[EDITOR'S NOTE: This review is of Australian DVD releases of "The Ghost and Mrs. Muir," which has not been released on DVD in the United States. These releases require using an international DVD player; they will not play on a standard Region One U.S. player.]
These thoughts on the April 2104 Australian DVD releases of the first and secondseasons of the 1968-1970 U.S. fantasycom "The Ghost and Mrs. Muir" are breaking news in the sense that a "fourth scene twist" a few nights ago prompted writing on this topic in favor of a (subsequently published) less positive three-part series titled "Back to Dystopia Days: How the Cunninghams of the '50s Would Fare in 2015."
The aforementioned development was the bedside Scooby-Doo telephone of your (sometimes humble) reviewer ringing at 11:30 p.m. Eastern Time. On coming down to my home office the next morning with thoughts of dystopia in my noggin, I was thrilled to see that the call was from "Muir" child star Harlen Carraher. Carraher is the former tow-headed moppet who played the young son of the titular widow.
Carraher, whose last listed acting job aptly was a guest shot on "The Brady Bunch," kindly provided his private number weeks ago on learning of the great love of "Unreal TV" for "Muir." The call last night was the latest round in a game of telephone tag that a three-hour time difference and other factors have caused to last for months. An interview with Carraher will run after we connect.
As an aside, the incredibly gregarious Carraher asks that fans please not contact him at his current literal day job. Unreal TV is glad to pass along messages and ask questions that reach here before Carraher does.
Returning to our main topic, "Muir" is an all-time after-school reruns favorite that is a frequent subject of posts regarding series that are overdue for U.S. DVD releases. This love is behind spending roughly $70 total for the aforementioned Australian releases of both seasons. This follows spending an embarrassingly large amount on the Australian release of the third season of fellow '60s fantasycom "My Favorite Martian" years ago following interminable delays in then-Warner division Rhino releasing that season.
The premise of "Muir," which is based on the 1947 film of the same name, is that Carolyn Muir (wonderfully played by Hope Lange) moves Jonathan and his slightly older sister Candy to Gull Cottage in the small coastal Maine community of Schooner Bay. The Muir clan soon learns on moving into that rented abode that original owner Captain Daniel Gregg (well portrayed by "Knight Rider" star/character actor Edward Mulhare) haunts the house and does not welcome "Others" living there. One spoiler is that this stalwart sea captain is not allergic to sunlight.
The following clip, courtesy of "YouTube" and a fellow "Muir" fan, of several moments from the series shows the wonderful slapstick element of this terrific program.
The pilot achieves an excellent balance between exposition and getting down to business in that it opens with a moderately spooky scene in which current owner (and Gregg heir) Claymore Gregg (perfectly played by over-the-top campy actor Charles Nelson Reilly) arrives at the haunted mansion to inform his ancestor of the imminent arrival of the Muir family. One dystopian note is that this scene explains the need to rent the house to prevent a tax foreclosure. This scene ends with a series staple of the titular spirit rousting the Mr. Chicken of the show out of the house. However, this night-time scene contrasts with the later consistently daytime expulsions of Claymore.
Another dystopian element of the pilot has freelance writer Carolyn telling her unexpected housemate that she cannot afford to move. That hardship and a growing admiration/love for this widow leads to a workable detente following a hilarious scene in which the Captain and the widow wrestle for control of the family station wagon.
The on-screen chemistry between Lange and Mulhare is not perfect, but each plays his or her part well. It is also nice to see that they are largely equals and that the Captain must accept the nature of a modern liberated woman while Mrs. Muir must understand (and respect) the nineteenth century sense and sensibility of the Captain.
A particularly hilarious scene in an episode has Carolyn asserting her independence prompting the Captain undoing his good deed after magically fixing a flat tire. This outing also has Carolyn establishing the rule that she will take care of people and the Captain can take care of the ghosts only for the former to (predictably) soon learn that having a supernatural man around the house is helpful.
A somewhat related (and even more amusing) episode has Carolyn trying to cure herself of the "delusion" that she is sharing her home with an increasingly friendly ghost. Watching this frustrate said spirit is must-see TV.
A more ripped from the headlines episode has the medicine that the Captain prepares for an ailing Mrs. Muir transport her back to the Gull Cottage of the nineteenth century. This led to (unrealized tongue-in-cheek) hope (no pun intended) that lightning would strike twice when consuming massive amounts of maximum-strength NyQuil during a recent personal bout with severe pneumonia. Alas, a very relaxing near comatose state was the only result.
Other memorable segments from the roughly 50 "Muir" episodes include adorable family terrier Scruffy announcing the presence of an invisible Captain only to have the latter exact incredibly cute revenge, a temporarily powerless Captain struggling to telepathically move a teapot, and uber-successful dreamy singer/songwriter Harry Nilsson play a dreamy young performer who seeks refuge at Gull Cottage after the Captain attempts to drive him off the nearby beach.
Other notable guest stars include Bill Bixby of "Martian" as a determined paranormal investigator, "Oliver" star Mark Lester as a love interest for Candy, Richard Dreyfuss as a newspaper editor, and comic legend Dom Deluisle as a bumbling ghost who gets haunting lessons from the captain.
On a larger level, this incredibly fun and entertaining series has a few elements that continue to delight. Your (sometimes humble) reviewer derived a laugh from his significant other when recreating the overhead wave that a beach-walking Lange uses to gesture to Mulhare in the opening credits during a scene in current theatrical film "Still Alice" in which Julianne Moore walks on the beach. We also crack up whenever there is a reference to matronly live-in housekeeper Martha (played by Reta Shaw) using her "sweet cherry pie" to coerce the dessert-loving local handyman to do her bidding. Martha withholding that treat prompts particular hilarity.
On an even broader level, "Muir" and its ilk (such as "Martian") are simply awesome "unreal" shows that provide great entertainment without dumbing it down or relying on sexual innuendo. Other than Claymore and a few small-town stereo types, no one really plays the fool.
Further, the respect and love that our lead characters feel toward each other clearly drives the show. Seeing the Captain wanting to get into the heart (rather than the pants) of the object of his affection flames the desire for a return to nineteenth century values (absent the rampant racism and sexism and anti-homosexuality hysteria).
As a second alas, the DVD sets do not include any extras. The picture and sound quality are very good, and the episodes seem to be the broadcast versions
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