Breaking Glass Pictures amusingly is a good buddy to film reviewers regarding the DVD release of the 2018 Argentinian gayish-themed coming-of-age film "My Best Friend." Writing about movies that hold your interest and that include proper portions of humor and drama is a nice contrast to sometimes literally losing sleep over how to state something nice regarding films that you would not feed to a dog.
The big picture (pun intended) about this film by Martin Deus is that it follows the pattern of a correlation between the amount of nudity and other sexual content and the quality of the film. The most prurient element in "Friend" is brief full rear and very partial frontal nudity in a high-school locker room.
The more narrow perspective is that "Friend" (and the similar (reviewed) "Speed Walking") indicate that Breaking is softening its awesome edge as it enters its mature stage. A negative aspect of this development is that these films and others like them may give gay teen boys false hopes about getting in both the hearts and the pants of their best friend. A related element is that lovers of the full spectrum of indie fare from Breaking hope that any embarrassment of riches does not deprive of us the good, the lewd, and the brutally honest that characterizes many films from that distributor.
The two wins for performances and additional awards for "Best Narrative" and "Best Screenplay" at the 2018 OUT at the Movies Int'l LGBT Film Fest perfectly reflect what makes "Friend" special. The following YouTube clip of a trailer for the film validates those honors.
Our central character is everyteen Lorenzo, who is living a comfortable middle-class life with his loving parents and his adorable little brother Lucas. Lorenzo also is well-liked by both girls and boys and gets to hit it and quit it with the female object of his affection.
Trouble comes a knockin' when Lorenzo arrives home one afternoon to find Caito waiting outside with an expectation of a long visit. The rest of the story is that the father of Caito is a former football (my people call it soccer) star/ex-con, who is a childhood friend of the father of Lorenzo. This presumed defensive midfielder had called a few days earlier to ask if Caito could stay with the other family for a while because the step-brother of Caito was recovering from a bad motorcycle accident. This conversation did not seal the deal regarding Caito essentially becoming a foster child.
Lorenzo and the 'rents accept the situation and have Caito literally bunk with Lucas, who is surprisingly chill regarding the matter. This response also includes asking Lorenzo to subtly keep an eye on his new bro. Said dude not taking long to show that he is a bad seed prompts more surprising understated reactions regarding this development.
The rest of this story is that Lorenzo is quiet and studious; Caito is a tattooed relatively tough and sullen guy who is into sports. The boys connecting over a few common interests supports the theory that opposites attract.
A bonding scene that involves literal pillow talk creates high expectations for at least 10-percent of the male viewers; another tender scene creates ambiguity regarding whether Caito is demonstrating mercy or is playing for the same team as Lorenzo. These moments and others like them provide good context for the behavior of Caito.
Another memorable scene is between Lorenzo and his mother; she puts most other reel (and real) moms to shame in gently inviting her son to come out the closet if he is in it. This awesomeness includes respecting his wishes and not pushing the matter. This conversation further is contrary to the theory that every gay man has "a mother."
The most cute moment comes via the 'rents essentially telling Lorenzo that they are going to get rid of the bad puppy, whose misdeeds include running feral, unless Lorenzo agrees to take more responsibility for this pet. Watching the younger and smaller boy assume control over the willing older and larger guy is very amusing.
This warm-and-fuzzy film with an edge stays true to the spirit of the movie by ending with a whimper (and perhaps a bang) after a final round of trauma and drama. Mainstream Hollywood may not have presented the ending, but everyone at least is a little older and wiser.
Breaking further outdoes itself regarding the extras of which it always is proud. The highlight is the 24-minute Deus film "The Prisoner." This tale of high school boys slightly notches up the homoerotic meter from "Friend."
"Prisoner" begins with two boy scouts waking up with a pup tent. One of the lads, who is breaking his back, consistently calling his mountain companion "Sir" seems to be insincere until we soon learn that the expression of military-style protocol is genuine.
The action picks up on the boys finding a nearly naked younger guy tied up and leashed. This newcomer (no pun intended) literally plays for the other team in that he is on the side of two groups that are playing war games.
The pair becomes a trio as the new captors bring their prisoner along with them. This leads to additional adventures that relate both to trust and to the Stockholm Syndrome. An apparent betrayal of that trust concludes with scenes that show that boys will be boys.
Breaking also includes interview with Deus and his cast; a "Behind the Music" extra pays homage to the great soundtrack of "Friend."