Wrapping up the four-part series of reviews on the uber-diverse Olive Films August 16, 2016 Blur-ray/DVD releases that has dominated Unreal TV this week with the very groovy psychedelic 1968 dramedy "Wild in the Streets" arguably saves the best for last. This is because this satire regarding granting the actual disenfranchised the vote is very relevant in what arguably is a satirical actual presidential campaign makes it the most relevant of the four.
"Wild," which has a wonderful LSD vibe sound track, opens with '60s style surreal scenes of the oppression/abuse and subsequent drug activity and related rebellion during the childhood and teen years of later counterculture rocker 24 year-old Max Frost. Dreamy Christopher Jones of "Ryan's Daughter" does a terrific job playing Max as someone mainstream enough to (initially) not scare parents while being enough of a rebel to be a teen idol in this era of free love.
Using what seems to be the living room set of the wholesome '50s sitcom "Leave it to Beaver" for the childhood home of Max is almost as awesome as casting top-billed Shelley Winters as his status-obsessed (and later borderline-incestuous) typical '60s housewife mother Daphne.
The action soon shifts to the palatial estate where multi-millionaire commodity Frost lives with his entourage/band. These include adorable 15 year-old Yale Law graduate/accountant/guitarist Billy Gage (who looks as if he is one of My Three Sons). Richard Pryor does well in his early film career role as hilariously named drummer Stanley X.
Classic TV fans will enjoy seeing Kellie Flanagan of the '60s fantasycom "The Ghost and Mrs. Muir" as the young daughter of Fergus. As a first aside, Flanagan states during a May 2015 Unreal TV interview that "Wild" star Hal Holbrook is extremely caring and nice. As a second aside, Flanagan gets one of the best lines in the film during her final scene in which she takes Frost to old school.
"Youthful" 38 year-old California Congressman/U.S. Senate candidate Johnny Fergus (played by a wonderfully youthful Holbrook) recruiting Max and the band to play at a campaign rally gets those kids thinking about the real-world issue regarding 18 year-olds being eligible to be drafted and sent to Viet Nam but not being allowed to vote until they are 21. A related thought is that the majority of the American population is 25 or younger.
These events soon lead to Fergus losing control of Max, who begins an aggressive campaign to lower the voting age to 14 as shown in an awesome video courtesy of YouTube. This, in turn, lead to other satirical reforms that take the '60s concept of not being able to trust anyone over 30 to a hilarious extreme. The expert handling of this includes every scene with Fergus and Frost having the other appear much taller than the latter and looking like father-son interaction.
The related hilarity includes what can be considered weaponized LSD, an outraged senior in every sense U.S. Senator witnessing the free-spirited debauchery at Chez Frost, and the straight-laced teen son of Fergus engaging in the cutest form of rebellion ever.
Like all great satire, this exagerated version of reality in "Wild" works because it uses a talented writer and director to determine what likable and/or absurd characters say and do. Being given power is a fantasy of the young, and absolute power corrupts absolutely regardless of who yields it.
On a larger level, "Wild" is fun nostalgia for folks old enough to remember psychedelic cinema and a great look at the "ancient" past for folks who have never seen a corded telephone.