Film Movement aptly chooses the beginning of the academic year to take us back to school; art school that is. The September 11, 2018 release of the documentary "Revolution: New Art for a New World" by BAFTA winning filmmaker Margy Kinmonth puts the century-long Russian Avant-Garde movement in the perspective of the Russian Revolution. The first aside is that the incredible cinematography of the grand Russian buildings and of the copious bright paintings SCREAMS for a Blu-ray release. The second aside is that the wonderful art that indirectly comes from the revolution includes the awesome full-length "Anastasia" cartoon that is worthy of its Blu-ray edition.
The final aside is that the "Revolution" release coincides with the Movement DVD of the reviewed "Between Land and Sea." That one documents the year in the life of an Irish surf town.
Kinmonth opens "Revolution" with archival footage of the coup accompanied by narration that explains the basis for the regime change. She soon combines her themes with an image of a famous photo of a literal corpse-lined street, Graphic images of equally literal skin-and-bones corpses is far more disturbing. An equally symbolic look at the black square paintings of Kazimir Malevich accompanied by exposition on them is a less distressing look at the art of the era,.
The copious talking heads who put all this is in perspective include the usual suspects in the form of art experts; we also hear from the descendants of the artists who create the studied work. The story of Chagall is especially interesting in that the revolution literally and figuratively allows this Jewish man previously denied broad freedom.
The underlying aspect of propaganda equally contributes to the entertainment and educational aspects of "Revolution." The aforementioned colorful works depict the new Utopia that the Bolsheviks assert as the new reality of the Russian people. Thus ultimately evolves to the better known blatantly propaganda posters that Kinmonth gives equal time.
A particularly fascinating aspect of this is the sculptures that Lenin commissions to honor revolutionary heroes. Special fun comes via learning both how Lenin adapts to a limitation and why these works literally fail the test of time.
We get an equally rare look at the master works that surprisingly pass the test of time thanks to archivists who recognize their value. The interesting broader perspective is that this shows that the Soviet Union shares the Nazi view that preserving art is a priority.
We also learn about the game changing aspect of Stalin coming to power. A spoiler is that last year's national hero is this year's Gulag resident; the overall theme is that the average Ivan is the new ideal. The special perspective this time comes from an elderly woman with a personal memory of an artist becoming a guest of the state.
The roughly 20 minutes of bonus footage consists of segments from the editing-room floor. These include separate coverage of women artists and avant-garde architecture.
The biggest picture (no pun intended) is that the subject of "Revolution" illustrates (pun intended) how the art of an era reflect the politics of the day. Kinmonth deserves thanks both for valuing art over commerce in presenting this and for succeeding so well in doing so.