 The Icarus Films August 6, 2019 DVD release of the 2017 mystery thriller "The Girl in the Fog" adds to the mountain of proof that Euro cinema greatly outshines Hollywood fare. This tale of a 16 year-old gone girl is based on the novel of the same name by Donato Carrisi, who writes the screenplay and directs the film.
The formal accolades for "Girl" include a 2018 Italian Golden Globe for Carrisi for his screenplay and an even more deserved Best Actor Golden Globe for Toni Servillo for his perfect portrayal of police Detective Vogel. Carrisi achieves an ideal balance of action, exposition, and tone by having the opening scene portray the title of the film. We see a shadowy village teen walk out of her Avechot home in the Italian ALps and disappear into the night. This little wander is outwardly good-girl Anna Lou Kastner, who never makes it to her stated destination of her fundamentalist church. The quality of this film with frequent narrative time shifts is reinforced by following a variation of the modern movie staple of immediately moving us to the beginning of the end of the story without insulting our intelligence by including an intertitle that explains that jump, This leap begins with a literal rude awakening for town shrink Dr. Augusto Flores (Jean Reno). He is called into his hospital office in the middle of the night due to an emergency related to a car accident. On arriving, Flores is dually (and duly) surprised to see that his patient is unscathed physically (and seemingly mentally intact) and is Vogel, who is a local celebrity due to both the Kastner case and an earlier (and even more bizarre) crime spree known as "The Mutilator Case." The latter involves a mad bomber hiding explosives in containers for everyday items and putting them on grocery-store shelves. This discussion between these two weary veterans of their professions provides exposition for the rest of the film, which mostly shifts among the events following the disappearance and the "whodunit" scene at the end of "Girl." These men further talk about the theme of connectivity that is a major element of the film. All of this relates to Vogel being more interested in media relations and providing a resolution that satisfies the masses, rather than bringing the actual killer to justice. Ambiguity exists regarding the extent to which Vogel will go to achieve his objective. This is not to mention a television reporter showing that she can play the game as well as the boys. New high-school teacher Prof. Loris Martini is at the center of much of the primary action. One lesson here is that just because you find yourself in a Kafkaesque nightmare does not necessarily mean that your are innocent; the second-part of this moral is that the guilty and the innocent alike face intense media persecution. An "incident" has prompted Loris to move his (now unemployed) attorney wife and his (now sullen) teen daughter to the village. A media-whore girl does not help matters when she first persuades Loris to give her acting lessons and then distorts the nature of their extra-curricular relationship when he becomes the prime suspect in the Kastner case. Circumstantial evidence of varying degrees of credibility creates a strong possibility that Loris will spend the rest of his life as a guest of the state regardless of his guilt. The important thing for some with a horse in the race is that Loris is an attractive suspect. This initially culminates in revealing the full story behind the"accident" of Vogel and then what becomes of Anna Lou, who is a pet with her own secret life. All of this amounts to "Girl" proving that quality intelligent thrillers still are out there and just require a little investigating to find,
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