidden Kisses" awesomely puts the Breaking edge on an otherwise light story of two high school boys in love. "Kisses" being a TV-Movie both explains the slight "After School Special" vibe oand further proves that the French are much more progressive and cool than Americans.
The 21st-century centric drama begins when "new boy in town" 15 year-old everyteen Nate meets a mystery boy for the titular buss in a dark greenhouse during a large party. An unknown person takes and uploads a photo in which only Nate is identifiable. The picture going viral among students, parents, and faculty simultaneously forces Nate out of the closet into a hostile environment and triggers speculation regarding the identity of the other boy.
The fallout extends to straining the previously close relationship between Nate and his widowed police chief father Stephane. Stephane still loves the sinner but is not fond of the sin and has difficulty accepting his new normal.
Meanwhile, Nate is subject to increasingly vicious bullying at school and is experiencing the heartbreak of his secret boyfriend ignoring him. This culminates in a brutal beating with an equally horrific emotional element. The latter reflects the same insecurities behind real-life gay boys and men yelling "fag" om the mere sight of an effeminate man and throwing the first punch in a dark alley behind a gay bar.
The next round of drama occurs when the rookie mistake of not clearing a browsing history results in identifying the other boy in the photo. This both forces him to come to terms with his sexuality and to contend with his enraged father, who believes both that he literally can beat the gay out of his son and that conversion therapy is effective. The related emotional abuse is equally painful to watch.
The film not being a product of Hollywood (or Logo) and this not being the '90s allow for "Kisses" to not conclude with a fairy tale (no pun intended) ending with our princes slow dancing at the prom while their smiling peers, teachers, and parents circle around them. However, both boys survive the traumatic aftermath of being outed and get a quantum of solace; they additionally get one adorable scene that provides some hope for greater societal enlightenment.
"Kisses" addresses the good news regarding this issue; boys coming to terms with liking other boys should be spared the scorn and torture of the generation before them. The bad news is that the reality is that coming out as a teen (and often as an adult) still likely comes at least with the price of nasty looks and comments behind your back.
breaking glass pictures takes an extreme vacation from releasing gay-themed art house films, grisly horror films, and other edgy fare to make the adorable Disney Channel style family "In the Doghouse" available on DVD. It is adequately cute and has enough fart jokes to entertain tweens and is not too sickly sweet for adult consumption.
The following YouTube clip of the SPOILER-HEAVY "Doghouse" trailer reflects the kids v. adults themes of the movie and provides a good sense of the humor of the film.
One of the most amusing (and breaking appropriate moments) in "Doghouse" comes early in the film. A scene in which recently divorced 35 year-old mom Wendy, her roughly 13 year-old daughter Amanda, and roughly 11 year-old son Nate are wrapping up a visit with dad. The quasi-flamboyant persona of dad indicates the reason for the breakup. This character butching it up a little in subsequent scenes suggest both that the opening scene is one of the first shot and that the director makes the same observation as your not-so-humble reviewer.
Wendy soon bringing amusingly named geeky grocery store manager Dom Massey home to meet the kids only to discover that this dork is allergic to family dog Irving inspires Amanda and Nate to sabotage all future dating attempts. This scheme is relatable to any child of a divorced mother; the sad truth is that many tweens who consider the loser whom Mom brings home to be an unbearable idiot discovers on entering his or her 40s that said train wreck may represent the pick of the litter.
The kids make a surprisingly good team for siblings. Further, the candidness of Nate regarding peeing outside, being flatulent, and other disgusting matters make him a nice change of pace from more traditional sitcom-style tweens.
High school stud boyfriend Dave arriving on the scene presents the kids with dual serious challenges in the forms of the history of Dave and Wendy and the motivation of Dave extending beyond wanting to start over with the one who got away. Poor Irving becomes a pawn in this game.
The climax this time comes in the form of a mad dash that also involves Dad. The truth comes out and everyone (including Irving) achieves the apt degree of happiness.
Anyone with comments or questions regarding "Doghouse" is welcome to either email me or to connect on Twitter via @tvdvdguy.
'Handsome Devil' DVD: The Devil is in Details Regarding Price of Being Queer in a Highly Conformist Society
The many reason that the Breaking Glass Pictures June 6, 2017 DVD release of the 2016 Irish coming-of-age dramedy "Handsome Devil" is special is that it reinforces the theory of a highly insightful dude that a boarding school is a jail for kids who are sold the bill of goods that it is good for them. This is from the perspective of the beneficiary of a good education and some awesome friends at the costs of being abandoned by his parents and enduring two years of bullying by a hockey jock. (Hi Dan. I assume that you outgrew the literally nightly "midnight raids" that delighted you so much.)
Related boarding school insight from "Devil" comes in the form of the new kid at school joining that community several years after his peers. The closeness that comes after extended mutual confinement and shared adolescent experiences make it tough for the outsider.
This film further perfectly personifies the Gospel According to Unreal TV regarding Gay Pride. The spirit of that celebration is not provocative acts; it is showing that being yourself is proper and nothing to fear. Although not the "Devil," the hero/narrator to thine own self is true throughout despite the abuse that this prompts. The most blatant symbol of this is Ginger high-school boy/studious lad Ned in a sea of blond and brunette rugby jocks learning on his father and the trophy wife of said sire dumping him for another year his all-male boarding school that he is the only student without a roommate.
Ned sees this as a means to avoid his tormentors; they view this as an opportunity to call him gay and assert that he is being deprived of a roommate to spare a fellow student a "midnight raid" in the form of anal rape. Another way that Ned is not like the other boys is that his appearance is slightly awkward, and virtually every other lad is a candidate for the cover of an Abercrombie and Fitch catalog.
An element of all this is that the popular lads quasi-aptly use the term gay (i.e., queer) as an insult of a misfit and only tangentially as a commentary on sexuality. The manifestation of this includes a rude in both tone and intent noise that the dumb jocks consider subtle.
The accolades for writer/director John Butler handling his subject well include earning the Best Irish Feature awards at the 2017 Dublin Films Critics Awards and Jameson Dublin International Film Festivals. Including the film in mainstream festivals and bestowing those top honors awesomely shows that we've come a long way, Baby.
The aforementioned bliss of Ned is shattered on learning early in the new school year that transfer student with a secret/rugby star Conor is his new cellie. The response of Ned on returning to his sanctuary to see a barechested Conor doing push-ups in the middle of the room is precious; the subsequent reaction of Conor regarding his strange bedfellow is almost as good. Both reflect the oh-so-true fact that even adults typically are less mature than a situation requires.
The amusing solution that Ned devises (and that makes one feel sympathy for the devil) can be considered the Wall of Jericho by classic film fans. Conor portrayor Nick Galitzine (a.k.a. Little Nicky or Beelzebloke) puts his Satanic attractiveness to good use is peering through the barrier as the first step toward dismantling it.
Andrew Scott (arguably best known as Moriarity in "Sherlock") steals the show as a subdued version of the prep school teacher that Robin Williams portrays in the film "Dead Poets Society." Dan Sherry is the youngish English teacher who takes over after the "retirement" of the fossil who is his predecessor. An early moment that establishes Great Scott has him validly embarrassing Ned in front of the class. This act clearly establishes that there is a new sheriff in town.
An intuitive Sherry coercing our lads to jointly prepare an act for an upcoming talent show follows the long reel and real traditions of making teens do what the grown ups know is good for them. This mutual effort predictably enhances the bond between the enemies turned chums.
The conflict that occurs along the way includes Conor paying a proportionally high social cost for his increasing level of closeness with Ned, Conor and Sherry discovering that they each share a secret with potentially devastating consequences, and villainous (and abusive) rugby coach Pascal stirring up trouble by pushing false issues.
As typical in coming-of-age films with a prominent sports theme, much of "Devil" revolves around an upcoming rugby tournament. The head of Conor is no longer so much in the game, and he is feeling increasingly repressed. Meanwhile, Ned is experiencing his own intense teen angst.
Everything comes to a head when the tormenting of Ned brings him to a breaking point. His outburst forces virtually effort in the film and creates the type of turmoil that is the stuff of prep school legend for decades.
It is predictable that the aforementioned rugby tournament is the climax. It is less predictable whether our boys find inner peace, their peers grow up, and the extent to which Sherry can make himself and his charges happier. One spoiler is that the film does not end up with the cast rushing the rugby pitch to groove and make out to a disco standard.
The positive elements of boarding school life require noting that Sherry represents the best aspect of that environment. The lost boys who are sentenced there almost always find a teacher who truly fills the role of in loco parentis while the ones who should be providing that support are literally and/or figuratively far far away. Someone who shows that love because they choose to is very special.
The special features include commentary by Butler and a highly entertaining and insightful Q&A session as Krakow film festival.
Anyone with questions or comments regarding "Devil" is strongly encouraged either to email me or to connect on Twitter via @tvdvdguy.
The Breaking Glass Pictures July 18, 2017 DVD release of the 2017 low-budget horror film "Lake Alice" follows up the Breaking main act of showing that gay-themed films reflect EVERYONE who has love and lost or had it unrequited with proof of intelligent life regarding a well-produced student-film grade slasher flicks. The primary distinctions are that the "rabbits" are an ordinary American family, and we get to know the potential "coyotes" before rabbit season commences.
The following YouTube clip of the "Alice" trailer provides a good sense of the horror invading everyday lives that the film expertly accomplishes.
"Alice" commences with affluentish couple Greg and Natlie driving to their isolatedish year-round vacation home in the titular rural community. Adult daughter Sarah is in the backseat with boyfriend Ryan Emerson, This sets the stage for what can be considered "Meat the Parents."
Mom and Dad going into town for provisions sets the stage for introducing the natives who consider the part-time "immigrants" a necessary economic evil. The first up is the malicious sheriff who engages in his ritual of stopping their car just for the fun of it.
Next up is lonely middle-aged single man Carl, who is the kind of guy who buries you in unwanted zucchini from his garden and is vampire-like in that he takes a polite invitation to come in as a basis for putting his feet up and staying a while.
This leads to doting Mom Jane, who is nice and very down-to-earth but hopes that her 20-something son Tyler still has a chance with Sarah several years after what Sarah seems to consider The Summer of Slumming. We later meet Tyler when Mom and son arrive at the Thomas cabin in the wake of momentous news for that family.
A subsequent encounter introduces the bullying not-so-bright Deputy Reed.
Meanwhile back at the ranch house, the first signs of something being amiss are discovered footprints in the snow. In true horror-film style, the degree of menace increases as the seemingly di rigueur blizzard approaches.
Things culminate when a middle-of-the-night knock at the door wakes the family; they don't know who it is but know who its for. This leads to the entry of the monster of the film. Director Ben Milliken does an excellent job making a guy wearing a green parka with fur-lined hood and covering his face with a red-streaked Spider-Man style mask made out of what looks like a jockstrap pouch menacing.
Of course a family member going out to investigate quickly earns that person one in the back; a subsequent escape attempt nets a comparable result. The remaining two vacationers find themselves alternatively fleeing in terror, fighting off Jockface, or coming to the rescue of his or her fellow survivor.
Milliken and writer Stevie Jane Miller further provide awesome twists that include a variation on a cliche that is worth watching for. This rollercoaster ride begins roughly 20 minutes near the end of the film where many things are not as they seem.
Our dynamic directing/writing team save the best for last in terms of presenting a case of a New Norman; those who wait for the final solution with Bated breath will not be disappointed.
Breaking further outdoes itself regarding its typical truly special DVD features; this time it is a 51-minute version of "Alice" that goes beyond being a Cliff Notes version of the main feature to provide an altered narrative of the story. A prime example is a linear timeline in the main feature changing to one in which we join our story already in progress and go back to a sequence that follows a scene that Milliken and Miller entirely omit from the beginning of the film.
The tagline "everyone deserves a chance at finding happiness" for the 2016 gay-themed drama perfectly sums up the theme of this low-key tale of conversion therapy. The March 14, 2017 breaking glass pictures DVD release of the film is must-see for any family struggling with issues related to having a gay teen; it simply is a well-told story for the rest of us.
Seeing Tom "Luke Duke" Wopat as insensitive widowed dad Richard and Gregory "Gonzo" Harrison as religion-based conversion Dr. Gallagher add an '80stastic element to the movie. Dreamy 20-something Michael Grant keeps up with the veterans in his portrayal of James at 19.
The following YouTube clip of the "Fair Haven" trailer highlights the performances and shows how it delivers its message with a light touch.
Wopat and Grant have some of their best moments during the uber-awkward homecoming of James. The walk of shame from the bus to the family truck relates to being fresh out of a long-term stay at a conversion therapy facility. Richard is none too proud of his boy, and James looks as if he is returning from war.
Former piano prodigy James learns on the short ride to the family apple orchard in Vermont that Richard has spent the money set aside for tuition at the acclaimed Berklee School of Music in Boston on the operating expenses of the orchard that his father started. Richard noting with only a slight edge in his voice that other expenses included the therapy further establishes the dynamics in the Grant family. Another aspect of this subtlety is that several scenes in addition to the homecoming show that the character named Richard can be a total dick.
The aforementioned low-key vibe of the film continues with James being a typical t-shirt and jeans wearing farm boy whose drab bedroom looks like the personal space of an all-American boy-next-door. He is much more Clark Kent than high-school drama club queen. One strongly suspects that our hero has never heard of Ethel Merman or Carol Channing.
Well-placed flashbacks of the therapy provide context for the present-day activity. For example, James soon encountering former boyfriend/fellow t-shirt and jeans guy Charlie triggers a scene in which Gallagher gently asks James if he has been intimate with another man.
The scenes with Gallagher further establish that his kind and gentle approach is to counsel his "patients." He understands the nature of their desires and provides a safe place for them to discuss them and for him to convince them why they are wrong. His idea of success is to substitute homosexual desires with heterosexual ones but does not seem consider with the corresponding damage to the psyche.
Other drama comes in the form of James seeing if the daughter of a preacher man can reach and teach him. Their awkward first date and not much better subsequent interaction shows that James is trying very hard to please his father and society but that his heart is not in it. One also feels sorry for the daughter regarding the ultimate possibility of an unhappy marriage to James, who does not show her much affection and spends most weekends with Charlie under a pretense.
A related issue with its own form of repression is a struggle that many kids from rural backgrounds face. Richard feels strongly that James stay at home and devote his entire life to the orchard, but James desperately wants to be a concert pianist regardless of whether he shares his bed with a man, a woman, or no one.
The symbolism regarding the element of how ya gonna keep 'em on the farm extends to a real-life Oliver and Lisa Douglas yuppie couple who want to buy the orchard to convert it to an organic operation. The response of stubborn and old-world Richard is that apples are already organic because they grow out of the ground; James sees the offer as a way out and recognizes that the times they are a changin'.
Less subtle symbolism exists regarding this tale of sin and temptation being set in an apple orchard.
The subtlety and realism continues to the climatic final scenes. An event that forces every player to come to terms with their new reality changes the lives of each of them. Just as in real life, no one gets everything that he or she wants but achieves adequate happiness to keep going.
This discussion illustrates that, like virtually every breaking DVD release, "Fair Haven" is notable for avoiding most gay film stereotypes. One can easily image a film about conversion therapy to be either high camp or a melodrama and for James and Charlie to be doe-eyed twinks who prance around the orchard in short denim cut-offs and Daisy Duke shirts that are barely buttoned and cinched at the waist. Instead, we get the much more substantive story of a man who has already lost his wife at a relatively young age and has a son who is a good kid but has desires that Dad can neither understand nor accept.
The bushel of breaking extras this time include an in-studio music video of Wopat, 35 minutes of cast interviews that begin with Wopat discussing his childhood on a Midwest farm, and both deleted scenes and a look behind-the scenes.
Unreal TV 2.0 evolves from http://classictvdvdreviews.blogspot.com/ (which still is up.) Both sites are labors of love dedicated to preserving the golden and silver ages of television and film and celebrating new content that values art over commerce. The same principle applies regarding boutique hotels.