The Icarus Films June 4, 2019 DVD release of the 2018 musical dramedy "Guy" provides so much wonderful fodder for a post that it truly is difficult to know where to begin. One spoiler is that this film is just as good as the copious Gallic films in the Icarus catalog but strays from the pattern of revolving around the emotional fallout from a hit-and-run. However, the audience is treated to the disco scene that another reviewer states is ubiquitous in French movies.
The central theme of the film is the comeback tour on which the titular French idol who enjoyed commercial success from the '60s through the '80s is engaged to promote a new greatest hits album. The handful of videos and concert footage provide great nostalgia for folks who "were there" and give Millennials a music-history lesson. An '80s video that evokes strong feelings of the "Sandcastles in the Sand" video (complete with appearances by Alan Thicke and James Van Der Beek) by faux '80s pop princess Robin Sparkles of the 2000s sitcom "How I Met Your Mother" is true fun for all ages.
Writer/director/star Alex Lutz EARNS a well-deserved 2019 Cesar Award for his portrayal of Guy Jamet. He receives the same recognition at the 2019 Lumiere Awards. Watching this 40 year-old play Guy at various stages of his life is incredible
The rest of the story is that Guy knowingly allows young filmmaker Gauthier to document his tour and other aspects of his current life. The pop star does not know that his constant companion has reason to believe that his subject also is his biological father. This element adds an extra-credit aspect to this A+ film.
Lutz stays very true to the mockumentary style both by having follow the camera follow Guy everywhere. We see him interviewed at a cafe, performing for an audience of adoring aging fans, at home with actress Sophie Ravel (who is promoting her hilarious spot-on procedural), jamming with his band and back-up singers on the tour bus, and (of course) pulling the plug on the film project only to come around. This, also of course, is not to mention the incident that threatens to derail the tour.
All of this culminates in the mother-of-all film finales. Documentarian and subject are still feeling the effects of a night of hard drinking when they emulate Don Quixote and Sancho Panza. Their conversation and a documentary-staple reveal a few minutes earlier indicate that Guy finally is starting to get the picture.
The best news is that "Guy" shows that they still can make 'em like that. The story stands on its own without either being an ego project for the star or relying on pyrotechnics. Further, the characters are among the most real and relatable reel-life folks to come along in quite awhile. Any resemblance to persons living or dead clearly is not coincidental.