Warner Archive continues making the best movies of which you never heard available by releasing the 1932 thriller with social commentary "Roadhouse Murder" on DVD on June 11, 2019. Archive using the term "the deadly Dykes" in the back-cover synopsis enhances this joy.
The following YouTube clip of an Archive promo., for "Roadhouse" is of a pivotal sequence that wonderfully illustrates the vintage early talkie feel of this highly theatrical film. The flawed picture quality of this clip also highlights the much better images and sounds of the Archive DVD.
Like a full gamut of '30s films, our story begins in the bullpen of a newspaper; in this case, a disgruntled veteran reporter is expressing his job dissatisfaction in strong language for films of that era, We soon see the basis for those sentiments.
The toxic editor who inspires the ill will subsequently turns his wrath on cub reporter Charles "Chick" Brian. Chick does good by catching a loose woman red-handed with hot ice and by getting a photo of her in literal hot water. This dame having a friend in a high place kills both the story and the immediate potential for Chick to advance his career.
This blow prompts Chick to take secret girlfriend Mary Agnew, who is the daughter of homicide Inspector William Agnew, for a ride in the country, Things take a combined "It Happened One Night" and "Scooby-Doo" turn when a sudden deluge requires that this unmarried couple without any physical baggage take shelter at The Lame Dog Inn. The manner in which the innkeeper takes advantage of the assumed vulnerability of these guests is a "Roadhouse" highlight.
Things going bump in the night lead to our nice young people discovering the titular crime and knowing whodunit.
Rather than immediately finger the perps, Chick decides to frame himself with the idea that his story literally will be front-page news. The rest of this career-advancement plan involves entrusting Mary, whose name literally is kept out of the papers, with a figurative smoking gun. The rest of her job is to produce this compelling evidence before Chick becomes a permanent guest of the state.
"Roadhouse" then uses a technically advanced method for the era in a variation of using shots of newspaper headlines as an exposition device. This clearly shows Chick is both the story and the author of his tale.
The honeymoon ends on Chick being caught in the worst place at the worst time. This leads to the climatic courtroom scene that seems mandatory for most Golden Age films of every genre. A nice twist ensues courtesy of a chain-of-custody issue requiring that Mary (with help from Dad) does more than just stand by her man.
More fun comes via the cynicism that pervades "Roadhouse" creating the possibility that truth, justice, and the American way will not prevail.
The scoop regarding all this is that "Roadhouse" reminds us of the era in which even B-movies have strong merits.