[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.]
Warner Bros. Home Entertainment and Warner Archive aptly team up to respectively release the first season of the Hulu 2019 "Veronica Mars" reboot of the 2004-07 CW series of the same name on DVD and Blu-ray. WBHE is the home of the latest and greatest Warner Bros programs, and the Archive catalog has the proverbial vast array of home-video releases of the best recent and not-so-recent series from the Warner studios.
The original concept of "Mars" is that the titular middle-class teen helps her private-investigator father with cases that frequently involve the one-percenter residents of their oceanfront resort community of Neptune, California. Much of the OS relates to a crime that transforms our live-action Daria/Buffy hybrid from a member of the in-crowd to an outcast.
The following trailer for the new "Mars" season highlights the wonderfully quirky tone and clever humor of this cult classic; it also reinforces that cast and crew have brought these characters back for enjoyment of the fans, rather than as a "willfully" ego project for the stars.
Our story begins with Veronica (Kristen Bell of "Frozen," "House of Lies," and "The Good Place") proving that you sort of can go home again. Veronica is working a typical case for a divorced real housewife of Neptune, who is being gaslighted by her ex-husband. The hilarious ways that our now 30-something Nancy Drew gets revenge on both her client and the man who dun her wrong reminds old-school fans of the justifiable general contempt that Veronica has for both men and for the rich and often famous.,
Meanwhile, not-so-gracefully aging Keith Mars (Enrico Colantoni of "Just Shoot Me") is helping a struggling independent grocer foil a particularly insidious plot to drive away his customers.
The chemistry between Keith and Veronica and the still sharp writing of show creator/runner Rob Thomas alone make another trip to "Mars" well worthwhile.
One of the best scenes in any of the eight episodes establishes in the first offering that Veronica is shacking up with former classmate Logan Echolls, who is much more mature and even buffer than in his younger days. Logan is freshly back (and barely decent) from his latest stint playing Captain America at a global hot spot when Veronica "entices" him in front of drooling girls (and likely some boys) to help her more a large appliance.
The central event of a fatal bombing at a motel during Spring Break both drives most of the action and provides a context for numerous familiar faces to reappear. This group literally and figuratively runs the spectrum from the good, to the bad, to the ugly.
The nature of the crime creates almost endless possibilities regarding both whodunit and whydunit. Conclusions regarding which victim is the intended target, rather than collateral damage, change just as frequently as the certainty regarding the discovery of the smoking gun.
The central casting types include the beleagured motel owner and his daughter, the "hound" fratboy who is not above Cosbying the current object of his something that rhymes with affection, the genius nerd, the rich boy from the nationally prominent family and his "not our type" financee, and the nephew of a Mexican drug lord,
Subsequent attacks further complicate matters.
A strong "snobs v. slobs" element is pure "Mars." The small business owners and their employees heavily rely on Spring Break to pay their bills the rest of the years are actively fighting an organized group headed by one of he aforementioned "old friends" and his new "business acquaintance" that he met during an unfortunate incarceration. The "haves" are trying to rid the city of every undesirable element.
One spoiler is that good old-fashioned detective work drives the pursuit of justice; another spoiler is that great-great-grandfather of all consulting detectives Sherlock Holmes is vindicated in that the solution reflects the principle that once the impossible is fully eliminated the answer must be the (sometime improbable) remaining alternative. All of this ties to the broader reality that there is you story, my story, and the truth.
Investigative team Mystery, Inc. is represented in the form of one or more clues that seem insignificant ultimately lead to the culprit realizing that he would have gotten away with it but for one of our favorite meddling kids.
WBHE and Archive supplement this with a feature on the "Mars" 2019 Comic Con panel that is a sort of a homecoming. Seeing cast and crew express the mutual love that comes across is awesome; attempted humor by interrupting this presentation with reaction clips from the new season is less of a treat.
[Editor's Note: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this blog post. The opinions I share are my own.]
The Warner Bros. Home Entertainment October 1, 2019 separate Blu-ray and DVD releases of S1 of DC Universe streaming service series "Doom Patrol" nicely reminds us that the range (and legacy) of the DCU extends beyond the broadcast network friendly exploits of the Arrowverse shows, Common executive producer Greg Berlanti clearly lets his inner excitable inner boy out to play in "Patrol."
As an aside, the Warner Brothers section of this site has posts on the recently released WBHE BD sets of the 2018-19 seasons of every Arrowverse series except for "Legends of Tomorrow."
The following DCU trailer for "Patrol" offers a good primer on the lore of the series and nicely conveys its awesomely quirky vibe. It additionally reinforces that spending a few extra dollars to opt for Blu-ray over DVD is well worth it.
The mandatory starting point is that "Patrol" is tailor-made for a streaming platform, which presumably can push the FCC decency standards even further than premium networks such as Showtime and HBO. One of numerous examples is that the f-bomb seems to be weapon of choice of the misfits of science that comprise the titular team.
The central premise is a wonderful mash-up between the Sci-Fi Channel series "Sanctuary," which stars Amanda Tapping of the "Stargate" universe as a woman who looks very good for her age and uses her enormous mansion to shelter and aid all sorts of disfigured and/or meta entities, and "X-Men." The wheelchair-bound men-of-letters scientist/protector is Niles Coulder/Chief (Dalton, Timothy Dalton).
The central motley crew that struggles with their meta and their human elements evokes thoughts of the castaways on "Gilligan's Island" to the extent that both have a movie star in their midst. The members of both Team Gilligan and Team Coulder all have significant flaws but remain highly loyal to their "family" with whom a series of unfortunate circumstances have thrown them.
Former NASCAR star Cliff Steele/Robotman (Brendan Fraser) can be considered the brains of the organization in that this man whose War of the Roses with his equally toxic wife ultimately leads to his vital organ being implanted into a metallic body. His related angst includes not having been a good father to his young daughter and his effort to re-establish a relationship with her.
Next up is dashing closeted gay test pilot Larry Trainor/Negative Man (Matt Boomer). His "something extra" is a space being who inhabits him but goes solo when his services are needed. Larry still struggles with his love for a male member of his flight crew (insert your own cockpit joke here) and more generally with being restrained from being true to himself.
The aforementioned B-movie actress is Rita Farr/Elasti-Woman (April Bowlby); varying percentages of her body become a disgusting blob.
Last but not least is woman of 64 meta-personalities Crazy Jane (Diane Guerrero). Jane often lacks any control when a resident of the "underground" portion of her mind exerts herself. Each of these temporarily dominant personalities comes with a special power that she does not necessarily use for good, rather than for evil.
The new kid on the block who fills the role of DCU star "slumming" with the B team is Vic Stone/Cyborg (Joivan Wade). Cyborg and his Dad/mechanic have a history with Coulder that leds to Cyborg playing the role of nerd who tries to assume leadership of the class when the teacher leaves for an extended period.
As arch-villain Mr. Nobody/Eric Morden (Alan Tudyk) states in his frequent (and witty) narration, he plays the necessary role of bad guy. The exceptional talent of Mr., Nobody to simultaneously gleefully play mind games and wage psychological warfare makes him a formidable foe and a source of intense entertainment for those of us who do regularly relive our worst moments.
This extended discussion of the intriguing lore of "Patrol" leads little time to share the wonderfully surreal S1 events .
The band being assembled leads to an ill-advised field trip to the nearby town; Mr., Nobody subsequently captures old foe Coulder and imprisons him in a form of phantom zone. The search of the gang for their leader includes a (non-sexual) disgusting encounter with a donkey, a visit to an incredibly accepting (but shifting) talking street, the evil research facility known as The Ant Farm. and a visit to what can be considered the Justice League predecessors The Justice Society of America,
Our folks who simply want to avoid their own demises also come up against a wonderfully warped cult that is going to use a (presumably) virgin sacrifice (who presumably reeks of Axe body spray) to bring about end times. They further must go "Magic School Bus" to enter the mind of Jane to return her to a relative state of normalcy.
This is not to mention The Brotherhood of Evil and the Bureau of Normalcy (nee the Bureau of Oddities) creating trauma and drama.
Things really get weird in the final S1 episodes. Our thoughts of suicide squad learn that Chief is the source of much of their discontent and has an "Alice in Wonderland" style ulterior motive for his outward peace, love, and understanding. This leads to a showdown with a true survivor and a sidekick with a "Princess Bride" style vendetta.
Much of the group being in "Wonderland" state at the end of S1 sets the stage for a spectacular S2.
WBHE supplements all this with unaired scenes, a gag reel,m and an entertaining "Come Visit Georgia" PSA that shows how the versatility of the Atlanta area makes it a good place for location filming.
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this blog post. The opinions I share are my own.]
The Warner Bros. Home Entertainment September 17, 2019 separate DVD and Blu-ray releases of "Supergirl" S4 brings us 3/4 of the way toward completing these releases of the 2018-19 seasons of the CW Arrowverse series ahead of their (mostly) October 2019 season premieres. "Supergirl" S4 follows the (reviewed) sets of "The Flash" S5 and (reviewed) "Arrow" S7. The September 24, 2019 releases of "Legends of Tomorrow" S4 completes this run.
The reasons for springing for the BD sets extend (except as to "Legends") beyond those versions including the epic three-part "Elseworlds" episode that introduces Batwoman to the Arrowverse ahead of her 2019-20 series. Past lack of buyer's remorse validates that spending a few extra bucks to get the deeper and richer color and sound of BD is well worth it; this is not to mention BD being less prone to the ravages of time and repeated viewings than DVD.
"Supergirl" always has been more closely aligned in lore and tone with "Flash." On-screen, this relates to Barry Allen (Grant Gustin) of the latter introducing Superman cousin/reporter/covert government operative Kara Danvers (Melissa Benoist) to the Arrowverse. Further, both series skew younger in cast and target demographic than "Arrow." Off-screen, Gustin and Benoist (who have sung separately and together in their current series) are former Gleeks,
Further, "Flash" and "Supergirl" both revolve around boys and girls with something extra on both sides of the law. These problems and solutions mostly are aliens on "Supergirl," and mostly Spider-man style meta-humans who accidentally acquire special abilities on "Flash."
Conversely, most of Team Arrow and their foes are more like Batman in that they use advanced tech. in their efforts to put their well-honed skills to good (or bad) use.
The underlying debate on whether aliens, most of whom can easily send us muggles crying home to our mommies, in "Supergirl" S4 parallels the underlying theme in "Flash" S5 regarding how to handle a "cure" that makes a meta like other boys, The options there are to completely suppress the cure, make it mandatory, or give metas the freedom of choice.
As a side note, both "Supergirl" and "Flash" also have an annoyingly cartoonish "Scrappy-Doo" style/outcast character who fails in his mission to provide comic relief, "Flash" compounds the error as to acrebic scientist Harrsion Wells by making the current incarnation of him stereotypically French,
"Supergirl" has a kinder and gentler version of Brainiac, whose voice and misunderstanding of life on that alternate earth are inconsistent with his supposed intelligence, The writers mercifully limit a quirk as to referring to classic films to a few episodes To expand on a reference to the game of three in the "Flash" post, neither Wells nor "Brainy" would fare well regarding that diversion.
A real-world analogy in these series by openly homosexual executive-producer Greg Berlanti is gay rights. One aspect of this real-world non-issue is the "threat" that LGBTQ folks pose to "normal" people. An element of this in the entire Arrowverse and our reality is that most of the "villains" can "pass" for "normal."
Everything regarding this in "Supergirl" S4 ties to the Children of Liberty, lead by Agent Liberty (a.k.a. former US history professor Ben Lockwood) which loosely can be described of as a human-rights organization. The analogy as to this group that aggressively supports a "send her back" policy is to the related issues of immigration and refugees. This encompasses "them" coming to "our" country where they take jobs from "real" Americans and cause extensive physical destruction. We further see how these negative experiences can radicalize folks who previously largely avoid the maddening crowd.
The Children's campaign to repeal the federal Alien Amnesty Act does mirror a theme in "Arrow" S7. The legislative effort there is to outlaw vigilante activities of Team Arrow that supplement formal law-enforcement work.
An early "Supergirl" S4 episode begins to eliminate confusion as to that season seemingly not addressing the S3 cliffhanger. The final scene in the season finale has our heroine landing in what seems to be eastern Europe. The additional S4 exposition is that this individual can be considered a version of a bizarro Supergirl.
More exposition regarding all this comes roughly 3/4 into S4 with the heavily anticipated first appearance of Jon Cryer as "Super" nemesis Lex Luthor, Fanboys will remember Cryer as gonzo Lex Luthor nephew Lenny in "Superman IV: The Quest for Peace."
Aside from this introduction of a major DCU character into the Arrowverse series, the coolest thing about having Lex Luthor join the party is seeing late in the game how he orchestrates so much from the sidelines throughout the season. His "great escape" is another highlight.
All of this leads to season finale that includes an extended thrill-a-minute climax. The cliffhanger hits a high note by (ala "Arrow") bringing back a central "Elseworlds" element and keeping fanboys on the edge of their futons until the October 6, 2019 S5 season premiere.
The bigger picture is that S4 arguably is the best "Supergirl" season. It has streamlined characters, made Kara far less awkward and geeky "Ugly Betty" like, and has stronger story arcs.
The biggest picture is that the latest batch of Arrowverse seasons supports what fanboys have known for decades; comic books are about much more than men (and women) flying around in Spandex.
The plethora of S4 extras include a presentation of highlights from 2018 Comic-Con panels of Arrowverse series, a (Blu-ray exclusive) feature on "Elseworlds," a look at DCU super villains, deleted scenes, and a gag reel. The deleted scenes run from the sublime to the ridiculous, and the gag reel shows which cast member is most prone to cursing.
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this blog post. The opinions I share are my own.]
The WBHE September 10, 2019 separate DVD & BD releases of "Supernatural" S14 help keep the CW joy going strong ahead of the October 2019 season premieres of these fun-for-all-ages series. This run begins with the August 2019 releases of (reviewed) "Arrow" S7 and (reviewed) "Flash" S5.
The September 17, 2019 releases of "Supergirl" S4, and the September 24, 2019 releases of "Legends of Tomorrow" round out this run,
The blessing and the curse related to "Supernatural" S14 is that premature rumors of the death of this series result in episodes that awesomely cover all bases and leave fanboys wanting more but being content about where things stands in the season finale. The same is true as "Arrow" and "Flash." It is known that S15 will be the end for "Supernatural" and that Team Arrow has decided that eight is enough.
The following trailer for S14 shows that "Supernatural" has not lost any of its creepy edge in its adolescence. This promo being in perfectly clear standard def. reinforces that spending a few more bucks for the enhanced images and sound of Blu-ray is WELL worth that extra cost.
The last hurrah elements of S14 begins with grim brothers/expert monster hunters Sam (Jared Padalecki) and Dean (Jensen Ackles) Winchester back in our world after an S13 adventure in an alternate universe known as "Apocalypse World." One change is that their core group of the siblings and long-term literal angel Castiel (Misha Collins) now includes "Little Nicky"/"Cousin Oliver" Jack (Alexander Calvert). This new kid on the block is the two year-old son of Lucifer in the body of a late-teens boy.
"Mom" Mary Winchester and mentor/father figure Bobby Singer also are back with the band after extended death-related absences from the series.
Everything old is new again in that S14 commences with the "surviving" sibling dealing with the sacrifice of his brother at the end of the prior season. In this case, Sam has the aforementioned inner circle and his army of hunters desperately seeking Dean, who is the new meat suit for archangel Michael. This brings things back to the primary S5 story arc in which Michael and Lucifer want to respectively possess Dean and Sam in order to hold a death match.
S5 further rears its ugly head as to former Lucifer vessel Nick also being on Team Winchester. Subsequent events indicate that that former tenant has a lingering effect on his prior landlord.
The standard murder and mayhem result as to Michael having Dean do his bidding, Sam and Dean teaming up to evict that squatter, and the standard demons and numerous other creatures of the night preying on innocent and not-so-innocent humans. All of this occurs in the background of the latest plan of Michael to turn earth into his idea of paradise.
Meanwhile at the fortified bunker that the Winchesters call home, Jack faces his own personal crises. S13 events have robbed him of his grace that makes him different than other boys. He also faces a comparable crisis to one in which "cousin" Sam struggles in S6.
Staying alive requires that Jack sacrifice a portion of his soul; a few subsequent desperate times require that he resort to the desperate measure of giving up a little more of his soul to defeat a foe with extreme prejudice,
Team "Supernatural" does the series proud as to the milestone 300th episode "Lebanon" (a.k.a. "Winchester Family Reunion.") This one starts strong with our boys on a scavenger hunt that goes awry when a trio of slacker teens who at least suspect what goes on in the bunker temporarily (and hilariously) gets the better of their elders.
After dealing with the meddling kids, the Winchesters try black magic that does not work as intended. The compensation for not getting the desired wish fulfillment is the return of deceased family patriarch John Winchester (Jeffrey Dean Morgan). This resurrection allows the Winchester clan to once again be a relatively happy nuclear family. This also arguably is the happiest periods for the boys in the entire series.
The writers remain true to the entertainingly cynical nature of the series by not allowing the bros to be happy for long and by showing that magic has its price. Learning of the negative consequences of Dad coming back forces the boy to once again try to find a quick fix while contemplating a major sacrifice for the greater good.
"Leabanon" also is notable for providing INARGUABLY the best fodder for the gag reel that is a special feature. The Winchesters are having a very serious moment when a prop malfunction has Padalecki and Ackles literally rolling on the floor in laughter.
The aptly named "Mint Condition" Halloween episode is another season highlight; often angry and/or morose Dean is ecstatic as to a Shocker network marathon of classic slasher films and a real "job" that involves action figures and other memorabilia coming to life to attack a comic-book store employee. Usually more cheerful Sam is experiencing annual depression regarding this holiday.
This outing perfectly blends the well-produced horror and the dark humor that contributes to "Supernatural" being able to celebrate its Quincenera.
Humor fully takes center stage in a "Pleasantville" style outing in which a "job" brings Sam and Castiel to a real-life town that is straight out of a TV Land sitcom. All of us living through our current dystopian times can relate to the desire of the power-that-be behind this Utopia to want a more cheerful existence than our winter (and spring, summer, and fall) of discontent,
All of this culminates in a truly epic season-finale story-arc that involves the end of the world as we know it, Jack becoming an especially excitable boy leads to teen angst that leads to a "we need to talk about Jack" moment.
The inability of the Winchesters to properly parent their jinx of a ward leads to the "Dad" coming downstairs to put the kids in line. The climax to all this proves that the boss may not always be right but always is the boss. The other moral is that Hell literally has no fury like a powerful entity scorned; suffice to say that our existence is chucked.
Although the gag reel shows that boys just wanna have fun, the other special features demonstrate the love of the game that comes through in each episode. You will not believe in angels, demons, and the stuff of "Scooby-doo" episodes but will believe that the folks in front of and behind the camera do believe in spooks.
All involved share their perspectives and devotion in "Exploring Episode 300," the even more series-encompassing "The Choices We Make," and the 2018 Comic-Con panel that will make you mourn the 2019 panel likely being the end times for that event at that Con.
[EDITOR' NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this Blog post. The opinions I share are my own.]
The Warner Bros. Home Entertainment separate August 27, 2019 DVD and Blu-ray releases of "The Flash" S5 keeps the fun coming after the August 20. 2019 (reviewed) parallel releases of S7 of fellow DCU Arrowverse series "The Arrow." CW reverses this order by having "Flash" S6 premiere on October 8, 2019 and "Arrow" S7 premiere exactly one week later.
The first aside is that the high production values and bright comic look of"Flash" is behind buying S1-3 on Blu-ray; buying S4 on DVD still provided hours of enjoyment but reinforced the belief that saving $5 was not worth losing the enhanced BD experience.
The second aside is that this 'verse helps keep comic-book characters fresh decades after their births. This contribution to pop culture is important in an era in which virtually no one 25 or younger knows about Lucy Ricardo and even fewer have heard of Ralph Kramden or Dobie Gillis.
The third aside is that adorkable Team Flash both provides good fodder for the marry, "mate," or kill game and earns their series the distinction of being the most highly rated one on CW. One note regarding the game is that each of the almost infinite variations of brilliant scientist Harrison Wells (Tom Cavanauhgh) is most likely to suffer the most unpleasant fate.
On a more positive note, the odds are forever in the favor of quirky emo tech. whiz Cisco Ramon/Vibe (Carlos Valdes) as to the game of three.
The numerous tie-ins between "Arrow" and "Flash" extend well beyond titular hero/CSI forensics expert Barry Allen in the latter first appearing in an episode of the former. They even surpass the (always-awesome) cross-over episode this time centering around a "Freaky Friday" body switch between our masked avengers (if you pardon the expression).
The fourth and final aside is that a full presentation of the cross-over is an exclusive feature of the BD sets of each series. Both the DVD and Blu-ray sets of those shows includes a bonus feature on that epic that is a backdoor pilot for the new Arrowverse "Batwoman" series. That one premieres on October 6, 2019 and is part of an upcoming 5-EPISODE cross-over.
The recently completed seasons of "Flash" and "Arrow" also include MUST-SEE milestone episodes. It is number 150 for "Arrow" and 100 for "Flash." The latter involves a grand mission that has our hero (adorkable Grant Gustin) and his fellow speedster/adult daughter Nora (Jessica Parker Kennedy) go on a time-travelling scavenger hunt that has them revisit some of the many critical battle royales of the past four seasons; that is not to mention going back to the big bang that starts everything.
Further, natural progression and the nature of both seasons suggest that they are produced with a thought that both may be the final ones in each series. The "seven-year-itch" often triggers the end of a sci-fi series; moreover, the nature of the Arowverse allows members of Team Arrow to pop up on the spin-offs that "Arrow" spawns.
"Flash" reaching 100 episodes gives it enough for syndication; going out on top and freeing up Team Berlanti resources for younger "siblings" (including newborn "Batwoman") arguably makes sense. Additionally, members of Team Flash can always visit Seattle.
The indications of end times in both series include copious appearances from old friends, foes, and folks who fall in the middle of that bell curve. We also get heavy doses of soul searching in these already heavily emo programs. It seems that real men get into at least two violent fights a week and CONSTANTLY share their feelings.
In typical "Flash" style, S5 revolves around the arch-nemesis du season who triggers related personal dramas. In this case, Nora travelling back more than 20 years to join Team Flash relates to super-villain Cicada executing (pun intended) his crusade to rid the world of both good and evil meta-humans; this encompasses virtually every member of Team Flash.
The personal side of this is that Nora wants to bond with her dad and has epic mommy issues as to Barry spouse/journalist/former speedster Iris West-Allen (Candice Patton). The challenge regarding Iris is that she is being treated like Mommie Dearest years before engaging in the reported behavior that prompts the 'tude in our present day. The desire for quality time with Daddy is even more complicated.
For her part, Dr. Caitlin Snow/Killer Frost (Danielle Panabaker) is getting an icy blast from her past that extends well beyond her massive split personality issues.
All of this leads to a development straight out of MCU; the most recent desperate times lead to the desperate measure of creating a "cure" for meta-humans that reverts them back to "normal;" the challenge this time extends beyond a Jekyll-and-Hyde side effect.
The debate that is especially emotional for the boys and the girls with something extra on Team Flash is whether the existence of the "cure" is ethical and if metas should have a pro-choice option. Another perspective is the debatable merits of this conversion therapy that makes those living an alternative lifestyle "normal."
Meanwhile, the current incarnation of Wells being a mash-up between Sherlock Holmes and Inspector Clousseau is designed to provide comic relief. The harsh reality is that this makes him even more of the Scrappy-Doo of Team Flash then ever before.
Of course, all worlds collide in the events that lead to the epic showdown with very high stakes. The ensuing new normal achieves the desired objective of working equally well as a season or a series finale.
One semi-spoiler is that the been-there-overcame-that nature of the cliffhanger leaves very little doubt other than that at least most of the kids will be alright. This relates to the primary S5 lesson that even casual "Flashphiles" know; the timeline is malleable,
WBHE provides fanboy even more joy by cramming both the DVD and BD sets with numerous extras in addition to the look at the cross-over. These include extended highlights of the 2018 ComicCon panels of the Arrowverse shows, the self-explanatory "Villains: Modes of Persuasion," deleted scenes, and a gleeful all-dancing, all-(bleeped) cursing gag reel.
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this Blog Post. The opinions that I share are my own,]
The proper perspective regarding the Warner Bros. Home Entertainment August 27, 2019 Blu-ray/DVD combo. pack and separate DVD releases of the 2019 horredy film "The Banana Splits Show" is context. The first example is that setting a gorefest at the modern taping of a real live-action kids' show from the late '60s arguably is better suited to the '90s.
The Clinton years is when wholesome fare such as the "Splits" series and "The Brady Bunch" enjoys renewed popularity under the very flimsy guise that hipsters like such entertainment ironically, A common aspect of this is putting a dark twist on a childhood favorite ala the big-screen "Brady" films.
This is from the perspective of a guy who has had his Google home assistant repeatedly play the infectious "Splits" theme since learning of "Movie" several weeks ago. Whether this also prompts doing the spastic "Splits" dance requires pleading the Fifth.
The press materials for the film perfectly convey the above by describing "Movie" as "get nostalgic and horrified all at the same time while watching the trippy '60s characters in this all-new tale about fear, power, and an oversized puppet rock-band."
The following trailer for "Movie" further illustrates the nature of this creative take on a classic.
The next bit of context is that ANY mashing up of two disparate genres is almost certain to result in a compromise in the form of everyone getting something that he or she wants but hopes for more. A brighter aspect of this is that "Splits" fans get their first new material in decades.
"Brady" further plays into "Movie" by contributing to a more ideal premise than the one used.
Young and obliviously dorky Harley seems to literally be the biggest fan of "Splits" 50 years into their run. It is indisputable that he is in for misery (not to mention much more agony than ecstasy) when mom Beth sets him and the rest of the family on the road to Hell via her good intentions as to buying tickets to a taping of "Splits" as a birthday present for Harley.
The rest of the clan is 19 year-old slacker/loving half-brother Austin, and Harley dad/Austin step-dad Mitch. The one friend of Harley calling in sick leads to young girl Zoe being drafted to round out the group,
All of this turns out to be a textbook example of being at the wrong place at the wrong time. The animatronic American Idols already are turning evil thanks to reprogramming when sudden news of an imminent cancellation of their series fully triggers their homicidal instincts and related Cylon-caliber glowing red eyes. A kinder and gentler version of this is the hilarious leaked photos of real Disney "cast members" engaged in adult behaviors while wearing the costumes of the characters whom they portray.
It seems that a "Brady" episode in which the bunch encounters the Splits and other Hanna-Barbera characters while at the King's Island amusement park in Cincinnati provides a no-brainer basis for "Movie." Even if the folks at the ironically named Blue Ribbon Content production company that makes this film could not get license right to use the Bradys, it seems that a "Westworld" tale (ala the Simpsons at Itchy and Scratchyland) of an all-American family having to flee the rampaging Splits at a theme park would provide perverse entertainment.
Although it would slightly distort "Brady" lore, many folks would perversely delight in seeing Cousin Oliver suffocate from having his head shoved in a cotton-candy machine. That, and his being why the family goes on the trip in the first place, would remove any doubt as to his being a jinx.
Returning to our actual movie, this Willy Wonka style adventure starts on a happy note both for our family and a self-proclaimed influencer and his girlfriend. Things are slightly less happy for the young daughter of the stage father, who is obsessed with using the taping to get his Honey Boo Boo discovered. Fans of "Wonka" can guess how things end for the folks who are not pure of heart and/or deed both in the audience and on the production team.
The creepy backstage area fully becomes the killing fields of our literally dead-eye murderers; highlights include an obstacle course of death and using a lollipop as a deadly weapon. This is not to mention a macabre banana split that costs an arm and a leg.
The rest of this plan involves providing a captive audience of children an endless show while the adults wait in the wings.
The most unintentionally amusing aspect of all this is that ignoring the elephant in the room allows keeping the body count from further escalating.
The DVD and Blu-ray extras include two "making-of" features; a memorable scene in those is seeing the actual guys in the costumes and hearing their tales of trying to navigate while dressed that way. An amusing fake news report can be considered a highlight reel.
The final act to all this is not a "rock out." it is a reminder that "Movie" should be judged in the context of entertainment in the form of distorting something sweet into something acidic for the sick pleasure of those who find such twists entertaining,
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this Blog Post. The opinions I share are my own.]
The Warner Brothers Home Entertainment August 20, 2019 separate DVD and Blu-ray releases of the 22-episode penultimate season of the daddy of all Arrowverse series "Arrow" provides plenty of time to either catch up on or review the series before the October 15, 2019 premiere of the 10-episode 8th season on your local CW channel.
It is clear early on that this action and lore-packed season is intended to be the last. We check all of the boxes as to the unmasking of the titular hero, an unjust imprisonment of that savior, old friends and foes showing up, and an epic finale that provides closure that leaves you wanting more. Team Berlanti provides more in the form of frequent flash-forwards 20 years in a storyline that very validly can be titled ""Arrow: The Next Generation."
The following 2018 ComicCon trailer for "Arrow" S7 provides teasers galore (including toned-down "Ozesque" scenes of Oliver Queen (Stephen Amell) in the prison shower) about the thrills and chills to come. On a related note, both the DVD and the Blu-ray have a feature containing the highlights of the DC TV panels at that Comic Con. This kicks off with Team Supergirl discussing their adventures.
As indicated above, the blessing and the curse of S7 is that the well-orchestrated developments are much to plentiful to properly present here. Two primary and heavily related themes are that the events are a continuum, and that virtually every character is trying to come to terms with his or her past.
Our story begins with an unmasked Oliver out of the closet and in the big house as part of a deal related to revenge-obsessed nemesis Ricardo Diaz, Wife/Overwatch Felicity is in hiding with Oliver's teen son William Clayton. The rest of disbanded Team Arrow is trying (not always so well) to work within the system to do good in ways that include capturing Diaz for reasons that include an essential prisoner exchange of Oliver for him.
Urgency regarding this extends beyond Oliver being a fellow guest of the state who would not have that distinction but for him. A disgraced psychiatrist is giving Oliver an insidious form of electo-shock with impending dire consequences.
Meanwhile, a new Arrow is taking over the role of illegal vigilante. Rene Ramirez (a.k.a. Wilddog of Team Arow) switch-hitting is only the tip of the iceberg. Oliver and company learning the reason for these most sincere form of flattery dredges up fairly ancient history and creates textbook conflicting emotions.
All of this begets super-villain Dante and his previously covert centuries-old society known as the Ninth Circle, This requires borrowing from another corner of the DCU by having Diaz and his version of the Legion of Doom (complete with an evil version of MCU hero Captain America) form a "Suicide Squad" clone known as The Ghost Initiative. The similarities extend to these desperate measures having bombs implanted in their heads.
The 150th episode "Emerald Archer" centers around a documentary about this character and his not so merry men and women. Of course, reality (and associated conflict) intrude on this project.
The aptly titled episode "Confessions" is more of a traditional procedural than a super-hero action-adventure show. Team Arrow (plus an old friend) are persons of intense interest as to the killing of two innocents during a violent mission that is par for the course as to this group, The message as to this one follows the sci-fi principle that death is not always permanent; we also get a heavy dose of the aforementioned element of atonement.
In true Arrowverse style, all this leads to a story arc that leads to a climatic showdown in which inner and outer demons both face battles.
The aforementioned essentially game-ender nicely ties in with the epic three-episode cross-over "Elseworlds" in which our reality is repeatedly altered for much more fun than profit but still involving global consequences.
This always fanboy delight, which only is fully presented on the Blu-ray sets of the relevant "Arrowverse" series, is particularly awesome this time. It BOTH introduces Bruce Wayne cousin/Batwoman Kate Kane (who gets her own series this year) and drives significant action later in "Arrow" S7.
The special features extend well beyond the Comic-Con panel and the full presentation of "Elseworlds." The DVD and Blu-ray sets have the special feature "Villains: Modes of Persuasion" on DC super-villains, a feature on "Elseworlds," and a gag reel,
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.]
Warner Bros. Home Entertainment releasing the first season of #1 NBC show "Manifest" from film god Robert Zemeckis ("Back to the Future," "Forrest Gump," etc) on July 23, 2019 is notable for a couple of reasons.
First, this is the beginning of a SLEW of awesome WBHE home-video releases of Arrowverse and other series that demonstrate that broadcast networks have plenty of life in them. Second, this release-date of this traditional-season serialized drama evokes thoughts of sublime-to-ridiculous summer fare, such as "Under the Dome" and "Zoo," that networks broadcast during the extended school vacation. Fortunately, "Manifest" falls on the "sublime" end of the curve on the Paley Scale.
"Manifest" centering around the passengers of otherwise-routine Flight 828 from Jamaica to New York taking off in 2013 and landing 5.5 years later also evokes thoughts of the JJ Abrams series "Lost" and the lesser-known program "FlashForward." The latter centers around a mysterious global incident in which virtually everyone on earth loses consciousness for just over two minutes.
The following clip of the official trailer for "Manifest" S1 provides a solid overview of the concept of this series that easily passes the "one more" test while watching episodes on DVD.
The abundant feast of food for thought commences with unmarried NYPD cop Michaela Stone (Melissa Roxburgh of "Valor" and "Supernatural") waiting for her flight in Jamaica. She is with her parents, her brother Ben Stone (Josh Dallas of "Once Upon A Time"), his 10 year-old twins Cal and Olive, and his wife Grace.
A "Sliding Doors" moment occurs when a desire for a break from her mother motivates Michaela to accept an offer to be bumped from her original flight and put on 828. Ben and Cal join her.
Although sudden extreme turbulence disrupts 828, the rest of the flight goes smoothly. The first sign of trouble is the New York flight tower seeming to be surprised to hear from the flight and diverting it to a regional airport.
These not-so-weary travelers soon learn that their roughly three-hour tour lasted much longer. None of them look or feel any older than when they boarded in Jamaica. This leads to a mix of reunions with loved one who gave them up for dead long ago and/or finding the things have radically changed.
The first aside this time is that this gap evokes strong thoughts of the MCU Thanos storyline as to that villain sending 1/2 of the global population into oblivion for a five-year period known as "The Blip." Like the 828 passengers, no time has passed for the MCU folks who return to earth.
The second aside relates more closely to the "Sliding Doors" aspect of choosing one path over another sometimes having immense consequences. The "what if" factor as to relinquishing a sure thing in the form of a booked seat on a flight in exchange for the more speculative promise of taking a future flight precludes many of us of from taking that chance.
Michaela discovering that she no longer has an apartment prompts her to temporarily move in with Ben and his family. Her other trauma relates to her best friend's husband used to being her beau. The lesson here is if you love it, quickly put a ring on it,
The rest of S1 follows a theme of connectivity that pervades the series to varying degrees. The broadest aspect of this is that it seems that at least some of the passengers are telepathically linked.
The less broad aspect of this is God or a reasonably facsimile of Him sends the adult Stone siblings and some fellow passengers on missions by putting voices, images, and other clues in their heads. Staying true to this concept in other fiction, the minion typically initially does not know how to respond to the message and first gets it wrong once or twice before putting things right.
Meanwhile, the feds are dividing their time between trying to figure out what caused the longest flight delay in history and using vulnerable passengers to fulfill an evil purpose. Along a similar line, the Stones and the other interested parties soon learn that they cannot trust anyone.
All of this culminates in an action-packed season finale with high stakes and a sense that the mystery extends beyond the passengers. We all learn of an assumed five-year plan that would produce enough episodes to syndicate "Manifest." Those of us invested in this show will only need to wait until at least January 2021 for more immediate closure as to the classic cliffhanger in S1.
The fun for all ages April 16, 2019 Cartoon Network/Warner Brothers DVD release of "Steven Universe" S2 (2015-2016) begins with the way cool puffy Garnet fusion keychain and the equally awesome cover art featuring that Crystal Gem new leader of the band. This anime lite series is a bright and colorful surreal joy ride that should thoroughly delight the primary target audience and amuse those of us with secondary sexual characteristics.
Additional glee is attributable to the newly released S2 soundtrack and the separate "Karaoke" release on your favorite platform. The "but wait there's more" aspect of this is the "Steven Universe: The Phantom Fable" mobile game that is coming out on April 18.
The perfect series description on IMDb nicely helps put words in the mouth of your not-so-humble reviewer. That site describes the show as "a team of galactic warriors fights to protect the universe, but the combination of three highly trained beings and one quirky young boy leaves the team struggling to overcome the dangerous scenarios that are put in front of them." The reasons that this variation of "Teen Titans" seems similar in style to fellow CN series "Adventure Time" include that creator Rebecca Sugar (who bares a passing resemblance to Steven) is the best brain behind both shows.
The S2 episode "We Need to Talk" provides an overview of the "Steven" lore. Then-guitar god in his own mind Greg Universe is rocking out to an audience of a girl with something extra when love at first sight leads him to discover the ancient beachside temple that she and her fellow guardians of the galaxy call home. This ultimately leads to the birth of our titular half-alien half-excitable-boy who inherits the gem in his belly button from his mother's side of the family.
Our first adventure, which is titled "Say Uncle," also reflects this proud heritage. Steven literally is contemplating his navel and experiencing pre-adolescent angst regarding his inability to trigger his power of forming a protective shield around his body. An ill-fated cry to the heavens results in manic Uncle Grandpa arriving and causing chaos.
The theory of this visitor with no impulse control is that the shield will form when Steven faces an adequately serious threat to his physical well-being, Uncle Grandpa then launches a hilarious beezooka and other weapons of mass hysteria at the lad. This homage to Looney Toon cartoons results in the style of life lesson that Steven and his viewers typically learn from each adventure.
Body issues also are the topic in "Reformed," which finds feisty Crystal Gem Amethyst trying out new holographic forms as she battles a gem monster that is running amok in the temple. One moral this time is if ain't broke, don;t fix it."
A personal fave is a more down-to-earth tale. A very proud Steven is the artist of a comically crude poster promoting guitar lessons by his father. A series of fortunate circumstances leads to this boy teaming up with the cool teen son of the mayor of their home turf of Beach City.
These unlikely friends make t-shirts with that image; the problem is that Steven thinks that the general populace appreciates his artistic talent, but all fondness is of the ironic variety. Even given that, Steven cleverly turns the table in a the student becomes the teacher manner.
The remaining 18 episodes offer similar fare that makes many young boys fantasize about being Steven and older folks getting more than a little badly needed joy in their lives.
The true-to-comic-book spirit of "SHAZAM!" makes it by far the best entry in the current round of WB DCU superhero movies. This light-hearted romp is a wonderful diversion from the (often poorly acted and produced) dark live-action and animated fare with beyond gratuitous sex, violence, and profanity that the House that Jack built is churning out these days for far more profit than fun.
The following YouTube clip of a "SHAZAM!" trailer perfectly illustrates to Millennials and Gen Zs that this movie is their daddy's (or grandddaddy's) superhero flick. These kids also learn that there is ABSOLUTELY nothing wrong with that.
The simple but brilliant concept of the source material that director David F. Sandberg and writer Henry Gayden expertly adapt to the big screen is that 14 year-old Billy Batson is the chosen one who transforms into he whose "marvelous" name that shall not be spoken and back to his original form by uttering the titular acronym. This largely is the only similarity between this film and the (reviewed) 1974 live-action Saturday-morning series of the same name.
Zachary Levi of the 2007-12 action-comedy series "Chuck" (five seasons! and a movie?) releases his inner-Bartowski in playing this half-man half-boy champion. He proves once again that he is adept at playing a lovable loser nerd who must adapt to a super-powered new normal. This one can be consider Chuck vs. The Seven Deadly Sins.
The most general thought regarding this tale of a boy who goes from being a delinquent foster child to becoming a mighty superhero in a 'verse in which The Justice League really is fighting for truth, justice, and the American way is that is akin to the limited appeal of another boy hero.
Wil Wheaton coming up in conversation a few years ago prompted my remarking that I hated his smug young teen genius (with shades of Hamlet) character Wesley Crusher on TNG. I mentioned as well that i considered it absurd that the highly skilled and equally experienced Enterprise crew members gave that arrogant punk a respected seat at the table. The wisdom of my not foolish friend was that young teen boys that watched the series fantasized about being Wesley. A desire for candor requires confessing to shouting "SHAZAM!" and hoping for the best when watching the '74 series as a young boy.
A more obvious comparison is to the 1988 blockbuster comedy "Big" in which Tom Hanks plays a tween who (presumably on a Friday) magically transforms into an adult. "SHAZAM!" makes one blatant homage to the film and another more subtle one. The confession this time is admitting to still saying "I want to be big" every time that I pass a Zoltar fortune-telling machine.
The '80slicioiusness continues with "SHAZAM!" having strong shades of the cult-classic action-comedy TV series "The Greatest American Hero." This early example of the importance of RTFM centers around the Mr. Kotter of the '80s Ralph Hinkley being the chosen one whom "little green guys" give a super suit. The primary idea is that these brothers from another planet being confident that Hinkley realizes that with great power comes great responsibility make him their guy.
Much of the humor in "Hero" relates to the titular Reagan-era Cold War Captain America both discovering the extent of his abilities and learning how to control them. "SHAZAM!" honoring this legacy extends beyond a very "Hero" like montage.
These fanboy homages begin with the opening scenes. The identified year of 1974 works very well for the 2019 theatrical release in which our time is identified as "the present;" however, this will seem more odd as time goes by. it is even odder later in the film to see a single school that apparently goes from grades 1-12 in the same building.
Fourteen year-old Thaddeus "Lex" Sivana is sitting in the backseat of the family sedan as his father (John Glover of "Smallville") is driving the boy and his older brother over the river and through the woods to grandfather's house. Dad (channeling his best Lionel Luthor) and the older sibling are engaging in their usual practice of berating the backseat boy when Thad finds himself transported to a spooky cave.
Ala "Indiana Jones and the Last Crusade," Thaddeus meets the weakening ancient guardian of the "grail." Unlike Indie, Thaddeus does not choose wisely. He then is thrust back to his reality, where he quickly sets incidents in motion that do nothing to endear himself to his father and his brother.
The copious discussion of the proud history behind "SHAZAM!" precludes going much deeper into the plot of the film. Suffice it to say that Shazam and now-Dr. Sivana ultimately find themselves in an extended clash of the titans. The Team Shazam that our hero assembles to help fight his battle will come as no surprise to folks who are familiar with earlier incarnations of our central figure; this approach also is familiar to fans of Team Bartowski.
The team building, as well as the central plot, reinforces the "anyone can be a hero" theme of a film from a competing 'verse. It additionally reflects the "friends and family" aspect of admission into Mormon heaven and avoiding spooky Mormon Hell.
Those who agree that "Aquaman" stinks worse than three-day-old fish will find glee in a "SHAZAM!" stinger.
'Craig of the Creek: Itch to Explore' DVD: Cute Animated Adventures of Lewis & Clark of Backyard Wilderness
The Warner Brothers Home Entertainment March 19, 2019 DVD release "Craig of the Creek: Itch to Explore" is an incredible treat for fans of old-school cartoons. This cute and charming series from the best brains behind Emmy-nominated fellow Cartoon Network series "Steven Universe" is one that kids and parents can equally enjoy. Much of the mutual appeal relates to the lack of edge in this show about the titular suburban everykid and his two close friends having adventures in the titular backyard wilderness. This is not to mention the very catchy theme song.
Craig is a good kid, who is a middle child in a nuclear family. Older brother Bernard (legendary voice actor Phil LaMarr) is an over-achieving nerd, and younger sister Jessica is an excitable young girl. The aforementioned pals are uber-aggressive fantasy-obsessed tomboy Kelsey and slightly older slightly "special" oaf JP.
The titular pilot sets a good tone for the series that runs through the other 12 episodes in this S1 V1 set. Craig getting an "itch" to fully map the creek area that runs behind his house prompts the gang to suit up in preparation for exploring the "Poison Ivy Grove." The primary supply source for these primary-school aged Lewis and Clarks is the Trading Tree. This barter-based business in this kidtopia pretty much has anything you need.
A primary objective of going into the grove is discovering what is in a clearing at the center of this treacherous territory. What the kids find is as surprising to viewers as it is to our heroes,
The aptly titled "You're It" goes even more old school than "Itch." Comically intense concern regarding a seemingly endless game of tag prompts a plot to spare any more kids from the stigma of being "it." This involving an amusing scheme to lure Bernard "into the woods" makes this outing especially humorous.
It also is recalled that this episode has the kids consult the "elders," who are high school kids who still hang out at the creek. Less friendly "Sabrina" style teens cause Craig et al distress in a later episode,
Older brothers around the global can relate to the "sit" that provides the "com" in "Jessica Goes to the Creek." A series of unfortunate circumstances results in Craig having to bring his little sister to the creek. This leads to extraordinary anti-meltdown measures to not disrupt the routine of Jessica.
"Sunday Clothes" is interesting but a little disturbing in that it strongly indicates that JP should ride the short bus to school. Our gang follows the oldest member of their group home and soon learns that all of his everyday clothes are being washed.
An undeterred JP dons the titular church suit and heads down to the creek; this leads to extraordinary measures to keep his outfit spotless and sadly comic over-reactions to threats to that cleanliness. An arguably PG Full Monty scene is especially unsettling.
Other adventure include Craig desperately wanting to "Escape From Family Dinner" so that he can participate in a water-balloon battle, The set concludes with an episode that has the self-explanatory title of "Lost in the Sewer."
The DVD special feature are an animatic version of the full episode "The Final Book," which revolves around a quest to locate the borrower of the titular library tome. and a photo gallery of images of series highlights.
'The Last Ship' S5 DVD & Blu-ray: Tom Clancy Style 'Battlestar Galactica' With Shades of 'Moby Dick'
As they say, you can bring home all the action and adventure when Warner Brothers Home Entertainment releases separate DVD and Blu-ray releases of the 2018 fifth-and-final season of the TNT drama series "The Last Ship" on March 12, 2018. This also is the date that WBHE releases separate DVD and BD CS series sets of "Ship." WBHE does the fictional fighting men and women of the titular Nathan James proud with the copious bonus features in each release,
The proper perspective regarding "Ship" is to not allow any prejudice regarding the overall military theme to deter you from enjoying this well-produced program from action-adventure film legend Michael Bay. A comparable personal bias against westerns and sports-oriented films and television series has prevented seeing "Rocky" and many other quality productions. The setting of "Ship" largely is incidental to the compelling season-long story arc that has heavy shades of both incarnations of the scifi series "Battlestar Galactica."
Just like the opening minutes of the "Galactica" series, everything generally is shipshape and Bristol fashion at the beginning of "Ship" S5. Modern naval legend Admiral Tom Chandler (Eric Dane) happily is teaching at the Naval Academy; his Number One Mike Slattery (Adam Baldwin) still is active-duty but is living a life free of trauma and drama. The rest of their former crew is equally as happy as can be expected after their professional and personal ordeals of the prior seasons,
A celebration of normalcy complete with (ala "Galactica") the Nathan James now being a museum brings the band back together. Meanwhile, a small group of our heroes is trying to persuade a truly duly-elected South American leader to increase his security,
The lighter mood of S5 E1 provides for awesome humor; one of the best scenes in the entire season has tourists asking Chandler to take their photo with a life-size cardboard cutout of him. A real-life equivalent is celeb friends who no longer resemble their characters often sharing tales of fans ignoring them in favor of actors who play supporting roles when the two are out-and-about together,
Two closely-related events change everything for our heroes and everyone else in their world. Colombian terrorist/S5 nemesis Gustavo "Tavo" Barros escalates his rhetoric regarding United States domination of Central and South America to the level of killing the aforementioned South American leader and executing a Pearl Harbor-style attack on the aforementioned festivities that the U.S. naval fleet is attending. The scenes of the latter make excellent use of the skills of "Pearl Harbor" producer Bay.
The attack using an insidious in every sense computer virus that plays a role in knocking our military tech. back to the WWII-era while the enemy enjoys all the modern conveniences adds several interesting elements to S5. We see how the keyboard kids of today are modern heroes and how the old salts use human brainpower to adapt when tech. fails. In other words, everyone brings something to the table.
S5 goes even more old school by having the 19th-century novel Moby Dick play a prominent role; this begins with the Melville prose being a favorite read of Chandler. We also see this text help the squids adapt to the new normal, This is not to mention things being very personal for both Barros and Chandler and the latter facing an enemy that more closely resembles a whale.
A more modern element enters the picture in the form of Chandler rejecting his desk-jockey role to repeatedly throw himself in the midst of the action ala Jack Bauer of "24." This also is a akin to a "Star Trek" captain ignoring the desire of his or her crew to participate in a dangerous away mission.
Much of the action centers around the Trump scenario of very bad hombres marching el norte to add territory to Gran Colombia and ultimately invade the United States. The threat is very real this time, and a wall will not be a significant deterrent.
This war game also involves both Mexico and Cuba having high strategic importance, This requires that Chandler use diplomacy to get the leaders of these two countries with animosity toward each other to kiss and make-up.
Meanwhile back at home, the "24" element is very strong. An aforementioned guy in the chair has identified both the aforementioned virus and the means by which it cripples the Navy. This is only part of the story.
The rest of the tale is that the person who creates the harm does so inadvertently and is the victim of a "24" style betrayal. Although this aspect of "Ship" is as well-written and executed as the rest of the story, it arguably reflects a disliked stereotype of the past that portrays a certain demographic as psychotic.
The discovery of the truth leads to a manhunt that culminates in events that show that the military strategists forget the lesson of the Trojan Horse, This leads to some of wonderfully "Die Hard" style mayhem that includes handling a hostage situation with extreme prejudice.
Devastating losses on both sides have particularly brought Barros to the edge of madness and have taken a heavy toll on Chandler by the season and series finale. Their final showdown is reminiscent of Kirk v. Khan. One lesson here for both sides is to not allow your emotions to take control.
The final adventure also has Chandler take his boldest action ever; this leads to an incredibly surreal sequence that pays homage both to naval tradition and to Charles Dickens. It being the end of a five-year mission makes it equally probable that our hero will experience a fitting death and will return to his teaching duties until the next global crises requires that he once again cowboys up.
As indicated above, "Ship" S5 is a typically compelling Bay thrill ride. It easily passes the "one more" test and will leave you desiring further adventures.
[EDITOR'S NOTE: Warner Bros. Home Entertainment provided me with a free copy of the Blu-ray I reviewed in this Blog Post. The opinions I share are my own.]
The Warner Brothers Home Entertainment separate DVD and Blu-ray releases of the 2018 first season of the SyFy network series "Krypton" shows that this series clearly is a production by fanboys for fanboys. The even better news is that this show is as highly entertaining to those of us in the middle range of the Kinsey Scale of Superman fandom as to the folks at either more extreme end.
Creators DCU veteran David S. Goyer and "Stargate" veteran Damian Kindler reach well across the aisle in setting this Superman prequel a long time ago in a galaxy far far away, They also reflect the British reasoning that creating a handful of excellent episodes each season is better than offering a larger number of mediocre or bad ones.
This love of the art is clear from the opening shot of the titular planet brightly red aflame ahead of the global destruction that makes the last son of that world the man whom he is today. What we see when the action shifts back a couple of centuries before that apocalypse further demonstrates that this is a true labor of love,
The opening comments in the entertaining and the informative 2017 ComicCon panel on "Krypton" that is a home-video bonus feature aptly gives props to the feature-film quality cinematography. An amusing remark notes that the action occurring in such a foreign setting precludes merely shooting outside the police station down the street.
These elements additionally REQUIRE buying "Krypton" in Blu-ray; playing it in a 4K player and watching it on a 4K Sony set makes you feel as if you are there. As an aside, being a cheap bastard in buying the fourth season of the CW DCU series "The Flash" on DVD after buying the other three on Blu-ray is a deep regret. It does not look nearly as good despite giving it the same 4K treatment as "Krypton."
The final diversion into Blogland before returning to the proud tradition of this site playing it straight relates to enhanced viewing pleasure. Getting the review BD set on that Friday facilitated a marathon (rather than binge) watching session that night. That evoked fond memories of going to the home of friends virtually every Friday night in the early 2000s to eat take-out and watch "Stargate" series or other SyFy series of that era.
The following YouTube clip of a "Krypton" S1 trailer provides a good sense of the lore of the series. It also highlights the talents of dreamy theater-trained star Cameron Cuffe, who plays literal granddaddy of Kal-El Sig-El.
Our story begins 14 cycles (my people call them years) before the present of "Krypton." Kal-El greater-great grandfather scientist Val-El is on trial for heresy in the form of asserting that Kryptonians are not alone in the universe. A young teen Sig-El watches as his grandfather who increasingly evokes thoughts of Obi Wan Kenobi literally must walk the plank.
All this (and most of out story) occurs in the then-domed (rather than bottled) city of Candor. The rigid hierarchy of that society has the ruling class of ranked families, all of which lead a particular segment of society such as the military and the sciences. The hoi polloi are unranked people who generally live a deprived existence.
14 cycles later, a 23 year-old unranked Sig-El is in the middle of a brawl at the bar at his buddy Kem. One game-changer is a heroic act by the grandfather of a Justice League member gets him reranked into the "noble" house of Vex he also finds himself facing a marriage of apparent convenience to Nyssa-Vex.
A CW element enters the picture in the form of this engagement occurring at a time that Sig-El is getting busy with Lyta-Zod. Even someone unable to solve "Scooby-Doo" mysteries can figure out the rest of the story when Superman nemesis General Zod enters the picture. That development further enhances the Shakespearean vibe of this series that already looks and feels like a story from the mind of The Bard.
Another important element of the season-long story-arc comes in the form of easy earth-boy Adam Strange beaming in with a warning from our time. He delivers an essentially "your children need your help" message to Sig-El. This gist of this news is that a earth-based threat from the future is traveling to the "Krypton" present on that planet to prevent Kal-El from being born.
Meanwhile, DCU villain/collector of planets Brainiac is headed straight for Krypton; Team El is aware both that the scheme of that evil alien is to literally rip Candor from the face of Krypton and that the very reasonable objectives of Sig-El and Strange are mutually exclusive.
Meanwhile, there is plenty of Shakespeare-style drama around the aforementioned three leading families of Krypton. This includes an aptly major and potentially bloody vexing rift between the fiancee of Sig-El and his future father-in-law. This is not to mention an "its complicated" relationship between the three generations of Zods.
As if that is not enough, another Superman villain is a player. That reflects the philosophy of "Star Trek: Deep Space Nine" that contending with Klingon enemies requires having a Klingon directly fight on your side.
The bigger picture is that the inter-woven threads above and other related aspects of "Krypton" both keep the action non-stop and provides high-quality plots that reflect the awful truth that most solutions rarely are easy. This particularly has an O'Henry element in this cerebral series.
The copious extras in addition to the Comic Con panel include a "making-of" feature, a "Life on Krypton" bonus, deleted scenes, and a gag reel. A cutting-room scene between Nyssa-Vax and Seg-El is particularly note-worthy.
Batman: Complete Animated Series Deluxe Limited Edition Tops Holiday Gift Guide in DVD/Blu-ray Renaissance
The response of studios great and still great but small to increasing incursion of streaming into the DVD/Blu-ray/4K market reinforces the belief of Unreal TV that physical media rules and online content drools. The primary principle is that having something physical facilitates being able to watch what you want when desired.
Discs eliminate any chance of buffering, content slowing down other devices, or a streaming service pulling the content. You additionally do not have the aggravation of having to subscribe to multiple services to get the desired content.
The aforementioned defense to the offense of streaming, which has value when you are away from home, is to make physical releases more special. On a basic level, this involves designing new packaging to makes a release look cool and to incorporate it into a series of releases, This marketing may apply to the '80s teencoms, classic horror films, or the CGI-animated movies of a a studio.
Holy Hi-Def, Batman!
The Warner Brothers Home Entertainment October 30, 2018 Blu-ray release of Batman: Complete Animated Series Deluxe Limited Edition is a PERFECT example of the renaissance in the home-video industry. WBHE has expertly remastered every episode in this 1992-95 series. We also get Blu-ray versions of the equally well resurrected (reviewed) "Mask of the Phantasm" and the (also reviewed) "Batman and Mr. Freeze: Subzero."
The set packaging is very stylish, and there are special features galore. WBHE goes further by including three mini-figures, placing the discs in a collectible hard-cover book, and providing 7 lenticular cards with "original animation artwork." This is not to mention limiting the run of the sets to 69,048; I scored the relatively low number of 11,601.
A brief diversion into Blogland is that the TAS set is personally particularly special. It is reminiscent of the even-more special WBHE numbered limited-edition Blu-ray release of the Christopher Nolan "Batman" trilogy, which has better packaging and includes toy cars. This set was the first Christmas gift from the highly significant other who has tolerated your not-so-humble reviewer for six years and counting.
Olive Films Garden
Purveyor of Hollywood classics, cult films, and art-house fare Olive Films takes top honors regarding taking art-gallery-worthy DVD and Blu-ray packaging to the next level. The Olive Signature division of this company does particularly well regarding collector's editions that put a highly arrogant competitor to shame.
Many posts on Olive releases can be found in the Olive section of this new-and-improved site; several more are slowly but surely being copied over from Unreal TV 1.0.
The beautifully remastered collector's edition Blu-ray releases from Signature feature aptly high-end art. Olive supplements this with picture-perfect (no pun intended) remasters. The extra-rich icing on the cake is the copious PBS-worthy documentaries and other features in Signature releases The additional awesomeness is these being limited editions that make them that much more special.
Warner Archive Awesomeness
Archive always will have a special place in my heart. Lovers of television and film can thank Ted Turner buying the video libraries of several studios to provide his fledgling basic-cable networks content for Archive having a seemingly bottomless pit of resources 40 years later. These riches include classic Hanna-Barbera cartoons, all-time favorites and forgotten big-screen gems from every 20th-century era of Hollywood, and some of the best sitcoms and dramas to hit television from the early days of that medium to the present.
Archive reflects the trend toward enhanced packaging by reproducing the theatrical posters for films on the DVD (and increasingly Blu-ray only) releases of those movies. Archive is even more fully getting with the times by fully stepping with special features.
The bigger picture is that Archive is embracing the idea of leitmotifs that scream for bundled gifts . A few of many examples include releasing Christopher Lee "Dracula" films. Hitchcock movies, Silver Age musicals, etc. within several weeks of each other.
Most new releases of Golden Age fare provide a full night at the movies by including a cartoon, a newsreel, and a short from the era. We also often get footage of the premiere of the main feature. Archive releases of films from the '40s through the '70s typically have wonderful making-of documentaries that feature film experts such as Robert Osborne, Leonard Maltin, and Peter Bogdanovich.
The Archive section of this site provides a taste of these releases, including the aforementioned sub-genres; copying over the other 100s of reviews on Unreal TV 1.0 will require years.
Mill Creek Entertainment Springs to Life
Mill Creek Entertainment earns a completely sincere and equally heartfelt "Most Improved" award. No one loved the MCE collections of public-domain content more than your not-so-humble reviewer. Getting to see childhood favorites, such as "The Beverly Hillbillies" and "Petticoat Junction" was great fun. This is not to mention the glee associated with watching less-frequently syndicated classic sitcoms that include "Ozzie and Harriet" and "Burns and Allen."
MCE began stepping up in 2017 with Blu-ray complete-series sets of programs such as "Quantum Leap" and "That '70s Show."
MCE built on the foundation of "Leap" and "Show" by fulling with other awesome complete series Blu-ray sets in 2018. The MCE section of this site includes posts of the Showtime series "Masters of Sex," the especially good release of the Hulu animated series "The Awesomes," and the one-of-a kind Denis Leary NYFD firefighter series "Rescue Me."
MCE also is getting into the enhanced packaging/awesome special features game regarding classic '80s and '90s films. The current catalog includes the original star-studded "Flatliners" and the rising-star-laden '90s teencom "Can't Hardly Wait." Mid-January "retro" releases include the Arnold Schwarzenegger action-comedy "Last Action Hero" and the John Candy slapstick-comedy Who's Harry Crumb."
Aptly for this time of the year, the above discussion of the featured studios is only the tip of the iceberg regarding the gift-worthy releases from them. Everyone from a hard-core cinephile to an amateur sofa spud will delight in the initial thrill of seeing an artful set, will love the high-quality production, and will delight in learning more by watching the extras.
Including ALL FOUR episodes of the EPIC "Crisis on Earth-X" crossover of the CW Arrowverse series is the most notable of countless highlights regarding the Warner Brothers Home Entertainment (WBHE) September 18, 2018 separate DVD and Blu-ray releases of "Supergirl" S3. A former castaway on a tropic island nest tells us that the next crossover will center around Batwoman and Gotham City ahead of Greg Berlanti and his soccer stud spouse Robbie Rogers giving her a series.
Watching ALL 26 episodes this past weekend to prepare for this review proves that "Supergirl" is marathon (rather than binge) worthy. These well produced tales looking vibrant and crystal clear and sounding just as good in Blu-ray (and comparing them with DVD versions of S1 episodes) proves that shelling out the extra $5 to get it in that format is well worth it.
The bigger picture is that buying an S3 set provides a chance to get caught up before the October 14, 2018 S4 premiere of this series starring 2017 Teen Choice TV Actress: Action winner Melissa Benoist ("Glee").
The following statement by a WB suit nicely conveys the "Supergirl" spirit. WBHE Senior Vice-President of Television Marketing Rosemary Markson notes that "the series incorporates diversity, fairness and empowerment, and our fearless female Super Hero is a perfect role model in today's time. Primetime examples of some of these elements in S3 are a kick-ass engaged lesbian couple. an openly gay superhero (and his "reformed" supervillain boyfriend), a black James "Jimmy" Olsen, a black man/brother from another planet director of the Department of Extranormal Operations (DEO), and two high-powered female executives who clearly show the boys that this is not their first rodeo and that they had better not fuck with them, etc.
Bringing "Carrie" star and '70s TV mom/CONCURRENT 2010s star of stage, screen, and television Betty Buckley on as a tough but loving mother (whose best scene ends up on the cutting room floor) further reflects the strong spirit of empowerment in "Supergirl."
Doing the S3 release justice (pun intended) is beyond the scope of a single online review. The combination of independent lore, connections with the DCU in general and Superman specifically, and the action-packed events is of a grand scale. This article will touch on each point and highly recommends folks whom this overviews entice to learn more by buying the Blu-rays.
S1E1 establishes the girl power aspect of "Supergirl" right from the start. 20-something Kara Danvers (nee Kara Zor-El) explains that her parents spend the final moments before their home world of Krypton goes boom blasting tween Kara off in an earth-bound pod. Her mission is to protect and guide her baby cousin Clark Kent (nee Kal-El) on this planet far from Krypton. Things quickly going awry for Kara literally changes everything and helps set the stage for the primary S1 action.
The beginning of S3 finds Kara nursing a broken heart of her own making. Adopted sister/DEO colleague Alex Danvers (Chyler Leigh of "Grey's Anatomy") is doing a little better in the romance department in that she is planning her wedding with fiancee Maggie. The boys also are doing well, Former Catco tech. guy/current Kara close friend/boy with a dark past Winn Schott (Jeremy Jordan of "Smash") is a full-fledged DEO agent/lab nerd. Former sidekick/current corporate ladder climber Olsen (Mehcad Brooks of "Desperate Housewives") is a full-fledged superhero in his own right and only starts sleeping with boss Lena Luthor after scoring a corner office.
The S3 season premiere awesomely hearkens back to the pilot. The current threat to National City where Team Kara resides requires that the girl with something extra wrangle a submarine ala her bringing a plummeting jet under control in her first outing as Supergirl. (A later episode reveals potential global annihilation stemming from that first heroic act.) This S3 salvo also prompts a literal awakening that is a blessing and a curse for our heroine.
The "Midvale" episode is a fanboy dream that provides a break from the season-long worldkillers story arc that is central to the aforementioned pending apocalypse at the hands of Pestilence, Purity, and Reign. The title of this offering refers to a heartbreak prompting the Danvers sisters to visit mom Eliza Danvers (Helen Slater of the '84 "Supergirl" film). A alcohol-influenced spar prompts Alex and Kara to go to bed angry, which sets the stage for a tale set in the high school days of those then rival siblings. One spoiler is that this flashback is directly relevant in a future episode,
The fanboy element enters the picture in the form of the CW Superman coming-of-age series "Smallville." The most direct homage is having "Smallville" Lois Lane actress Erica Durance (who also takes over the role of birth mother Alura Zo-El on "Supergirl") makes a cameo appearance. Further, the same building from exterior shots of Smallville High provides the facade for the high school of our girls. Additional goodness comes in the form of Cousin Clark friend Chloe of "The Wall of Weird" fame helping the sisters The true valentine is in the form of following the "no flights, no tights" policy of the earlier series.
Kara also is the at the true heart of the aforementioned epic crossover. The stated premise of this television event is that the wedding of Barry "The Flash" Allen and Iris West is bringing Kara and her "plus one," Team Queen from "The Arrow," and some of "The Legends of Tomorrow" to Central City for a joyous event turned Moldavian Massacre. Team Berlanti staging numerous battles in which many of the best DCU residents face off against super-powered alien Nazi doppelgangers gives the fanboys what they want, The interaction among this seeming cast of 1,000s is equally special. A request to the good folks at WBHE is to please offer the aforementioned "Batwoman" crossover as a seamless movie format in the next round of Arrowverse releases.
All of the above provides a sense of the futility of giving "Supergirl" its due. An effort to keep this post to manageable length requires skipping ahead to discussing the S3 season finale. This one successfully juggles a multi-front battle against the worldkillers and wrapping up the season-long story involving The Legion of Super Heroes who travel from the past and the future to help team Kara. It also sets up the premise for the planned "Legion" CW series, makes changes that set the stage for "Supergirl" S4, and provides a cliffhanger that may require outfitting Benoist with a goatee. This is not to mention an awesome nod to the Christopher Reeve '78 "Superman" film.
The special features extend WELL beyond copious deleted scenes that will make fanboys weep regarding their exclusions. We also get a gag reel and a features on the crossover and on the wonderfully conflicted worldkiller Reign.
The bonus highlight is a full hour of clips from 2017 Comic-Con panels for the Arrowverse series. The elan and love of cast and crew alike both validates that all love his or her role and shows how they can make plots such as the aforementioned Super Nazis and a rampaging super landshark seem plausible. PLEASE keep it up Gregbie and company; we need this "unreal" entertainment in these highly toxic times.