The Blu-ray quality Film Movement DVD of the 2018 drama "Styx" proves that some do make 'em like they used to; aspects of this are showing that art and commerce are not mutually exclusive and that even a simple low-budget concept can be exceptional in the right hands, such as those of writer/director Wolfgang Fischer.
The well-deserved 29 wins and 18 additional nominations for "Styx" circumventing the globe shows apt love for this film about a solo sailing trip turned horrific ethical and moral dilemma. These accolades include Fischer getting the "New Auteurs" honor at the 2018 AFI Fest and several wins at the 2019 German Film Awards.
The following Movement trailer for "Styx" offers a strong sense of the multi-award-wininng perfect performance by Susanne Wolff in this essentially one-woman show, the aforementioned cinematography, and the compelling dilemma around which much of the action is centered.
The opening on-the-job scenes establish emergency-room doctor Rike (Wolff) as a compassionate and fierce medical professional; subsequently embarking on the aforementioned journey to what can be considered a Charles in charge natural paradise shows that her strong will and independence are not limited to her work.
The first real obstacle on this trip is the most physically daunting; a warning of an impending storm does not deter Rike from literally and figuratively changing course. The ensuing tempest may not be perfect but does throw very rough weather at this fearless crew of one. Her tiny ship is tossed but not lost; nor does she run aground.
The calm after the storm is disrupted when Rike encounters a ship in distress that is filled with people who do have to live like refugees. Rike wisely initially follows maritime protocol in alerting the authorities; conflict arises when the powers-that-be express less-than-hoped-for concern while strongly directing Rike to not come to the rescue. Part of this relates to not attempting a rescue that endangers the rescuer.
The next round of ensuing chaos relates to the passengers on the sinking ship seeing the sailboat of Rike as a sanctuary that prompts a literal swim for the figurative border. However, Rike does bring one of these passengers on board; the ensuing events epically proves that no good deed goes unpunished.
Fischer and Wolff expertly convey the mounting tension as the situation on the other ship becomes increasingly dire, the still-absent authorities amp up the intensity of their insistence that Rike not jump ship, and the now unwelcome passenger exerts strong pressure to come to the aid of his group.
It is predictable that everything comes to a head (no pun intended) near the end of the film as all act according to his or her nature; the surprising manner in which this occurs reflects the 29 wins for the film.
Movement supplements this with the food-for-thought short film "Ashmina." The excellent pairing of this movella with "Styx" relates to the young girl at the center of it is like Rike in that she is caught between two clashing worlds and faces intense pressure to be a good girl and do as she is told. This is not to mention the girl having a similar third-world existence and aspirations as the refugees on the the "Styx" ship.