The Shout Select division of Shout! Factory already makes lovers of mob movies and dark comedy an offer that they cannot refuse regarding the October 23, 2018 Collector's Edition of the 1995 film (not-to-be confused with the current Epix series) "Get Shorty." Folks who order "Shorty" directly from Shout! have a chance of becoming a made man by snagging a free "while they last" poster with new artwork.
Select further sweetens the deal by having this release coincide with Select making the (reviewed) fabulous Blu-ray of fellow '90s phenom comedy "City Slickers" available on real and virtual store shelves everywhere.
Like "Slickers," the scenery and the cinematography of "Shorty" look incredible on the 4K remaster of the Blu-ray. In this case, we start out with the bright hues of Miami and move on to all the many styles that are Los Angeles.
The aspects that make "Shorty" Select worthy include the dream team in front of and behind the camera. This starts with director Barry Sonnenfeld putting the same talent for dark humor that he displays in films that include the "Addams Family" and the "Men in Black" franchises to good use in this film about retired Miami loan shark turned aspiring film producer Chili Palmer (John Travolta). The good source material for Sonnenfeld this time is the comic crime-novel by the Stephen King caliber prolific author Elmore Leonard.
Travolta chooses wisely in making "Shorty" his follow-up to "Pulp Fiction" in this era in which he plays ticking time-bomb tough guys. His equally perfect cast mates include Gene Hackman as horror-film producer Harry Zimm, who has aspirations of making a film with substance, Rene Russo as B-movie actress with a history Karen Flores, and Danny DeVito essentially as Danny DeVito in the guise of actor Marin Weir. Actors who join the fun via cameos in which they play very true to type include Bette Mider, Alex Rocco, James Gandolfini, and Dennis Farina.
The following YouTube clip of the Shout trailer for "Shorty" provides another great endorsement for this must-see over-and-over film. Despite including roughly 15 vines of highlights, these images do not scratch the surface regarding the memorable moments.
The wonderful absurdity of "Shorty" commences with the opening Miami scenes in which antagonism between Palmer and fellow wise-guy Ray "Bones" Barboni (Farina) escalates on Bones hilariously making Palmer his bitch and our protagonist responding in kind. The subsequent events land Palmer in La La Land looking for Weir both to collect a debt and to pitch the story of the events that lead to his relocation.
Further complications arise in the form of the investors in a Weir film learning that their money is not being used in the agreed-to manner. Throwing in a psychotic drug-dealer with a world-class itchy trigger finger largely rounds out the fun.
The real fun (and hilarity) ensues when Palmer must keep several highly volatile spheres in the air while doing his best to avoid having any of them blow up in his face, Of course, the themes of this incredibly meta film include the similarities between how the mob conducts business and how supposedly legitimate Hollywood operates; this also proves the adage "its funny because its true."
The best truly is saved for last; we get both the mother of all cameos in the film and have a wonderful homage to the Mel Brooks comedy "Blazing Saddles," One spoiler is that there is no indication that the craft-services table at the movie-within-a-movie serves baked beans,
A highlight (and apparent Select standard) in the aforementioned bonus features is a roughly 30-minute documentary in which all the principals discuss their literal and figurative roles, DeVito steals the show regarding both his reminiscing about being recruited to play Palmer and the team getting "Fiction" auteur Quentin Tarantino to entice Travolta into playing Palmer. Another of the many features is a home-movie reel of filming scenes.
These bonuses emphasize the sad fact that Hollywood currently seems to lack folks with the talents that make a film like "Shorty" succeed. The simple-but-brilliant concept surpasses the theme of anything in the multiplex and the folks in front of the camera seem either to be stars rather than actors or are well past their prime.
The wrap regarding all this is that Shout! provides a chance to revisit the beginning of the end of art winning out over commerce regarding at least some studio fare.