Indie film god Film Movement proves that the play is the awesome thing regarding the June 12, 2018 DVD of the 2015 film version of "Hamlet." This version of that classic tale of a dysfunctional family with an emo boy is a perfectly filmed production of a live-stage performance at the Manchester (England) Royal Exchange Theater.
The following YouTube clip of a trailer for "Hamlet" highlights the artful staging, the intense trauma and drama, and the best-known scenes from this play.
The stark modern staging is perfect for the tone of the story. Androgynous tall thin blonde-haired blue-eyed actress Maxine Peake ("The Theory of Everything") portraying the titular Prince of Denmark follows the practice of the alternative casting in many modern Shakespearean productions. Her appearance also evokes the thoughts that Portia (rather than Ophelia) is the love interest of Hamlet and that the original Yorick soliloquy includes rambling about guessing that Hamlet did not know him very well and concludes that he did not know him at all.
Other fun comes regarding hearing the numerous Shakespearean quotes that originate in this work. Not only do "Hamlet" virgins learn of the roots of these still popular expressions, their frequent use provides the basis for a drinking game.
The best news is that the poetic Elizabethan prose is very understandable; it is equally cool that Peake expertly delivers the numerous soliloquies that provide the primary narrative. The only disappointment is the lack of musical numbers ala the "Gilligan's Island" take on "Hamlet."
Stage director Sarah Framkcom starts thing out right with a sight of the ghost of the father of Hamlet appearing in a manner that is more "Close Encounters of the Third Kind" than "A Christmas Carol." The action soon shifts to a dinner party at which Hamlet is still moping about the death of his father a few weeks ago and his mother Gertrude is reveling with former brother-in-law/new husband Claudius. The urging of Hamlet to get over it hilariously evokes thoughts of the episode of the '80scom "The Facts of Life" in which well-meaning teen Tootie tries to get a grieving Natalie to attend a Pat Benatar concert.
Hamlet learning that Claudius is guilty of regicide and fratricide sets our already excitable boy further on edge. The related revenge scheme further evokes thoughts of sitcoms by including a plan to present a play that is intended to unnerve Claudius.
Meanwhile, the impact of these events on Ophelia and Polonius (who is the mother of Ophelia) affects brother/son/Hamlet bud Laertes in a manner that strains his friendship with Hamlet. The pop culture analogy this time is to "The Princess Bride."
In true Shakespeare style, the final act consists of heavy emoting and bodies piling up like firewood. This leads to the curtain closing on the story.
The moral in this story that still rings true in the 21st century is to come for the culture and to stay for the relevance. Newly single parents often are are not very loyal regarding the former spouse and often quickly enter a second marriage with the wrong person; it is equally true that the kid is the one who suffers the most. It is equally relatable that the heir has mixed feelings regarding a leadership void in the family business.
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