The Icarus Films February 5, 2019 DVD release of the 2017 Iranian drama "No Date, No Signature" adds more proof to the pile of evidence that world cinema eclipses even indie productions in the United States.
This release comes a few weeks after the announcement of the eight "Best Picture" nominees for the 2019 Oscars. Of this octet. having only seen "Black Panther" and solely doing so to keep up with the "Avengers" franchise reinforces that something is rotten in the state of California (and Wakanda).
On a lighter note, fans of the many (oft-reviewed) Icarus films will recognize the theme of a car striking a pedestrian that is an element of several movies in that catalog. It seems that a filmmaker who wants to increase the odds of Icarus releasing his or her production should have a character take one for the team.
Many of the 13 wins and additional 15 nominations being for rookie writer/director Vahid Jalilvand reinforces that that artist has excellent instincts. The fests that bestow that accolade range from the 2017 Chicago International Film Festival to the Fajr Film Festival the same year.
The following YouTube clip of the official U.S. trailer for "Date" further illustrate the merits of the film. It is a quality production of a compelling story. There is no reliance on the star power of the lead, and the story (mostly) avoids melodrama.
The opening scenes reflect Jalilvand striking a good balance between exposition and getting down to business. We see forensic pathologist Dr. Kaveh Nariman going about his business before getting in his car for the drive that changes everything.
Many of us can relate to the circumstances that lead to to Kaveh striking the motorcycle that Moosa is driving, These events also establish the theme of shared (and arguably ambiguous) culpability that runs throughout "Date."
Kaveh immediately does the right thing by offering medical care and monetary compensation; he also repeatedly urges Moosa to bring his injured young son to a nearby medical clinic. Moosa refuses the offered care and cash but indicates an intent to take his son to the clinic.
Anyone (i.e., all of us) who has experienced thinking that an unpleasant incident is resolved only to have it resurface can relate to Kaveh learning soon after the accident that the injured boy is DOA on arriving at the hospital where that medical professional works. The autopsy form listing the cause of death as unknown does not help matters.
The mystery for the co-workers of our Iranian version of Quincy is why he is so upset regarding the treatment of a boy that he merely identifies as the son of an acquaintance. The first part of the puzzle for Kaveh is whether the injuries from the hit without a run or the diagnosed botulism is the cause of the death of the deceased. A related issue is whether the boy would have fatally succumbed to the disease in a few days regardless of whether the accident occurred.
The survivor's guilt of Moosa manifests itself in his probable role in his child getting botulism. This prompts the distraught parent to confront a man with a role in those events. Suffice it to say that that exchange takes a heavy toll on both men.
All of this leads to resolutions that provide one-and-all realistic but not happy endings. The lessons are that many people can contribute to bad outcomes and that karma is the mother of all bitches.